15 Songs by Jason Mraz You Have “Absolutely Zero” Reasons Not to Know

IMG_2541

You’ve heard “I’m Yours” and “I Won’t Give Up,” and maybe you even remember “The Remedy,” but my guess is most of you reading this haven’t truly come to appreciate the musical prowess of Jason Mraz—and trust me, you need it in your life. Exploring Mraz’s lesser-known tracks is the best way to hone an understanding and admiration for his touching, idiosyncratic lyrics and tremendous vocal range.

The gaping hole in your soul shall be no more—I’ve compiled a playlist of 15 songs that will fill the void you didn’t know was there and change the way you think of Jason Mraz, the world, and perhaps even yourself. Most of the featured tracks are recordings of live performances, because Jason Mraz’s music is best experienced live. Since I can’t give you all tickets to his show tonight in Australia, I’m giving you the next best thing. Enjoy!

CHVRCHES gives impressive second Nashville performance

Courtesy of Lance Conzett, Nashville Scene
Courtesy of Lance Conzett, Nashville Scene

I feel like I seem to always go to concerts when I’ve gotten minimal to no sleep the night before. This past Tuesday, was no different; when I had finally wrapped up my (incredibly poorly written) lab report at 6 AM after working through the night, I was pretty hesitant about seeing Scottish band CHVRCHES at Marathon Music Works that rainy evening. After a brief hour and a half nap and more cups of coffee than I would like to admit, I decided to forego another couple hours of sleep and make my way to Marathon around 9 PM.

I Just Love Earth / Flood Out Your Wrist: Playboi Carti & 21 Savage

artworks-000124145741-s2xh1c-t500x500

Listen to “Peepin,” Atlanta icon Gucci Mane’s commemorative track for THEBURRPRINT.COM, and you’ll hear two of the city’s youngest and brightest rising talents. Playboi Carti and 21 Savage represent some of the best of the “New Atlanta” wave, a sorta shaky label that seems to get more and more nebulous. A better descriptor would probably just be “underground rap” but even this conjures up images of dusty cyphers and grimy dudes with backpacks and NYC golden-age obsessions. It’s best to just say that this versatile group is solely doing their own thing on their own time, which is fine because they’ve kept the city laced with talent for a while now. I’m gonna name names now: Key!, Rich The Kid, Two-9, Peewee Longway, Tk N Cash, K Camp, Bankroll Fresh, and Hoodrich Pablo Juan have been making hits for a minute now and frankly, it’s glorious. Add them to Father and the rest of Awful Records and you start to realize how bountiful good rap is in the city (same city that has Young Thug btw). These artists may not be running the radio game as well as the gawds Future, Migos and Rae Sremmurd (yet) but their presences are definitely felt.

Interview with Maps & Atlases

Photo courtesy of @mapsnatlases
Photo courtesy of @mapsnatlases

I had the opportunity to watch my favorite band, Chicago-based Maps & Atlases, for the fourth time on Saturday, October 24th at the Basement East in East Nashville. For the first time, however, I had the honor of interviewing the band after they opened for Bobby Bare Jr.

Maps & Atlases played for almost an hour, revisiting old songs from their second EP “You And Me And the Mountain” to their most recent LP, “Beware And Be Grateful.” Only months after former band member Erin Elders left to pursue other opportunities, this was one of the few shows the former quartet has played as a trio.

of Montreal Gives Intense, Impressive Mercy Lounge Performance

of Montreal's Kevin Barnes at the Mercy Lounge
of Montreal’s Kevin Barnes at the Mercy Lounge

Of Montreal has solidified a well-deserved reputation for being a band best enjoyed live—not just for their intense light effects and dancing characters, but also because of Kevin Barnes’ engaging onstage presence and captivating antics. And the Athens-based group’s latest Nashville appearance did not disappoint, with dog costumes, crowd-kissing, and one ephemeral image of Donald Trump.

The 90s called…

Nashville-based indie band Bully is bringing back grunge and I couldn’t be more thrilled.

It’s so so so refreshing to have a band that kicks it old school. Do you see the irony there? Don’t get me wrong, I love the new, alternative electro-genres of alt-J, Glass Animals, Purity Ring and many others. But, I’m getting a little tired of experimental music. All you really need in this world is an angry singer and a killer guitarist, amirite? We are in the era of live mixing and technobeats. Garage bands, who have nothing but instruments and mics, are what this generation needs. Without being derivative, Bully is reinstating this old style of music (yes, 1990 was 25 years ago so I can call it old). They take their personal stories and express them with the frustration and rebellion of the 90s grunge era.

If you’re not sure what I mean, check out this in studio:

In-Studio With Linear Downfall

Last week WRVU’s Travis Weaver sat down with Nashville’s very own, Linear Downfall. Listen to the full interview below, and check out their experimental tunes right here! [soundcloud url=”https://api.soundcloud.com/tracks/229510111″ params=”auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true”…

How To Lose Fans and Alienate People By Janet Jackson

janet-jackson-unbreakable-640x0
Recent concert goers expected to have a fun night out at Janet Jackson’s “Unbreakable” tour when their memories were stolen from them as Instagram deleted not only content, but also whole user accounts for copyright violation. Although Jackson issued an apology and revised the policy, she made it clear she had full intentions of protecting her intellectual property in the future asking fans to forgo the use of long clips.

Hank Williams Biopic Presented at the Belcourt

44

Photo courtesy of Carolyn Sloss

Just this past Saturday, the biopic I Saw the Light was presented at the Belcourt Theatre. The movie follows the life of famed country music star Hank Williams from his marriage to his first wife Audrey through his untimely death in the back of his car on his way to perform in Canton, OH. Given the iconic status Hank Williams occupies in the realm of country music it is no surprise that I Saw the Light was screened here, in the home of country.

Deerhunter Tops 2010’s “Halcyon Digest” with “Fading Frontier”

https://upload.wikimedia.org/wikipedia/en/5/55/Deerhunter_-_Fading_Frontier_album_artwork.jpg
Cover art courtesy of Wikipedia

I’ll start by saying that I like Deerhunter. And while Monomania may have felt a bit overlong and undercooked, I’m reasonably convinced that their 2010 album Halcyon Digest is one of the best albums of the 2000s. I say this to give some context to lavish praise I’m about to heap onto their new album, Fading Frontier.

To start: Fading Frontier is better than Halcyon Digest, which is saying quite a lot. Fading Frontier a carefully crafted 36-minute masterpiece, filled with inventive songwriting, melodies that surprise you at every turn, and the best, most striking set of lyrics Bradford Cox has ever written.

WRVU Unplugged: But Why?

At the airport - photo provided by Ben Fensterheim
At the airport 

It’s taken a while for this post to come to fruition but it’s finally here. After struggling to find Ben’s email address and then communicating online from different sides of the Pacific Ocean, I’ve ultimately compiled sufficient information to write this article.  Keep reading to find out more about Ben Fensterheim’s show “But Why?”

Alex G’s Beach Music Is Perfect for Anywhere But the Beach

Alex G Beach Music

Alex Giannascoli—Alex G, as he is known—has been particularly prolific this year, releasing Rules earlier this year, and then, satisfying the anticipation of his small but loyal fan base, Beach Music last Friday. Beach Music does far more than just satisfy, though: in typical Alex G fashion, it will take you on an introspective journey that is far from kitschy and saccharine, and yet remains surprisingly accessible.

Ben Sollee and Mother Falcon at City Winery – Exclusive Interview

Ben Sollee at City Winery October 12th

On Monday evening, City Winery Nashville was graced with the presence of Ben Sollee and Mother Falcon, who performed the second show of their collaborative tour The Fall Migration. Ben Sollee, cellist, singer, composer extraordinaire, took the stage with a “super-band” of 14 (ish) musicians: himself, drummer Jordan Ellis, and the members of Austin-based orchestral band Mother Falcon. Together, they opened the show with “Something, Somewhere, Sometime” a track off Sollee’s 2010 album Dear Companion. In addition to being a talented musician, Sollee is a passionate environmentalist. The aforementioned album, Dear Companion, is entirely dedicated to the problem of Mountaintop Removal coal mining.

Ben Sollee and Mother Falcon performed their 90 minute set with a conversational fluidity. It seemed as if these acts had been playing together for years; it was incredible how such a large group of musicians could be so perfectly in sync. The “super band” lived up to the name, producing a full sound which filled the cavernous room.

Though a large portion of the show had both acts on stage, each took their turn in spotlight. A highlight was when Sollee played a few songs solo, accompanied by a drummer using a wooden box as an instrument. Even on a seemingly empty stage, Ben Sollee is a captivating performer – his charismatic personality translates to his music. He kept the crowd engaged by telling stories between songs. From following a redhead to California to crashing a karaoke bar with his bandmates, he created a personal connection with his audience. The crowd even convinced Sollee to reenact the night in the karaoke bar by playing their reggae cover of Prince’s “When Doves Cry”.

Lake Street Dive Goes Down Smooth At Ascend Amphitheater

Courtesy of musicfog.com
Courtesy of musicfog.com

Lake Street Dive graced Nashville with their presence yet again this past Saturday at the beautiful Ascend Amphitheater. Unfortunately for the Lake Street Dive fan, however, they were only opening for Grace Potter. Luckily the group drove a large and enthusiastic crowd that showed up early. Despite their position in the set, Lake Street Dive owned the stage and played a fantastic hour of music.

WRVU Presents: WBBQ

12052374_916022501780896_2108064918503118456_o

WRVU is hosting its first ever “WBBQ” event today from 1-4pm. Come down to Highland Quad to hear some nostalgic hits from rock n’ roll as you feast on some bbq! To get you all started, we have a playlist of some of the jams you will be hearing. Tell your parents!

Good Country People: Elvis Depressedly’s Quiet Growth

Elvis-Depressedly-Promo

The south is strange and everyone’s always known it. Maybe that’s why some of the best music has always bubbled up from it. People have their own ways of dealing with things, which isn’t exclusive to the south of course, but southern people don’t like change, as the cliché goes. As music generally does, southern music takes on a lot of the characteristics of the environment it’s created in. Think of the twang of old country, the sparse emptiness that can stand in for anything from countryside desolation to sheer heartbreak. Screwed and chopped rap, pitched to the point where every lazy bass rattle thumps with its own measured certainty. The unabashed euphoria of D4L, of New Orleans bounce music, of Soulja Boy and the great tradition of the barbecue. There’s a reason NYC rappers shunned melody in rap for so long while Future and Young Thug practically warbled their way into other dimensions. The south is aware of its strangeness, and it doesn’t make amends of concessions for it.

Aaron Carter to Anchor Down at Vanderbilt University

IMG_2094Only 90’s kids will remember: “hip-hop” heartthrob Aaron Carter was the coolest kid on the block circa 2000, and now he’s going to rock Block Party during homecoming week at Vanderbilt University. That’s right—twenty-seven-year old pop-prince Aaron Charles Carter is making a grand appearance on our campus on October 22 at 7:00pm, and I couldn’t be more excited.

Carter first started performing when he was just seven years old, and he opened for iconic boy-band The Backstreet Boys when he was only ten. Ever since his big musical beginning, he’s been busy making albums, touring, and performing. While we’re all familiar with his famous hits, such as “I Want Candy” and “That’s How I Beat Shaq,” here’s a list of things you might not know Aaron Carter has done: