Tag: Concert Review

King Princess Reigns Over Nashville

Credit: Dylan DePriest

Last week, King Princess graced us with a stop on her “Pussy is God” tour in Nashville. Debuting in 2018 with her ep, Make My Bed, King Princess is already cementing her reign as one of the premiere rising pop stars. Make My Bed is a masterful blend of catchy hooks, emotional, and self-aware digs, backed by a strong queer identity, and earned her an almost cultish following. Exit/In was a surprising venue given her popularity, and sold out nearly instantly. The intimacy of the venue, this venue was the perfect place to stage her show.

Tash Sultana Shakes Up War Memorial Auditorium

The “one-person-band” known as Tash Sultana rolled through Nashville last Friday as part of their Flow State World Tour, named after their new album released at the end of August. An Australian native, Tash Sultana fuses psychedelic rock and slow, swinging reggae to create an ethereal environment that invites the listener to get lost in the sound. Tash’s captivating music has gained them avid followers worldwide, who have been known to jump the barricade after the show in order to get closer to the artist.

Ghost: Growing Beyond Novelty

Prequelle by Ghost

Earlier this year, Ghost released Prequelle, a near-perfect arena rock record dripping with the band’s classic satanic doom-metal aesthetic and dashes of really fun pop glimmer.  Every song on the album fits ingeniously and further establishes the band’s repertoire of new rock classics.  Even the two instrumental pieces continue the energy of the other songs seamlessly, creating a beautifully cohesive album.  Some tracks have lush orchestral intros and outros which act as gorgeous reprises or previews of other melodies on the album and enhance the overall flow.  Somehow, amidst our current music climate of the widespread reappropriation of the sounds and textures of the 1980s, the clear 80s influence on Prequelle still feels fresh and exciting, balanced perfectly against 70s hard rock and 21st century dance sensibilities.  Thematically, the album perfectly intertwines deliciously cheesy imagery of the Black Death with entertaining and incisive disses on some of the former members of the band who levied a lawsuit against the frontman.  At a fairly concise 41 minutes long, Prequelle doesn’t squander a second; every moment on the album feels important.  It’s a strong top 5 contender for my AOTY, and so I had very high hopes for the tour.

New Discoveries at Savannah Stopover Music Festival

Called “SXSW’s grungy little sister” by Entertainment Weekly, Savannah Stopover is a hidden gem for festival-goers. In fact, EW perfectly describes this small city fest, as it was conceptualized eight years ago to attract touring artists who were on their way to the colossal South by Southwest Music Festival in Austin, TX. Savannah Stopover brings in a large spectrum of artists, from the local bands to the Grammy-winners, but gives them all the same southern welcome.

What Words Don’t Say: Snarky Puppy at Marathon Music Works

Simply put: the Snarky Puppy show was very sold out. With a packed venue, I thought I was facing a rowdy night, and every trip to the bathroom would be like a salmon swimming upstream. But instead of parting the waves, walking around was like crossing a pond—the fans were so enthralled with the musicians on stage that they didn’t move. Normally there are a good number of people walking back and forth in the pass-through to several of the bars surrounding the periphery of the floor, but the bars were nearly empty. Every patron was squeezed as close to the front as possible, eyes glued to the stage.