Before legendary UK rockers Enter Shikari took the stage at the Basement East, one sentiment could be heard throughout the crowd, “I just wish they were bigger in the US.”…
Little Dragon is a Swedish, electronic pop band with an extensive repertoire of features across the music industry. Formed in 1996 by Erik Bodin, Fredrik Wallin, Håkan Wirenstrand, and lead…
There’s something really visceral about a dance floor. It’s where Madonna’s Confessions were, where Sophie Ellis-Bextor iconically saw murder, and—lest we forget—where Sean Kingston had to call 911 as a…
This Halloween weekend, I had the pleasure of attending the Suwannee Hulaween music and arts festival in Live Oak, Florida. A “feel-good” festival of sorts, the artists were mostly categorized as either jam bands or electronic acts/DJs, with a fair number of hip-hop artists interspersed throughout. Besides the expertly cultivated lineup/musical experience, the three main stages are situated around the ‘Spirit Lake’- a forested area full of art installations, live performances, workshops, and hammock spots with a beautiful Florida lake centerpiece. The inspiration I was able to reap from the weekend was unreal, as festival-goers were decidedly there to kick back, connect with like-minded humans, and express themselves at their fullest.
The first spoken words on Mizan K’s Dark Blue – “Are you looking for somebody?” arrive at the end of a short sequence of thick, rumbling synthesizers, which, along with…
Friday’s lineup promised an electric start to an action-packed festival weekend. Nashville’s own William Tyler played at 4 PM on Friday, followed immediately by Frankie Cosmos and Thurston Moore. The three of these provided a perfectly well-rounded, balanced trio of acts to precede the contrastingly high-energy Danny Brown, who flawlessly delivered intensity and famously rapid rap. Dirty Projectors’ intimidating, otherworldly sounds set a new kind of mood, one that held the audience rapt for a night that culminated in an impossibly fantastic performance by LCD Soundsystem.
The passing of a new year for most signifies a time of change– well-intentioned resolutions are made as we wave goodbye to the previous 365 days and undergo the ritualistic purging of meticulously catalogued year-end movie, music, and video game lists for a fresh start with a blank slate come January 1st
Last weekend I packed two t-shirts, a pair of tennis shoes, and a few extra socks and jumped on a plane bound for Burbank, California for my inaugural weekend at Joshua Tree’s Indian Cove.
“Deep house” is kind of a catchall term for laid-back, slower-paced house music using live-sounding instruments. The genre is a contrast to electronic dance music characterized by manipulation, distortion, and “bass”, and features jazz solos, string loops, tropical drums, alongside other sounds plausibly produced by physical objects. This list is about some of the memorable instruments that pop up in deep house tracks, and also serves as a countdown of my personal favorite tracks related to the genre.
6) Omar-S — “The Shit Baby” (2013)
Instrument Featured: Piano
In the middle of Omar S’ modest 2013 album Thank You For Letting Me Be Myself comes the unexpectedly fun piano jam-out “The Shit Baby”. For the uninitiated deep house fan this track is a great place to start: it starts with hi-hat/hand-clap triplets and a standard background bass kick, before someone hops on the keys for an impromptu crowd-pleaser.
RIYL: “Plastic Dreams”, pre-programmed keyboard beats + mad keys playin’ skills
In the past decade, a new style of music has wormed its way onto the music scene. While dubstep rose in popularity late in the first decade of the new millennium, with its driving, syncopated rhythms and epic bass drops, a completely opposite subgenre of quasi-electronic music also became popular. Chillwave, also known as glo-fi or shoegaze, is a much more ambient style that is reminiscent of popular music from the 1980s. It incorporates a lot of effects processing, sampling, use of synthesizers, and ambient background noise. Its slower tempos, light, ethereal vocals; relatively simple and singable melodies, and ample synthesized effects remind its listeners of the sounds of the summer, especially since its sudden explosion in popularity occurred during the summer of 2010.
The month of February is inevitably linked to Valentines Day, a holiday most college students (or at least the ones at Vandy) love to hate on. Nobody likes to see unnecessary PDA or patiently listen to how their roommate received the cutest yet cheesiest gift from their significant other. So to help us all get through these next few weeks, here are my top 5 electronic songs that feature the word “love” in the track title. Who says you can’t spend Valentine’s Day swooning over some good tunes and indulging in chocolates?
London born electronic producer Gold Panda’s sophomore album Half of Where You Live, released this past June, showcases his experiences jetsetting throughout the world for the past three years, and boy is it a treat for the ears. The album stays fresh yet minimal by sampling different vibes from South American, Asian, and European countries in tracks named like An English House, Brazil, My Father in Hong Kong 1961, and Enoshima.