Every part of that headline feels like a fever dream. It all started, as many things in the Phoebe Bridgers-verse do, with a tweet. Among the sea of “if Trump…
Miley Cyrus is no stranger to covers. Through reinterpretations of songs from Coldplay to Dolly Parton, Paul Simon to Billie Eilish, Hall & Oates to Lana del Rey, this Tennessee…
The art of spotting a sample has faded to technology. Now all a good ear has to do is a quick google search or peruse a blog to reveal the mystique of an eloquent beat. But an infectious hook, loop, and vocal can haunt me for an afternoon. Or a few days. Or this past week. Red Pill’s 2015 release Look What This World Did To Us has been on regular rotation on my Spotify feed. Rum and Coke especially speak to my Friday nights’ struggles between a girlfriend, a graduate student’s bank account, and a bar tab. Yet that’s not what this post is about. On the self-titled track “Look What This World Did to Us”, Red Pill tells a Bukowskian tale with an acerbic tongue. Familiar to early Atmosphere, the track speaks of a guarded regret singular to the loss of youth.
Just kidding, technically it’s not fall until Wednesday. It’s pretty darn close though.
So here’s the deal: in October of last year Taylor Swift released her most recent album, 1989. It was a runaway success, selling the greatest number of albums in its first week since The Eminem Show released in 2002 according to MTV. Swift has since gone on an incredibly successful tour which will be swinging by Nashville on the 25th. I’d remind all Taylor Swift fans to buy tickets, but let’s face it-at this point they’re over $200 and you probably should have picked them up months ago. However, I’m not here to write about Swift’s upcoming show. Instead, I want to talk about the recent 1989 cover craze.
Most people are familiar that Johnny Cash’s famous “Hurt” is actually a Nine Inch Nails song, that Led Zeppelin took much of their catalog from early blues recording, or that all of the various recordings of “Hallelujah” owe themselves to Leonard Cohen’s original. But what about those song’s that we associate with one artist entirely when they are actually the creative genesis of another artist entirely? These five songs fall in that category; that a listen to the original versions.