Quinn XCII’s fifth album doesn’t take flashy risks, but it does prove how much he’s perfected his sound. On January 27th, Quinn XCII released his much anticipated fifth studio album,…
The British punk rockers’ follow up to New Long Leg brings a new twist to a highly addictive formula. Lead singer Florence Shaw opens Dry Cleaning’s sophomore album with a…
On October 7th, Dayglow released its 3rd studio album, People in Motion. It is an album to get up and dance to. Dayglow is the indie pop project founded by…
Nearly a three years to the day after his first LP, Djo (Joe Keery) released his sophomore album on September 16th. In both production and content, DECIDE shows off how…
On Sunday, we shifted our clocks back one hour, and if you’re anything like me, the time change has not done wonders for your productivity. With Thanksgiving in sight (but not…
Over the past few years, Sven Eric Gamsky, more commonly known by his moniker Still Woozy, has attracted a significant following for his idyllic bedroom electro-pop without having ever released…
On May 26, 2020, Black Dresses broke up. On Valentine’s Day 2021, the pop/noise/metal/indie duo released their comeback (?) album. While they continue to affirm they are “no longer a…
Sweetener. Ariana Grande’s first album following the tragic attack at the Manchester show of her Dangerous Woman Tour. All eyes were on her to deliver her next move, with many…
Circles is the new posthumous record from beloved artist Mac Miller. Intended to be a follow-up to Mac’s previous album, Swimming, the album’s production was cut short due to his…
In 1959, an iconoclast guitar player named John Aloysius Fahey released his first album, Blind Joe Death. He released the album independently on his own label, Takoma Records. Over the next…
The worlds of folk and Americana music are, at best, in constant struggle between the future and the past. While some folk bands cling to what is familiar, the finest artists see the past as a springboard into fresh new sounds. This was the case with Bob Dylan’s iconic Newport Folk Festival controversy, as it was the case with Fleet Foxes’s breathtaking 2017 album, Crack-Up. Goes West by William Tyler joins this pantheon by continuing not only to push the envelope, but also to open it and slide a letter of his own inside.
The 1975 has never been the band to shy away from extravagance. From the self-titled song appearing on all three of their albums to their ostentatious project titles — I’m…
Earlier this year, Ghost released Prequelle, a near-perfect arena rock record dripping with the band’s classic satanic doom-metal aesthetic and dashes of really fun pop glimmer. Every song on the album fits ingeniously and further establishes the band’s repertoire of new rock classics. Even the two instrumental pieces continue the energy of the other songs seamlessly, creating a beautifully cohesive album. Some tracks have lush orchestral intros and outros which act as gorgeous reprises or previews of other melodies on the album and enhance the overall flow. Somehow, amidst our current music climate of the widespread reappropriation of the sounds and textures of the 1980s, the clear 80s influence on Prequelle still feels fresh and exciting, balanced perfectly against 70s hard rock and 21st century dance sensibilities. Thematically, the album perfectly intertwines deliciously cheesy imagery of the Black Death with entertaining and incisive disses on some of the former members of the band who levied a lawsuit against the frontman. At a fairly concise 41 minutes long, Prequelle doesn’t squander a second; every moment on the album feels important. It’s a strong top 5 contender for my AOTY, and so I had very high hopes for the tour.
I thought Eminem was done. We all did. I can remember listening to “Arose,” the last track off of Eminem’s Revival, released this past December. In this song, Em takes us back to 2007, where he recounts a play-by-play near death experience in the hospital after an overdose. This is truly an emotional track, with Bette Midler’s “The Rose,” sampled under Eminem giving goodbyes to his family and apologizing for not being there for Hailie and the other kids.
Ambient music has been called wallpaper music, and that’s what makes it great.
Infinitely relatable, angst-ridden tales of infatuation and heartbreak are what 20-year-old Nashville songwriter Sophie Allison, better known as Soccer Mommy, details with her debut studio album Clean.
Chicago songstress Ravyn Lenae collaborates with The Internet’s Steve Lacy to deliver an EP brimming with intoxicatingly confident vocals over futuristic funk beats – a combination well-suited for arriving the week before Valentine’s Day.
Ought embraces a more accessible sound while staying true to art-rock roots on Room Inside the World
On their third full-length LP, the Montreal post-punk revivalists have produced their most nuanced and melodically inclined album to date.
The Greatest Gift, Sufjan Stevens’s new mixtape — consisting of outtakes, remixes, and demos from his 2016 studio album Carrie & Lowell — is equal parts haunting and beautiful.
Despite some wonderful hedonic highlight tracks, Super Slimey runs into the same issue many projects by prolific trap rappers suffer from: a lack of time and effort. It’s still enjoyable.
BROCKHAMPTON returned with a bang on their third release, Saturation II, off their own label Question Everything, Inc this past August 25th . The group has a sound as unorthodox as their origin story, the majority of the members having met on a popular Kanye West forum before ever meeting in real life. Coalescing under leader Kevin Abstract and taking up the all-caps moniker BROCKHAMPTON, the group of 15 moved to South Central Los Angeles in 2015 to be the next great American boyband. Following their two previous releases, Saturation II creeps, crawls, and roars its way into your sonic sphere with the youthful energy of a group of 19-23 year old men that have something(s) to say.