Considering South by Southwest’s dizzying size, it’s no surprise that this year’s mammoth festival-conference-conglomerate will feature roughly fifty Nashville-based bands and musicians. (That’s not including countless Nashville-based “unofficial” artists making…
We caught up with Whitney’s Julien Ehrlich to talk about their upcoming tour kicking off tomorrow in Nashville, pre-show rituals, the next LP, and an exciting collection of demos to be released in November.
The first day of Pitchfork Festival brought a whole host of heavy hitters. We were grateful for Pitchfork’s urban park setting, making for small walking distance between stages–it would have been hard to see our favorites without that. Despite the ominous weather forecast, there was a vibrant and energetic feel to the festival–we prayed for the rain to hold off, and ventured in to start off with Julien Baker.
You want Lorde tickets. We know. Here’s the first clue: Where are you most likely to find melodrama on campus? Go to that location to find the next clue! Oh, and…
King Krule’s The Ooz starts out modestly with “Biscuit Town,” leaning more towards the jazzy, hip-hoppy, slow-talking side of his elusive persona than the urban stoner aesthetic he embodies on, say, “Bleak Bake” from his 2011 self-titled album. Its quiet and enticing first track is a good palette cleanser for the rest of the album: The Ooz meanders through a staggering hour and six minutes of pleasantly cohesive yet disparate directions, taking us from peaceful piano to ethereal cacophony and back again. It’s, in fewer words, nothing short of beautiful.
Hey you! You wanna see Bleachers and Tangerine at Marathon Music Works this Wednesday? Cool! Snapchat us (wrvu_nashville) your most creative video of you listening to WRVU and you could…
Sunday at Panorama was a whirlwind of heavy hitters. A Tribe Called Quest headlined, and some notable highlights included Glass Animals, Cloud Nothings, and Dhani Harrison. Check out our gallery below:
Panorama’s Saturday lineup promised some big names and a refreshing variety of artists to choose from. Tame Impala was headlining—they’ve seemingly kept up their major popularity streak since their release of Currents in 2015—and from Mitski to Vince Staples to Breakbot to Belle & Sebastian, Panorama brought a diverse and action-packed Saturday.
Pitchfork Fest was a remarkably relaxed and fun festival. The only difficult part was—as cheesy as it sounds—choosing which sets from the vast and diverse array of options to watch. Luckily, Pitchfork happens to be the rare festival that allows you to bounce from set to set with relative ease: the stages are close together which means you don’t have to walk far; the Chicago weather made for an almost too-good-to-be-true forecast to move between outdoor stages; despite the overlapping sets, the times were strategically planned such that you could catch at least a little bit of all your favorites. It seemed, in short, designed to facilitate your having your best time.
The last day of Pitchfork Fest, I’d assert, was the day that had the highest concentration of crowd-pleasing favorites: in just sheer numbers, today’s lineup was the highest up in terms of hitting on almost every conceivable niche of possible audience interest all across the obscurity-to-popularity spectrum. And with Solange—Solange!—headlining, there was nothing to possibly complain about.
After an eventful day one, Pitchfork Fest day two promised an even more saturated schedule. And it certainly delivered on that promise: first of all, with A Tribe Called Quest headlining, all the other bands could have tanked and this day still would have been certifiably historical. Fortunately, however, we were lucky enough that not a single one of the other acts disappointed.
Friday’s lineup promised an electric start to an action-packed festival weekend. Nashville’s own William Tyler played at 4 PM on Friday, followed immediately by Frankie Cosmos and Thurston Moore. The three of these provided a perfectly well-rounded, balanced trio of acts to precede the contrastingly high-energy Danny Brown, who flawlessly delivered intensity and famously rapid rap. Dirty Projectors’ intimidating, otherworldly sounds set a new kind of mood, one that held the audience rapt for a night that culminated in an impossibly fantastic performance by LCD Soundsystem.
Pitchfork Music Festival boasts an impressive lineup that is as eclectic and genre-spanning a collection as it is all-encompassing. Just as it has in past years, Pitchfork delivered a list that truly has something for everyone without relying on superfluous bill-filling bands or kitsch or campiness. Here’s what to look forward to…
A while back, WRVU had the opportunity to interview Wet, the effervescent indie pop sensation that had eager Nashvillians lining up out the door to Exit/In in hopes of a ticket to the sold-out show. We talked before their Exit/In show about touring, new music, their writing process, being on the road and in the South, pre-concert rituals…to read it all, and watch for the first time/relive their show, check out the interview and concert footage below. (We also photographed the band backstage before the show, which you can check out below as well.)
A very exciting thing is happening tonight, friends. Some groovy local bands that WRVU loves will be filling The Basement with their sultry sounds starting at 9 pm, and you would be…
WRVU hosted Boyscott, Spirit Week, The Pills, Born Animal, and Wax Mistress at The End around Thanksgiving for our first annual Turkey Jerky Jam! Now you can relive (or experience for the first time, if you missed it) the thrilling experience all up close and personal right here on the internet from the comfort of your screen.
. . . LISTEN: WRVU Talks Glory & Garbage in ‘I See You’ by the xx Listen to WRVU’s first podcast of the year, where we discuss–from several different perspectives…
The people (you) have spoken…
You voted, and the results are in: the two albums you picked as our final albums for WRVU’s Album of the Year competition are Frank Ocean’s Blonde and Chance the Rapper’s Coloring Book.…
Help WRVU choose the Album of the Year: 2016! WRVU has voted to create a list of the top 16 albums of the year, and from here you can vote to…
One thing that DIIV has undeniably cultivated is a certain, for lack of a better word, aesthetic—that quintessentially millennial, carelessly cool, baggy-shirt-baggy-pants-European-jazz-shoes Brooklynite look that perfectly matches their laid-back, yet guitar-heavy, washed-out sound. Despite their niche persona (or perhaps because of it), they have wide appeal, and wowed the crowded High Watt last night at their show.