I dare you to find a more enlightening, uplifting, and enjoyable socially critical album released in the last 5 years. There’s and old school R&B vibe to many of the songs but it only adds to the genius of Cody Chesnutt, as he’s been crafting this album for a numbers of years. This is well-mastered, orchestra-accompanied R&B.
Mother Falcon is an 18-piece orchestral indie rock band, complete with horns and strings. The sound is oftentimes slow and melodious, always epic. Both male and female vocalists are ok, and original sound and musical complexity make up for lack of stronger vocals. Good stuff for indie shows that want something a little different; I bet they would be a blast to see live!
K. Koschewa, 8/24/13
Diamond Carter is a local rock artist originally from Southern California. Inspired by sixties bands like the Grateful Dead, the music could be appropriately described as groovy, funky, and a perfect summer soundtrack.
L. Rahner, 4/13/13
Upbeat/catchy indie pop! If you like bands like Vampire Weekend and The Drums (and who doesn’t?) this CD will be right up your alley. Running through the album is a relaxed, laid back vibe perfect for a lazy summer. I particularly recommend the first four tracks. “Cayucos” makes a jolly addition to any surf rock playlist, while “Will the Thrill” and “A Summer Thing” are more for relaxing on the beach. “A Summer Thing” might be my favorite track here: it employs exotic instrumentation and group vocal flourishes akin to Beirut to tell a compelling story about trying to hold on to a summer fling. Overall, Cayucas packs a bunch of sunshine and positivity into just 30 minutes, and I could really see them catching on. Highly recommended for rotation. – Zach Shealy, 3/29/2013
Brilliant. Jim James, leader of My Morning Jacket, nails is on this, not his first, solo release. Imaginative syncopation behind his nuanced but powerful vocals drive each song to make an impression from first listen. “State Of The Art (A.E.I.O.U)” is simply beautiful, simple but satisfying There is a distinct element (apart from the stellar writing and production) in each song that separates it from typical indie fodder, such as the gradual vocal corruption in “State Of The Art (A.E.I.O.U)” , the odd swing melody that phases out “Know Til Now”, or the guitar scrapes and stabs near the end of “Dear One”. I love this album to bits already, and recommend it.