Eminem’s BET Freestyle: Some Thoughts on His Beard

(Photo via Twitter)

First and foremost, it would be downright irresponsible of me to make any substantive claim, analytical, theoretical, or otherwise, about Eminem’s BET freestyle without first addressing the obvious. Like the pristine river that guides an untamed eye across the canvas, through dark mountain valleys and up into the great blue unknown—that archetype of the transcendental, that ineffable sublime—Eminem’s beard is nothing. And yet it is everything.

Despite releasing “Teenage Fantasy,” Jorja Smith showcases Old Soul Sound

Courtesy of Atwood Magazine (http://atwoodmagazine.com/jorja-smith-project-11/)

At only 20-years-old, Jorja Smith has gone from a high school student and part-time Starbucks barista to releasing tracks on Spotify that garner millions of listens in only a couple of days.  Smith hails from Walsall, West Midlands, UK where she met her manager at the age of 15.   Despite her youth, she has already worked with some of the most prominent names in the R&B/Hip-Hop such as producer Black Coffee.  She was even featured on two tracks (“Get it Together” and “Jorja Interlude”) off Drake’s recent mixtape, More Life. Let’s take a look at her past and present.

King Krule Triumphantly Returns with ‘The Ooz’

King Krule’s The Ooz will be released October 13th.

King Krule’s The Ooz starts out modestly with “Biscuit Town,” leaning more towards the jazzy, hip-hoppy, slow-talking side of his elusive persona than the urban stoner aesthetic he embodies on, say, “Bleak Bake” from his 2011 self-titled album. Its quiet and enticing first track is a good palette cleanser for the rest of the album: The Ooz meanders through a staggering hour and six minutes of pleasantly cohesive yet disparate directions, taking us from peaceful piano to ethereal cacophony and back again. It’s, in fewer words, nothing short of beautiful.

Whitney Shines a Light Upon the The Basement East

from Secretly Canadian

Chicago-based Whitney kicked off their fall tour with a show in Nashville on September 29. The band, built upon the core singer/drummer and guitarist duo, Julien Ehrlich and Max Kakacek, blew up in the independent rock world after their 2016 freshman album, Light Upon the Lake. Combining mellow indie pop with modern jazz undertones for a unique, chill, and groovy blend, Whitney has become a favorite in the indie rock scene.

BROCKHAMPTON Soars with SATURATION II

Members of Brockhampton (Photo by Ashlan Grey)

BROCKHAMPTON returned with a bang on their third release, Saturation II, off their own label Question Everything, Inc this past August 25th . The group has a sound as unorthodox as their origin story, the majority of the members having met on a popular Kanye West forum before ever meeting in real life. Coalescing under leader Kevin Abstract and taking up the all-caps moniker BROCKHAMPTON, the group of 15 moved to South Central Los Angeles in 2015 to be the next great American boyband. Following their two previous releases, Saturation II creeps, crawls, and roars its way into your sonic sphere with the youthful energy of a group of 19-23 year old men that have something(s) to say.

The World Is a Beautiful Place & I Am No Longer Afraid to Listen to ‘Always Foreign’ on Repeat for the Next Month

From Epitaph Records

The World Is a Beautiful Place & I Am No Longer Afraid to Die (TWIABP) has been a powerful presence in the ’emo’ community since the release of their debut full-length album Whenever, If Ever (2013).  Last week, the band released their third album, Always Foreign, a phenomenally composed album overflowing with cynicism, chaos, and an unadulterated sense of vulnerability.  

Knox Fortune Offers Us a Mildly Pleasant Paradise

Kevin Rhomberg, the Grammy winning singer/songwriter/producer known as Knox Fortune. Photo courtesy of Bryan Allen Lamb.

In the midst of chaos, Knox Fortune offers us a refuge in Paradise with his debut album. The Chicago singer/songwriter/producer is perhaps best well known for his hook on Chance the Rapper’s “All Night,” but on Paradise, he shows he can stand alone in authentic style, production and lyrics.

Moses Sumney’s Aromanticism Leaves Little Room For Longing

Image result for aromanticism moses sumney
(Courtesy of the artist’s Bandcamp page)

Moses Sumney’s debut full-length Aromanticism, released Sept 22nd on Jagjagwar, is a shimmery showcase of Sumney’s smooth-as-butter voice that marks an artistic departure from his 2016 EP Lamentations. While the EP revolves around layers of Sumney’s vocals and guitar, his latest release incorporates a much wider color palate, replete with beautiful orchestration and swirling synths. There’s a higher production value, which in turn sacrifices some of the intimacy of his earlier releases which made his music so powerful.

Let’s Not Act Like Lil Pump Doesn’t Know What He’s Doing

Courtesy of Lil Pump via Twitter

There’s no denying that Soundcloud has become the birthing ground for new hiphop artists. Some of the biggest names today, Chance the Rapper and Lil Uzi Vert to name two, began their record-breaking careers on the platform. Soundcloud’s accessibility has made it easier than ever to enter the game, but just as easy to be buried under a million other users (talented or not). How do you set yourself apart? Lil Pump’s Answer:

‘ESSKEETIT’

The Complexities of Love as Displayed by Daniel Caesar’s Freudian

(courtesy of NOW Magazine)

Freudian, Daniel Caesar’s debut album, released August 25, 2017 on Golden Child Recordings sparked discussion among music fans across all genres. It’s variety of production, a seamless fluctuation of emotion between subtle elegance and bold passion, is reflective of the intricate message the love-ridden Caesar is trying to convey. Throughout the 10 song album, Daniel Caesar spills his heart out about the complexities of love, ranging from despair to pure ecstasy.

The National transitions with Sleep Well Beast

(courtesy of AmericanMary)

The National’s most recent album, Sleep Well Beast, released September 8, 2017, is characterized by a tracklist that can be compared to a morning commute. “Guilty Party” resembles the melancholy of waking before the sun has risen, a sheet of morning dew still covering the hood of your car.  But the sun does rise and the gloom quickly turns into anger and frustration. “Turtleneck” embodies the morning drive itself — the agonizing slow burn of exit after exit, when you begin to tailgate cars just to feel like you’re making progress. Unlike previous albums, where each track transitions from one to the next like the tranquil flow and ebb of a stream, Sleep Well Beast is a complete mishmash.

Bleachers gets personal at Marathon Music Works

Bleachers, a project of Jack Antonoff’s (guitarist of the notable group FUN. made popular by the hit “We Are Young”), has made an huge splash in the indie pop world in the 3 years they’ve been active. WRVU Nashville had the pleasure of sending two lucky concert-goers free of charge to see Bleachers at their September 13th show at Marathon Music Works.