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WRVU NashvilleVanderbilt’s #1 Music Resource, est. 1953
  • Blog
    • Album Reviews
    • Concert Reviews
    • Interviews
    • Opinion
  • About
  • Contact Us
  • Show Schedule
  • Concert Calendar
  • Photography
  • Videos

UPSAHL Headlines at The End, Starts New Stage in Her Career

October 18, 2022 Amanda Maeglin

WRVU gets exclusive opportunity to cover press for UPSAHL’s show at The End on October 8th, 2022. By the time the doors to UPSAHL’s sold out show at The End…

A Slice of Indie Rock: “Crunchy Beach Rock”

October 13, 2022 Nathan Park

I’ve always loved how often artists these days influence and build off of one another’s work. One of my favorite things to come out of this dynamic is the many…

The Dragon is Little, but its Breath is Still Fire

October 11, 2022 Colten Harper

Little Dragon is a Swedish, electronic pop band with an extensive repertoire of features across the music industry. Formed in 1996 by Erik Bodin, Fredrik Wallin, Håkan Wirenstrand, and lead…

Ready to Rage: UPSAHL Talks Her First Headline Tour

October 3, 2022 Amanda Maeglin

When I think of UPSAHL, the first thing that comes to mind is unapologetic baddass-ery, and lots of fun. Her music is upbeat and catchy–the kind of songs that get…

Am I Heartbroken or Did Lizzy McAlpine’s Lyrics Place a Sorrowful Spell on Me?

October 2, 2022 Eva Cheraisi

WRVU gets exclusive opportunity to cover press for Lizzy McAlpine’s show at Basement East on September 26, 2022. Enraptured, engaged, enamored: three words that describe the reactions Lizzy McAlpine’s performance…

People Never Change but Djo is Trying – How “DECIDE” Captures Joe Keery’s Growth as an Artist

October 2, 2022 Sam Josephson

Nearly a three years to the day after his first LP, Djo (Joe Keery) released his sophomore album on September 16th. In both production and content, DECIDE shows off how…

Maya Hawke’s Album, MOSS, is Charming But Safe

October 2, 2022 Grace Wildermuth

Maya Hawke brings us the melancholic sound of late summer on her newest album, MOSS. Though its instrumentals are occasionally monotonous, the album’s vulnerable lyrics beautifully portray the nostalgia in…

Bangers and Bruised Bones: “Ain’t No Way” I Left The Denzel Curry Concert in One Piece

September 26, 2022 Alyssa Bersamin

WRVU gets an exclusive opportunity to cover press for Denzel Curry’s show at Marathon Music Works on September 17, 2022. It’s my third semester in Nashville trying to keep up…

Sungazer’s Electrojazz Captivates Exit-In

September 20, 2022 Grace Wildermuth

WRVU gets an exclusive opportunity to cover press for Sungazer’s show at Exit/In on September 8, 2022. By Grace Wildermuth If you asked me what I expected to hear at…

WRVU Exec Talk About Their Summers in 11 Songs

September 8, 2022 Damian Ho

The start of the fall semester is always a time of mixed feelings. On the one hand, the open days filled with traveling, figuring out your future, or anything in…

Bonnaroo Returns to Form (Mostly)

June 21, 2022 Taylor Lomax

Up until I picked up my wristband Friday, I didn’t really expect Bonnaroo to actually happen. My best guess here is that I was guarding myself after the very-very-late (read:…

Samia Talks Portland Brew, TikTok, and Her New Record

April 14, 2022 Taylor Lomax

For Samia Finnerty, Portland Brew is a sacred place. She’s canonized it, notably, namedropping the shop in the opening line of “As You Are.” When we last spoke, in March…

Musical Protest: Dev Hynes’ Blood Orange

April 11, 2022 Colten Harper

Devonté Hynes is a London-born, New York-based singer, songwriter, producer, composer, and instrumentalist whose array of musical talents is paralleled in his various pseudonyms and accompanying genres. He first was…

Bright Eyes, Dark Humor: Two Artists Share their Unique Perspective on Living with Suffering

April 11, 2022 Alec Cheng

Oberst at the Ryman, photo by Alyssa Bersamin On Friday night, two music acts came to the Ryman that gave Nashville a three hour extravaganza and filled the atmosphere with…

Why “Midwestern Indie” Deserves a Subcategorization of its Own

March 31, 2022 Alec Cheng

I have always been obsessed with the role that geography plays in music, or more specifically, how musicians’ experiences growing up shape their work.  And over the past few years,…

Emerging Artists In Music City to Remember in 2022

March 26, 2022 Elisa Park

Nicknamed Music City ✰, Nashville is the home and origin of many artists, including a number of whom are quickly gaining popularity in the past year. Here is my list…

Dubba-AA Shares His Perspective (and Some Career Advice)

March 2, 2022 Amanda Maeglin

WRVU sits down with Dubba-AA to discuss everything from producing to musical philosophy.

I Volunteered At Pilgrimage Music Festival and All I Got was This T-Shirt

March 1, 2022 Sophie Kaiser

Well, that’s really not true—I also got to see one of my favorite bands live! For the first time! For free!  I owe my love for Cage the Elephant to…

shortly band

On Michigan, Artmaking and Dancer: Chatting with Shortly

February 28, 2022 Natalie Martinez-White

So there’s going to be a lot more music for me, especially since I’m tired of waiting. I waited for so long, and then I had to wait again. I think creativity loves speed. So I’m hoping to release a lot of stuff.

Clairo and Arlo Parks Place Vulnerability Front and Center

February 22, 2022 Taylor Lomax

The early part of this year has provided somewhat of a saturated market for live music. We knew this was coming—last summer, new tour dates dropped daily, with the return…

HalfNoise’s “Motif” and the Art of Celebration

December 10, 2021 Taylor Lomax

Zac Farro’s HalfNoise is always going to have huge shoes to fill. The project, started during Farro’s hiatus from Paramore in 2012, has the unenviable task of standing out as…

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