The boys of Snake Cheney are from right here in Nashville, Tennessee. After meeting and starting to play together at MTSU, they’ve quickly found a sound that dubs them the kings of keeping it dreamy.
Hey all you Nash-villains, if you haven’t heard already WRVU is hosting a show at Drkmtter on November 30th at 8pm (Doors at 7pm) and you are all invited! In keeping with tradition, we’re going to countdown the days to the show with some highlights of these local, WRVU favorites playing the show, and first up is: CHICO.
As winter arrives and the days get darker, melancholy music creeps its way back into that special place in our hearts. That place we’ve kept locked away during the summer season of pop anthems and EDM drops. November is well under way, and now is the time that indie-folk and alternative anthems reclaim their space, ruling our winters.
You’re invited to WRVU Nashville’s 2nd Annual Cranberry Jam!! Come on out to Drkmttr on November 30th to this COMPLETELY FREE SHOW to see four of our favorite Nashville bands:…
Last week, I went out on a Tuesday for the first time since freshman year to catch electronic duo Snakehips at Exit/In. The late-night set on November 7th was my second Snakehips show, the first an impulse buy to justify missing their set at Outside Lands Music and Arts Festival 2016. Oliver Lee and James Carter started making music together in 2012, their stage name a reference to Carter’s shimmying dance when he puts on a tight pair of jeans.
This Halloween weekend, I had the pleasure of attending the Suwannee Hulaween music and arts festival in Live Oak, Florida. A “feel-good” festival of sorts, the artists were mostly categorized as either jam bands or electronic acts/DJs, with a fair number of hip-hop artists interspersed throughout. Besides the expertly cultivated lineup/musical experience, the three main stages are situated around the ‘Spirit Lake’- a forested area full of art installations, live performances, workshops, and hammock spots with a beautiful Florida lake centerpiece. The inspiration I was able to reap from the weekend was unreal, as festival-goers were decidedly there to kick back, connect with like-minded humans, and express themselves at their fullest.
It’s been twenty-seven years since the formation of the seminal Massachusetts metalcore outfit Converge, and twenty-three years since their first album. When bands this heavy and aggressive stay around for…
In the 1970s, prolific musician, composer, and producer Brian Eno helped to define the budding genre of ambient music. Throughout the decades, Eno has continued to deliver quality experimental music,…
Not many moments in my life have caused me to shake with excitement. In fact, the most recent I can think of is when I got into Vanderbilt with the…
Hey there pilgrims: spooky season has passed, and that means it’s turkey time.
Esketit. Yeezys. YOLO. Twerk. Absolutely none of these phrases, and many more, would’ve made any tidbit of sense 20 years ago. Whether it be Lil Pump, Kanye West, Drake, or multiple other artists, hip hop has begun to encompass more and more of our language, interactions, and views on the world.
All of these songs are must-listens, and as such, you *must* listen to them.
I have a theory for why people don’t listen to albums all the way through. Anthony Fantano recently addressed the ongoing “death of the album” discussion—he argues that albums have in fact saturated the market, but people rarely listen to them cover to cover because they rely too much on the strength of their singles or repeat monotonous formulas song by song. Nevertheless, artists still need more than singles to support tours, and labels ultimately can’t decide which song ends up a hit—so the album persists.
Despite some wonderful hedonic highlight tracks, Super Slimey runs into the same issue many projects by prolific trap rappers suffer from: a lack of time and effort. It’s still enjoyable.
On October 18th, Turnover, the hallmark of Indie-Emo bands, played Exit/In, celebrating the release of their most recent album, Good Nature. Iconic for their sophomore album, Peripheral Vision, they drastically altered their sound in Good Nature, shifting away from emo-esque influences and focusing solely on optimistic dream rock indie vibes. Since this is their first tour with the new album, the anticipation to see how they would sound was insurmountably high.
Hopefully you’ve read our recent article on Pink Floyd and how they braved the wild waters for a small show in Scotland. This is another nautically-themed piece, but a bit different. This piece is about the story behind the name of the Avett Brother’s album Mignonette, which was reportedly inspired by this tale.
Primitive Man is a band that’s always specialized in creating dense, incredibly harsh textures. 2013’s Scorn, the band’s debut full length, is about as sonically oppressive and ugly of an album as you’re likely to find in modern metal, and it introduced the heavy music world to Primitive Man’s unique blend of noise, sludge, death metal, and blackened doom. But believe it or not, Primitive Man just came through with an even uglier and more oppressive release with Caustic.
I guess I missed the day in class when we learned that “Going Grey” was synonymous with “Selling Out,” but thankfully The Front Bottoms (TFB) caught me up on that lesson with their album release earlier this month. Gone is the TFB known for their trademark gritty sound, lyrical depth, and endearing awkwardness. The new era of TFB is under strict dictatorship by their label, Fueled by Ramen, and it definitely shows in their catchy, over-produced pop-punk album, Going Grey.
LCD Soundsystem’s show at Nashville Municipal Auditorium on October 20th for their american dream tour was one for the books. They’ve played the festival circuit last year and several shows in Webster Hall and Brooklyn Steel in New York, but haven’t had a formal tour to themselves since their 2016 reunion. The band announced their breakup in 2011 and proceeded to play a legendary string of shows in Madison Square Garden documented by the film “Shut Up and Play the Hits”. Their triumphant return last year was fully brought to full realization with the release of the album american dream on September 1st, put out by DFA Records, the label of LCD’s frontman James Murphy.
Festival season is coming to a close, a sentiment expressed by both Jay Z and Damon Albarn (Gorillaz frontman) during their headlining sets. Bye to wristbands, flower crowns, and drugged-up…
On October 14th, Cigarettes After Sex, a self-described “ambient pop collective,” played their second of two Chicago shows at Lincoln Hall. I brought my mom along for the show, hoping she…