By Linzy Scott This year’s Bonnaroo was my first time ever going, so it’s safe to say that I had no idea what to expect and no standards to measure…
Post-rock quartet Explosions in the Sky released their seventh studio album, “The Wilderness” early this April. As a fan and avid listener of their early material, I was skeptical that the group could deliver as engaging and original music as “Those Who Tell the Truth Shall Die, Those Who Tell the Truth Shall Live Forever” or ”The Earth Is Not a Cold Dead Place.” Their soundtrack material in the interim, such as “Friday Night Lights,” and also tracks off of “All of a Sudden I Miss Everyone,” begin to sound cookie-cutter in their almost melodrama, due only by the group’s early masterful sound.
Stories for Monday is known as The Summer Set album that almost didn’t happen. It had been three years since the band released anything, though the band tried to remain active with the occasional tour during that time. Still, there were a lot of questions about whether or not the band had met its end.
British indie singer Birdy released her third album last week. Beautiful Lies features her January single “Keeping Your Head Up,” and follows The Fire Within and her self-titled debut album Birdy.
It would appear that vinyls are not nearly as old fashioned as my grandfather would have me believe. Earlier this week, the Recording Industry Association of America (RIAA) released the statistics from the past year and the sale of vinyls for 2015 was the highest it has been since 1988. The sales brought in a total of $416 million, a small fraction of the $7 billion the entire industry brings in. However, what’s notable is that vinyls, the old men of the music world, surpassed free streaming, which only made $385.1 million last year.
I just got back from a spring break road trip from Nashville to the Grand Canyon, which included way too much sitting in my friend’s car. Whether it was driving for hours and hours on endless country roads or sitting in the passenger seat while traveling across the entirety of Kansas, road trip songs definitely kept me sane. The following playlist was one of the many I made for the 48 hour drive there and back, and I used songs by ODESZA only.
WRVU, Bonnaroo, and You: Three great things that are coming together for one big contest. Starting March 21 you will have the chance to win two tickets to the Bonnaroo…
Driving back to Nashville from Lafayette, Indiana this weekend, I decided to revisit the Decemberists’ entire discography on the way down, to listen to each record and then to rank them in a hierarchy. The result was a list ordered as such:
- Picaresque (2005)
- Castaways and Cutouts (2002)
- The Hazards of Love (2009)
- The King is Dead (2011)
- The Crane Wife (2006)
- Her Majesty the Decemberists (2003)
- What a Terrible World, What a Beautiful World (2015)
You may notice that their most recent release, What a Terrible World, is at the bottom. What you can’t see is how strikingly large the gap between albums six and seven actually is. Make no mistake — WATW is still a decent album by any standard. But it does stand as the Decemberists’ biggest disappointment, especially given the bands remarkable consistency and excellence. I want to reexamine What a Terrible World a year after its release, unpack its problems, and see if they can be fixed.
(Written by Corey McCloud and Linzy Scott)
Nobody will ever imitate Kanye West. Not even Kanye himself. With the release of his most recent effort, Life of Pablo, the eclectic rapper-producer megastar proved once again that he isn’t afraid to change his style and push rap forward with every release. So against the cries of his fans demanding old Kanye, against people saying he was getting too artsy, or too egoistic with Yeezus, and against everybody who thought he might actually be losing his mind, Kanye dropped the a-bomb with Pablo. The album’s sonic range alone is impressive and the first six tracks are among the best stretches of tracks in hip-hop history. I hate to sound like a fanboy, but at this point we are 2 weeks removed from the release of the album. It’s been a week and a half since I first bit the bullet and got a Tidal trial account to try it out, and yet I somehow find myself going back to this album multiple times a day.
When you find something you like, usually you want more of it, and this basic relationship finds a lot of relevance in music. It’s become an even greater part of many music lovers’ lives with the onset of the eras of downloading and streaming. Whereas before, our parents and grandparents had to really make that journey down to a physical place selling physical copies of the new Luther Vandross and part with their pocket change, the only thing that’s stopping us now from having Sonic Youth’s entire discography is an internet connection.
Snarky Puppy earned their second Grammy on Sunday for their ninth album “Sylva,” an instrumental masterpiece of composition. Michael League, bassist, bandleader, and the group’s main composer has been aiding in the redefinition of big band jazz-fusion on a mainstream level for over 10 years. An art form that has been slowly escaping the public’s ears, Snarky Puppy is successfully bringing big band music back into the spotlight.
The cover art of T. L. O. P., the album that has stirred up so much controversy in its short life. Source
Kanye West’s new album has been in the news many times in the past couple of weeks. First, there was the issue of what it would be called. He changed album titles a few times before settling on T. L. O. P., which stands for The Life of Pablo. Then, there was the question of when it would be released.
Today, the album is in the media for a very different reason. After premiering at Madison Square Garden on February 11 during the Yeezy Season 3 fashion show, the album has been a hot topic due to a reference to another celebrity. In his song “Famous,” West had a couple of questionable lines that featured Taylor Swift. The lyrics say, “I feel like me and Taylor might still have sex/ Why? I made that b***h famous.”
I think it is safe to say that we all had that one band at one point in our lives that really got us into music. The one band that made us go, “Wow, so that’s how listening to music is supposed to feel.” For me, it was Arctic Monkeys. When I was in high school, I used to go to my local library to rent CDs and burn them onto my computer (sorry, iTunes). One of the first albums I obtained was Arctic Monkeys’ first full length debut, “Whatever People Say I am, That’s What I’m Not” (among other gems, including “Is This It?” by The Strokes and “The Queen is Dead” by The Smiths). That album, and the subsequent ones that I devoured later, became the soundtrack to my high school experience; my go-to answer to the feared “what’s your favorite band?” question.
When a friend told me about Discover Weekly on Spotify, I thought it was one of the better ideas of online music services. A playlist tailored to your music preferences, including songs from artists you probably don’t know? Every week? All the work of finding new music now done by a computer for you. How unbelievably convenient!
Thirty-four years ago, Swans hit the underground in New York with their self-titled EP. Now (thirteen studio albums, ten live albums, a heap of EPs and compilations, dozens of members, and a thirteen year hiatus later) the band is finishing up work in the studio on what is, according to the band, going to be the final work from this incarnation of Swans. After this album and its subsequent tour, Michael Gira and the rest of this current six-piece form of the band are ending a historic reunion run the likes of which just don’t happen.
Possibly one of the most notable things about Death of a Bachelor is that it is the first time Panic! at the Disco wrote an album with only one member. After the departure of drummer Spencer Smith in April 2015, Brendon Urie was left to carry on and write what actually may be the band’s best album yet. Already, it has done much better than the previous four. In its debut week, it sold more than 190,000 album units and scored a spot as number one on the US Billboard 200, the first album by the band to accomplish such a feat.
When I was in high school, a close friend of mine introduced me to the hilarious and often ridiculous wonder that is Ezra Koenig’s twitter. I initially dismissed his posted jokes as self-indulgent banter with a worshipping fan base. But, admittedly, I was intrigued, and started listening to Vampire Weekend. I got almost immediately hooked, and rapidly transformed into a person who listened to their self-titled album and Contra every day after school.
As always when we find ourselves awaiting a new soon-to-be-released Young Thug album/mixtape/symphony, we are living in a historic time. Slime Season 3 (SS3) is coming (Feb. 5th) and all we have to do is make it until then, which is easier said than done.
If you’re like me, you routinely neglect responsibilities in favor of going to concerts (or maybe you go to concerts as a reason to neglect responsibilities… um, also guilty). Whether that’s the case or you just need a study break (#treatyoself), definitely check out these concerts that are coming up in the next week.
Everyone who has ever gone through finals week knows that it is quite possibly the most stressful week of the semester. While at other times during the semester you may have a lot of competing interests, over finals week you need to have laser-sharp focus on the upcoming assessments. For some classes finals can be worth half of your entire semester grade or more, so the pressure is most definitely on. Now, given the extreme proximity of finals for this particular semester, I present you with five songs to help you weather the upcoming week:
1.Tubthumping by Chumbawumba
Sure, the rest of the semester might have knocked you down, but now is the time to get back up again. We’re all tired after the work of the semester, but we can’t throw in the towel just yet. Chumbawumba is here to help you bounce back and power through this last trial before you go home for the holidays.
David Bowie released the title track off of his forthcoming album, a 10-minute behemoth complete with a disturbingly surreal music video, about two weeks ago now. And despite almost obsessive listening over the past two weeks, I’m not sure I know any more what “Blackstar” is than I did when I first heard it. All I know is that I can’t stop listening.