Track Reviews

Shakey Graves Releases The Sleep EP Ahead of Upcoming Album

Alejandro Rose-Garcia, better known by stage name Shakey Graves, has long since been an Austin icon. A self-proclaimed ‘Texas gentleman,’ his prophetic lyrics and unapologetic DIY sound have earned his catalog regard as one of folk-rock’s greats. His signature suitcase kick drum, perfectly homemade and casual, epitomizes the distinctive one-man band style of his past recordings and live performances. Undeniably, Rose-Garcia has come a long way from those early days of Bandcamp releases and solo shows. The 2014 drop of album And the War Came marked the beginning of his transition to a more polished sound and filled out live set, of which  he shared his thoughts on while opening for City and Colour in June of 2016. “There’s nothing wrong with needing a little help from your friends,” he explained. Although the recent re-release of The Donor Blues and Nobody’s Fool EPs one summer later seemed to indicate a potential return to his earlier bedroom style, upcoming record Can’t Wake Up suggests the contrary.

WRVU Look-Back: The Decemberists and German Romantic Opera

If you’re a Decemberists fan, you’ve probably sung along to the folk anthem “Down By The Water” on a Sunday drive. If you’re an avid fan, you became intimate with their chart-topping 2011 release The King is Dead and have been a regular listener ever since. And if you’re a hardcore, there-for-every-show-marry-me-Colin-Meloy fan, then there’s a chance you’ve heard of their 2009 album The Hazards of Love.

The Front Bottoms Succeed—But Also Fail Miserably—With Going Grey

Going Grey, released October 13th on Fueled by Ramen

I guess I missed the day in class when we learned that “Going Grey” was synonymous with “Selling Out,” but thankfully The Front Bottoms (TFB) caught me up on that lesson with their album release earlier this month.  Gone is the TFB known for their trademark gritty sound, lyrical depth, and endearing awkwardness.  The new era of TFB is under strict dictatorship by their label, Fueled by Ramen, and it definitely shows in their catchy, over-produced pop-punk album, Going Grey.

King Krule Triumphantly Returns with ‘The Ooz’

King Krule’s The Ooz will be released October 13th.

King Krule’s The Ooz starts out modestly with “Biscuit Town,” leaning more towards the jazzy, hip-hoppy, slow-talking side of his elusive persona than the urban stoner aesthetic he embodies on, say, “Bleak Bake” from his 2011 self-titled album. Its quiet and enticing first track is a good palette cleanser for the rest of the album: The Ooz meanders through a staggering hour and six minutes of pleasantly cohesive yet disparate directions, taking us from peaceful piano to ethereal cacophony and back again. It’s, in fewer words, nothing short of beautiful.

The World Is a Beautiful Place & I Am No Longer Afraid to Listen to ‘Always Foreign’ on Repeat for the Next Month

From Epitaph Records

The World Is a Beautiful Place & I Am No Longer Afraid to Die (TWIABP) has been a powerful presence in the ’emo’ community since the release of their debut full-length album Whenever, If Ever (2013).  Last week, the band released their third album, Always Foreign, a phenomenally composed album overflowing with cynicism, chaos, and an unadulterated sense of vulnerability.  

Moses Sumney’s Aromanticism Leaves Little Room For Longing

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(Courtesy of the artist’s Bandcamp page)

Moses Sumney’s debut full-length Aromanticism, released Sept 22nd on Jagjagwar, is a shimmery showcase of Sumney’s smooth-as-butter voice that marks an artistic departure from his 2016 EP Lamentations. While the EP revolves around layers of Sumney’s vocals and guitar, his latest release incorporates a much wider color palate, replete with beautiful orchestration and swirling synths. There’s a higher production value, which in turn sacrifices some of the intimacy of his earlier releases which made his music so powerful.

Why You Should Be Excited About Shoegaze in 2017

via Twitter

So perhaps you’ve seen the pink guitar album, or at the very least seen praise heaped upon Bullet For My Valentine and thought it odd that not only have they been a band since the late ’80s but that they’ve also done anything worth mentioning in the same sentence as the words “critical acclaim.”

“Shining” and the Art of Making Another One

 

(via 991Nation)

Released in the after-hours of the Grammys on February 12th, DJ Khaled’s “Shining” is definitely one of the best songs in its genre of this very young year, and just about everything about it works. It’s Khaled’s trademark pop production firing on all cylinders, and its arrival after last year’s “For Free” is evidence of Khaled’s sustained return to form as a hit-maker.

Altering Tracks: A Perspective

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Originally, this blog post was going to be a review of Tinashe’s newly released commercial mixtape Nightride. While I quite like the mixtape, something so atrocious happened during its production that it entirely consumed the contents of this post.

Young Thug was removed from “Party Favors”.

Albums That Don’t Suck As Much As I Once Thought

vinyl

While on a music-deletion rampage sometime last week, I realized that a lot of the albums I downloaded legally purchased ages ago only had roughly 2 or 3 songs on them that I recognized/ever listened to.  I gave some of these albums that I originally didn’t like more of a chance to woo me, and on most accounts I was pleasantly surprised.  

Let’s Talk About David Bowie’s “Blackstar”

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David Bowie — “Blackstar”. Image couresty of Wikipedia.

David Bowie released the title track off of his forthcoming album, a 10-minute behemoth complete with a disturbingly surreal music video, about two weeks ago now. And despite almost obsessive listening over the past two weeks, I’m not sure I know any more what “Blackstar” is than I did when I first heard it. All I know is that I can’t stop listening.

I Just Love Earth / Flood Out Your Wrist: Playboi Carti & 21 Savage

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Listen to “Peepin,” Atlanta icon Gucci Mane’s commemorative track for THEBURRPRINT.COM, and you’ll hear two of the city’s youngest and brightest rising talents. Playboi Carti and 21 Savage represent some of the best of the “New Atlanta” wave, a sorta shaky label that seems to get more and more nebulous. A better descriptor would probably just be “underground rap” but even this conjures up images of dusty cyphers and grimy dudes with backpacks and NYC golden-age obsessions. It’s best to just say that this versatile group is solely doing their own thing on their own time, which is fine because they’ve kept the city laced with talent for a while now. I’m gonna name names now: Key!, Rich The Kid, Two-9, Peewee Longway, Tk N Cash, K Camp, Bankroll Fresh, and Hoodrich Pablo Juan have been making hits for a minute now and frankly, it’s glorious. Add them to Father and the rest of Awful Records and you start to realize how bountiful good rap is in the city (same city that has Young Thug btw). These artists may not be running the radio game as well as the gawds Future, Migos and Rae Sremmurd (yet) but their presences are definitely felt.

RTJ Let the Cat out of the Bag

Photo by Timothy Saccenti
Photo by Timothy Saccenti

Winners of WRVU’s 2014 Album of the Year Contest, rap duo Run the Jewels has been no stranger to critical acclaim since the release of Run the Jewels 2 last year. Killer Mike and El-P have not dropped any new material since then, but are set to release a remix album sometime in September. Meow the Jewels, the idiosyncratic remix of Run the Jewels 2 fans have been waiting months to listen to, will feature the duo rapping their lyrics over cat noises. Just this week, Run the Jewels gave a little sneak-peak into the album with “Oh My Darling Don’t Meow”, a play on “Oh My Darling Don’t Cry”.

Four Months of Music: A Retrospective

As the school years comes to an end and finals begin to ramp up, it’s natural to think about everything other than academic responsibilities at hand. Naturally, it’s a time to dwell on memories, friendships, and, of course, our time here at WRVU. For me, this last blog post has got me thinking. While it’s incredibly sad I’ll be missing all my WRVU goings on for the next eight months, I’m beyond amazed at all the new stuff that’s been released in 2015.

As an ode to WRVU and this semester, I’ll be highlighting my ten favorite tunes of the semester, starting from the bottom (because Drake). If you happen to like electronica, check out some of the dopest of beats from early 2015 below.