WRVU gets an exclusive opportunity to cover press for Denzel Curry’s show at Marathon Music Works on September 17, 2022. It’s my third semester in Nashville trying to keep up…
Nicknamed Music City ✰, Nashville is the home and origin of many artists, including a number of whom are quickly gaining popularity in the past year. Here is my list…
I was more than a little drunk when Canadian underground rapper Tommy Genesis pulled me on stage to rap Charli XCX’s verse on her “100 Bad.” “Do you know the…
Don’t have a significant other or tales of abounding academic success to bring home for winter break this year? Fret not—what you may lack in a love interest, all As,…
This past weekend, Nashville had the pleasure of hosting BJ The Chicago Kid on his 1123 tour at Exit/In. On his tour, BJ was accompanied by Bryant Taylorr, KAMAUU, and…
The band’s snappy drumwork and wild synths were complemented perfectly by their visuals, which included an impressive light array and three tireless dancers who roboted, wriggled, and rocked their way through much of the show in full space suits.
The worlds of folk and Americana music are, at best, in constant struggle between the future and the past. While some folk bands cling to what is familiar, the finest artists see the past as a springboard into fresh new sounds. This was the case with Bob Dylan’s iconic Newport Folk Festival controversy, as it was the case with Fleet Foxes’s breathtaking 2017 album, Crack-Up. Goes West by William Tyler joins this pantheon by continuing not only to push the envelope, but also to open it and slide a letter of his own inside.
Infinitely relatable, angst-ridden tales of infatuation and heartbreak are what 20-year-old Nashville songwriter Sophie Allison, better known as Soccer Mommy, details with her debut studio album Clean.
Wax Mistress’ members represent the trifecta of Nashville-area universities–Vanderbilt, Belmont, and MTSU. With an already-well-developed sound and ubiquitous presence, playing tons of shows all over the city, these newcomers are certainly more than the sum of their parts.
Continuing with our artist highlights of Thursday’s Turkey Jerky Jam at The End, we have the Nashville-based Born Animal. If you want a preview of this excitement before you see their set live, check them out here, and keep reading below to learn more.
Our next WRVU Turkey Jerky Jam artist highlight is Boyscott. Oh boy. These guys are something real special, folks.
https://www.youtube.com/watch?v=nh3s0Bl5k4Q
Note: This interview took place just prior to the anonymous accusation of sexual misconduct against Evan Stephens Hall, the details of which are murky as of this time. We do not at all endorse or condone any inappropriate or coercive behavior on the part of bands we’ve interviewed. Read our full statement here.
Café Coco isn’t normally the go-to venue for bands as suddenly popular as Pinegrove. Though they easily could have filled Exit/In next door—where their friends, the edgy punk duo PWR BTTM, were coincidentally playing tonight—they instead packed Coco, where eager fans filled the space with anticipatory energy.
Sun Seeker, whose newest single, “Georgia Dust,” has become a Third Man Records favorite, played some of their undeniably catchy and easily lovable tunes at Grimey’s last Saturday.
Jukebox the Ghost managed to plan a perfectly timed show, performing for Nashville on Thursday night and celebrating the rain, as opposed to the snow, that lingered the day before and after. The band brought along Greg Holden to open the show, bracing the stage similarly to how Passenger did a few years ago, with just his songs and guitar to carry the mood. Although many voices were heard singing along to the Brit’s 2015 single, “Boys in the Street,” those just hearing him for the first time seemed pleasantly surprised based on the chatter in between sets. His stage presence paralleled his music, honest and heartfelt.
If you’re like me, you routinely neglect responsibilities in favor of going to concerts (or maybe you go to concerts as a reason to neglect responsibilities… um, also guilty). Whether that’s the case or you just need a study break (#treatyoself), definitely check out these concerts that are coming up in the next week.
Last Friday, September 25, while most of my fellow Nashville concertgoers were headed to the first night of Taylor Swift’s 1989 stop at Bridgestone Arena, a friend and I were on our way to the Ryman to see West Coast indie pop/rock group, The Neighbourhood. My friend had never been to the Ryman, so this summer when tickets went on sale at a fairly low price we decided to just go for it (little did we know that Sufjan Stevens would be announcing a show there merely 2 months later…sigh). The Neighbourhood seemed like a strange choice for the Ryman, as they had certainly lost a good deal of relevance (and not to mention, airplay) since the release of their first album in 2013. Despite that, I was excited mostly to see if they could pull off their unique experimental tracks live.
The title says it all – we are hosting a ticket giveaway for the Bo Burnham show at the War Memorial Auditorium on Monday, October 19! This is right after…
Although I had heard of Best Coast prior to coming to college, ironically, it wasn’t until I left the west coast that I started to listen to them. Whether it was an actual appreciation for their music or just the nostalgia I felt about my Southern California hometown that piqued my interest, I do not know. Best Coast is technically a duo between lead singer/guitarist Bethany Cosentino and guitarist Bobb Bruno with a few other band members brought in seemingly just for touring. Formed in Los Angeles in 2009, almost every other song they make is an ode to the stereotypical Southern California lifestyle.
It’s almost like Death Cab For Cutie was born to play the Ryman Auditorium. Ben Gibbard’s lapsed Catholicism resonated just as powerfully as his band’s driving, atmospheric music within the…
At 3pm yesterday, I turned in the final assignment of my college career. Partially to celebrate and partially to distract myself from the terror of facing the adult world, I headed over to Exit/In with my friend Sparling to see Smallpools rock the joint. My sister loves the band and had turned me on to their music, so making her jealous was another great reason to go to the show.
We arrived at 7:30 to find the half-full floor dominated by people without the over-21 hand stamps. Any illusion I had of being able to escape feeling old vanished immediately. Pitying the venue for what promised to be a slow night of alcohol sales, I grabbed a Shiner Bock and snagged a spot in the crowd just behind a couple of girls taking selfies. Naturally, Sparling and I photobombed as many as we could.