Indie Rock

Women in Music: What We Can Learn from Hop Along

Hop Along is a part of the conversation. This past year saw the takeover of indie by women, and Frances Quinlan is another prime example of this. Her band’s most recent release, Bark Your Head Off, Dog, has consistently ranked across many major music publications’ best of 2018 lists, including the likes of NPR, Billboard, and Rolling Stone. Rightfully so, as the group’s third record is their most powerful yet. Quinlan’s unique style of world-building storytelling shifts to the forefront on this album, a necessary move given the extent and consequent of the issues she works hard to tackle and contextualize here. The line ‘strange to be shaped by such strange men’ appears on multiple tracks and is repeated like a mantra across the record, a tactic that is intentionally unavoidable and jarring (especially when put to words by Quinlan’s hair-raising voice). This powerful motif unites the project around a common theme of social reflection and reconciliation— one that is about as 2018 as you can get.

Women in Music: Soccer Mommy

Sophie Allison, also known as Soccer Mommy, has emerged as an intensely creative and moving female artist in the last few years. At only 21 years old, Soccer Mommy is already extremely accomplished: since 2016, she has released three albums including her debut album proper, CleanClean is a massive critical success and is cited as one of the best albums of 2018 by Pitchfork, Rolling Stone, Billboard, NME, and Noisey, among others.

Goes West – An Instrumental Odyssey from William Tyler

The worlds of folk and Americana music are, at best, in constant struggle between the future and the past.  While some folk bands cling to what is familiar, the finest artists see the past as a springboard into fresh new sounds.  This was the case with Bob Dylan’s iconic Newport Folk Festival controversy, as it was the case with Fleet Foxes’s breathtaking 2017 album, Crack-UpGoes West by William Tyler joins this pantheon by continuing not only to push the envelope, but also to open it and slide a letter of his own inside.

Tash Sultana Shakes Up War Memorial Auditorium

The “one-person-band” known as Tash Sultana rolled through Nashville last Friday as part of their Flow State World Tour, named after their new album released at the end of August. An Australian native, Tash Sultana fuses psychedelic rock and slow, swinging reggae to create an ethereal environment that invites the listener to get lost in the sound. Tash’s captivating music has gained them avid followers worldwide, who have been known to jump the barricade after the show in order to get closer to the artist.

Lala Lala Opens Up about Latest Album in WRVU Interview

Back on September 26th, myself and WRVU’s station manager Morgan Levy had the opportunity to sit down with Lillie West of Lala Lala before her gig opening for Mothers at the 5 Spot. In the parking lot across the street from the venue we talked about the band’s history, writing process, tour life, and anticipated upcoming album The Lamb, which has since been released. Her first LP, Sleepyhead, was put out on Bandcamp back in 2016 in what she considers to be a moment of “boredom.” You wouldn’t guess this by listening to the record, however, as its sound is anything but monotonous. 

Rundown of Austin City Limits 2018

Source: Heather West

Austin City Limits is a 3-day, 2-weekend music festival held every year in October. Nearly half a million people traverse Zilker Park in downtown Austin during these weekends to hear some of the biggest artists in the biz. This year, ACL brought in an impressive lineup, including Paul McCartney, Arctic Monkeys, Travis Scott, The National, Metallica, and Odesza. Austin is hailed as “the live music capital of the world” thanks largely in part to this festival. Here are some interesting tidbits from Austin City Limits 2018:

Does the Song Remain the Same with Greta Van Fleet?

Raw, emotional, expansive, monumental, dynamic: all words to describe an era of classic rock that has seemingly come and gone. Although recent musical acts have channeled the soulful ten-minute-long guitar jams of the classic rock movement, none have transcended and embraced the purity of the music heard decades before.

Magic in Memphis: A Review of Beale Street Music Festival 2018

One of the nation’s best kept musical secrets lies a mere three hours away from Nashville. Beale Street Music Festival, located in my hometown of Memphis, TN, consistently has one of the best small-festival lineups each year for only a fraction of most festivals’ price. I got the great pleasure of being able to work press this year, and as a result fell even more in love with my favorite Memphis event of the year.

Tranquility Base; or, How to Stop Worrying and Shake Up Your Vibe

Still from music video, dir. A. Brown, B. Chappell

Alex strolls into his apartment building, walking stick carried nonchalantly over his shoulder whistling along with a piece of classical music. Sprawled across the vibrant early-70s décor are the words “SUCK IT AND SEE.” This is a point in Alex’s life when he will begin to impose more of his synthesizer-loving, retro-vibe-oozing will on his followers, and shake things up in the process.

Sunflower Bean’s Twentytwo in Blue, Reviewed

Sunflower Bean turned heads with their first full length album Human Ceremony, released back in 2016. Their debut’s breadth and urgency was illustrious of the band’s burgeoning appetite for a life beyond New York City’s DIY scene, and was ultimately successful in helping them realize the musician’s cliched dream of making it out of one’s hometown. After putting out music for only a year prior, the record was an impressive start for bassist and singer Julia Cumming, guitarist Nick Kivlen, and drummer Jacob Faber. The Brooklyn based trio were young and ambitious then— as they still are now, although their energy has become undeniably more harnessed— and these characteristics were central to Human Ceremony’s sound and thesis. The album was appropriately all over the place musically, with tracks ranging in style from shoegaze to surf rock to psych pop, and influences like the Velvet Underground and Black Sabbath obvious (in some cases on the same songs). Now, Sunflower Bean is back and more polished than ever on their sophomore release Twentytwo in Blue.

April Artist Retrospective: Sidney Gish; Ravyn Lenae

(courtesy of https://sidneygish.bandcamp.com/album/no-dogs-allowed)

As we start on a new month and this truly, unexplainably terrible Nashville weather seems to be slowly improving, I thought it might be a good opportunity to take a quick look at two artists who are leaving the youth™ movement in music at the moment. Both Ravyn Lenae and Sidney Gish have blessed our ears with some excellent music in the last few months, and exciting things are surely in store for them as they progress and develop their skills. I’m going to limit things to one standout track from each respective project, but both of these releases are great front to back.