Through the pages of history runs a river of interesting and often tragic narratives concerning rock’s forbearers and transportation mishaps. Duane Allman, Buddy Holly, and Otis Redding, among others, met…
Kevin Rhomberg, the Grammy winning singer/songwriter/producer known as Knox Fortune. Photo courtesy of Bryan Allen Lamb.
In the midst of chaos, Knox Fortune offers us a refuge in Paradise with his debut album. The Chicago singer/songwriter/producer is perhaps best well known for his hook on Chance the Rapper’s “All Night,” but on Paradise, he shows he can stand alone in authentic style, production and lyrics.
Moses Sumney’s debut full-length Aromanticism, released Sept 22nd on Jagjagwar, is a shimmery showcase of Sumney’s smooth-as-butter voice that marks an artistic departure from his 2016 EP Lamentations. While the EP revolves around layers of Sumney’s vocals and guitar, his latest release incorporates a much wider color palate, replete with beautiful orchestration and swirling synths. There’s a higher production value, which in turn sacrifices some of the intimacy of his earlier releases which made his music so powerful.
There’s no denying that Soundcloud has become the birthing ground for new hiphop artists. Some of the biggest names today, Chance the Rapper and Lil Uzi Vert to name two, began their record-breaking careers on the platform. Soundcloud’s accessibility has made it easier than ever to enter the game, but just as easy to be buried under a million other users (talented or not). How do you set yourself apart? Lil Pump’s Answer:
Canadian five-piece Alvvays finally released their second album, Antisocialites on September 8th, under Polyvinyl. Alvvays’ eponymous debut album explored
On Tuesday, September 25th, independent singer-songwriter and ironic demigod Joshua Tilman descended upon Nashville in the form of Father John Misty to give two amazing performances in one day: a solo acoustic show at Third Man Records and a full show at the Ryman.
Freudian, Daniel Caesar’s debut album, released August 25, 2017 on Golden Child Recordings sparked discussion among music fans across all genres. It’s variety of production, a seamless fluctuation of emotion between subtle elegance and bold passion, is reflective of the intricate message the love-ridden Caesar is trying to convey. Throughout the 10 song album, Daniel Caesar spills his heart out about the complexities of love, ranging from despair to pure ecstasy.
The first spoken words on Mizan K’s Dark Blue – “Are you looking for somebody?” arrive at the end of a short sequence of thick, rumbling synthesizers, which, along with…
It took Rolling Loud Festival less than three years to become the largest Hip-Hop festival in the world. After three consecutive sold out festivals in Miami, FL, co-founders Tariq Cherif…
Can you feel it? Monday night at the science library. Three vending machine coffee cups and a hallucination of your girlfriend’s scent bear witness to your struggle—you’re new to the writing staff, and despite your general zeal for music and exegesis, you find yourself waylaid with uncertainty. What can you give to this blog? And what must you keep for yourself?
The National’s most recent album, Sleep Well Beast, released September 8, 2017, is characterized by a tracklist that can be compared to a morning commute. “Guilty Party” resembles the melancholy of waking before the sun has risen, a sheet of morning dew still covering the hood of your car. But the sun does rise and the gloom quickly turns into anger and frustration. “Turtleneck” embodies the morning drive itself — the agonizing slow burn of exit after exit, when you begin to tailgate cars just to feel like you’re making progress. Unlike previous albums, where each track transitions from one to the next like the tranquil flow and ebb of a stream, Sleep Well Beast is a complete mishmash.
Bleachers, a project of Jack Antonoff’s (guitarist of the notable group FUN. made popular by the hit “We Are Young”), has made an huge splash in the indie pop world in the 3 years they’ve been active. WRVU Nashville had the pleasure of sending two lucky concert-goers free of charge to see Bleachers at their September 13th show at Marathon Music Works.
Neck Deep is one of those bands that never fails to impress. Within the span of five years, they have skyrocketed to an incredible level of fame: between playing main stage at Warped Tour and opening for Blink-182, they have indisputably cemented their name as a pop punk powerhouse. Upon releasing The Peace and The Panic (TP&TP) this past August, their fan base has continued to expand and dote on their favorite British band. While some of the tracks on this album are somewhat questionable in nature, TP&TP is, overall, an absolute jam.
Metal seems to be one of those things that most people either really love or really, really hate. While I definitely fall into the former camp, I get why it turns a lot of people off. Today, I want to provide a few possible starting points for people who, for whatever reason, don’t like metal or haven’t gotten into it yet but want to. So here are five metal albums you might like even if you don’t traditionally “like” metal.
SZA’s Ctrl, released June 9th, 2017 on Top Dawg Entertainment, is widely about the endless personal journey towards understanding and balance in life. SZA, born Solána Rowe, writes about her own personal challenges, blessings and limitations and how they’ve each shaped her ability to maintain her autonomy. Reflecting on the advice and support of her mother and grandmother, provided for listeners in the form of audio clips interspersed throughout the length of the album, SZA navigates tides of uncertainty.
Hey you! You wanna see Bleachers and Tangerine at Marathon Music Works this Wednesday? Cool! Snapchat us (wrvu_nashville) your most creative video of you listening to WRVU and you could…
A Tribe Called Quest perform on the Panorama Stage. (photo: Meredith Mattlin)
Sunday at Panorama was a whirlwind of heavy hitters. A Tribe Called Quest headlined, and some notable highlights included Glass Animals, Cloud Nothings, and Dhani Harrison. Check out our gallery below:
Tame Impala at the Panorama Stage (photo: Nikki Jahanforouz)
Panorama’s Saturday lineup promised some big names and a refreshing variety of artists to choose from. Tame Impala was headlining—they’ve seemingly kept up their major popularity streak since their release of Currents in 2015—and from Mitski to Vince Staples to Breakbot to Belle & Sebastian, Panorama brought a diverse and action-packed Saturday.
Fans cheer at Pitchfork Fest 2017 (photo: Meredith Mattlin)
Pitchfork Fest was a remarkably relaxed and fun festival. The only difficult part was—as cheesy as it sounds—choosing which sets from the vast and diverse array of options to watch. Luckily, Pitchfork happens to be the rare festival that allows you to bounce from set to set with relative ease: the stages are close together which means you don’t have to walk far; the Chicago weather made for an almost too-good-to-be-true forecast to move between outdoor stages; despite the overlapping sets, the times were strategically planned such that you could catch at least a little bit of all your favorites. It seemed, in short, designed to facilitate your having your best time.
Pinegrove’s Evan Stephens Hall at Pitchfork Fest (photo: Meredith Mattlin)
The last day of Pitchfork Fest, I’d assert, was the day that had the highest concentration of crowd-pleasing favorites: in just sheer numbers, today’s lineup was the highest up in terms of hitting on almost every conceivable niche of possible audience interest all across the obscurity-to-popularity spectrum. And with Solange—Solange!—headlining, there was nothing to possibly complain about.
A Tribe Called Quest at Pitchfork Music Festival 2017. Click to enlarge. (photo: Meredith Mattlin)
After an eventful day one, Pitchfork Fest day two promised an even more saturated schedule. And it certainly delivered on that promise: first of all, with A Tribe Called Quest headlining, all the other bands could have tanked and this day still would have been certifiably historical. Fortunately, however, we were lucky enough that not a single one of the other acts disappointed.
