WRVU, Bonnaroo, and You: Three great things that are coming together for one big contest. Starting March 21 you will have the chance to win two tickets to the Bonnaroo…
Driving back to Nashville from Lafayette, Indiana this weekend, I decided to revisit the Decemberists’ entire discography on the way down, to listen to each record and then to rank them in a hierarchy. The result was a list ordered as such:
- Picaresque (2005)
- Castaways and Cutouts (2002)
- The Hazards of Love (2009)
- The King is Dead (2011)
- The Crane Wife (2006)
- Her Majesty the Decemberists (2003)
- What a Terrible World, What a Beautiful World (2015)
You may notice that their most recent release, What a Terrible World, is at the bottom. What you can’t see is how strikingly large the gap between albums six and seven actually is. Make no mistake — WATW is still a decent album by any standard. But it does stand as the Decemberists’ biggest disappointment, especially given the bands remarkable consistency and excellence. I want to reexamine What a Terrible World a year after its release, unpack its problems, and see if they can be fixed.
After selling out Marathon Music Works in October, contemporary 1950s-soul artist Leon Bridges was back in Nashville last night at a sold-out Ryman Auditorium. The crowd surprisingly consisted of all ages compared to the Marathon Music Works show, which was a glaring majority of young couples. The ability to sit down in pews likely contributed to the older crowd’s attendance, and there was also the benefit of not having to watch hundreds of couples slow-dance and make out to Leon’s jams. In general, as my friend astutely commented, “There are a lot of good hats tonight.” Leon’s vintage style permeated the crowd, transporting us to the 1950s.
(Written by Corey McCloud and Linzy Scott)
Nobody will ever imitate Kanye West. Not even Kanye himself. With the release of his most recent effort, Life of Pablo, the eclectic rapper-producer megastar proved once again that he isn’t afraid to change his style and push rap forward with every release. So against the cries of his fans demanding old Kanye, against people saying he was getting too artsy, or too egoistic with Yeezus, and against everybody who thought he might actually be losing his mind, Kanye dropped the a-bomb with Pablo. The album’s sonic range alone is impressive and the first six tracks are among the best stretches of tracks in hip-hop history. I hate to sound like a fanboy, but at this point we are 2 weeks removed from the release of the album. It’s been a week and a half since I first bit the bullet and got a Tidal trial account to try it out, and yet I somehow find myself going back to this album multiple times a day.
Carson Cox of Merchandise recently formed Death Index, a side project that seems to unleash the musician’s inner hardcore sensibilities. The project’s debut album, released on February 26th, uses a post-punk template that one would expect from Cox, but adds plenty of hardcore punk elements to the music. With all of the vocals done by Cox, the album certainly reminds listeners of modern post-punk outfits such as Viet Cong, but several of the tracks contain hardcore and noise-rock tendencies that I embrace with open arms.
Ah, to be young and in college. College is often revered as the breeding ground for intellectual development, excessive alcohol consumption, and wild parties. Though every part of that previous…
Spring break is officially less then a week away. Already, you can feel the sand beneath your toes as you lounge on the beach. The snow and cold air biting at…
Kurt Vile tickets were in such high demand that the show moved from Exit/In to Marathon; they eventually sold out there as well. Everyone, it seemed, was clamoring to see the man behind the deep, droning voice whose b’lieve i’m goin down… rounded out the latest addition to his successful solo career.
When you find something you like, usually you want more of it, and this basic relationship finds a lot of relevance in music. It’s become an even greater part of many music lovers’ lives with the onset of the eras of downloading and streaming. Whereas before, our parents and grandparents had to really make that journey down to a physical place selling physical copies of the new Luther Vandross and part with their pocket change, the only thing that’s stopping us now from having Sonic Youth’s entire discography is an internet connection.
As you may know, last Friday, Ron Pope & The Nighthawks played at Mercy Lounge. But you may not know that Ron Pope brought with him Truett, an up-and-coming blues-rock artist and a fellow Georgia native. I had the opportunity to interview Truett the morning of the Nashville show. He told me about how he and Ron go way back, first meeting when he was practically still a kid. Truett’s sister made the introduction, because she and Pope went to same high school. Recently, Truett signed to Brooklyn Basement Records, the label Pope owns with his wife.
A summer album released in the middle of winter, the bright tones and short song constructions present the band’s most accessible album to date. Animal Collective’s tenth studio album, Painting With, is the ‘punchy’ pop album my girlfriend still wouldn’t listen to.
As mom used to tell me, the best things in life are worth waiting for. The 2015 Album of the Year Tournament Crowning of the Champion is no exception, and I am happy to announce that we have our results. After careful consideration and several rounds of voting, your 2015 AOTY Winner is……….
Whether it be the unnaturally warm February weather or the surprisingly (or should I say unsurprisingly) sold out show for a relatively new and developing band, everyone in the jam-packed Mercy Lounge sensed that something big was happening. Chatter was made up of conversation on who is who in the Nashville music scene and the next show people would be attending. Not lost in the conversations was an overwhelming sense of confidence that Kaleo was about to blow up, summed up by a Kentucky native to the right of me who said it was worth the drive and she didn’t think she would see the quartet in such a small, intimate venue ever again. With such a buzz preceding them, the band definitely delivered. Starting with “No Good,” a song picked up for the new HBO original series, Vinyl, the crowd was immediately moving to the blues/rock riffs and grungy vocals.
The weather in late February is as unpredictable as, well, the weather. For instance, today in Nashville it was nearly 70 degrees. That was good. However, it is supposed to…
Sometimes the Vanderbilt music scene can seem a bit dull compared to our neighbors at Belmont, but Allan Boudreau-Fine begs to differ. Boudreau-Fine, a sophomore, hosts VU Backstage, a weekly look into the thriving Vanderbilt music scene. I met with him this week to chat about WRVU’s only radio show focused on campus music.
Snarky Puppy earned their second Grammy on Sunday for their ninth album “Sylva,” an instrumental masterpiece of composition. Michael League, bassist, bandleader, and the group’s main composer has been aiding in the redefinition of big band jazz-fusion on a mainstream level for over 10 years. An art form that has been slowly escaping the public’s ears, Snarky Puppy is successfully bringing big band music back into the spotlight.
Saturday night, Unknown Mortal Orchestra played a crowded show at Exit/In with Lower Dens. The show delivered delicious energy and excitement without being over the top, proving it was worth that possibly-pricier Stubhub purchase after the tickets sold out.
As my mother once told me, “Disco never died in Europe.” Although it is glaringly obvious that our transatlantic cousin continent has embraced electronic music more than we ever have, I was still taken aback by her statement. When I initially decided to study abroad, the last thing I expected to find was a time capsule of a 1970s discothèque in the heart of Prague. But there I was, wading through a crowd on that iconic glowing Tetris floor while loops of reverberating vocals flooded the club. Disco had, in fact, not died at this one hole-in-the-wall locale. It seemed surreal, but moms are typically always right — my case was no exception.
The creative lyricism of Tom Petty was thrust upon me at a young age. My mother used to sing “Free Fallin” as she reminisced about living in California in the 80s. When I was about 15, I imported all eight CDs of the complete Tom Petty collection onto my iPod. But, not all Tom Petty albums were created equal. For me, Full Moon Fever takes the cake. Released in 1989, Full Moon Fever was Tom Petty’s first official solo album – he previously performed with a band as “Tom Petty and the Heartbreakers.” This album is about love, break-ups, loneliness and achieving international stardom. Most of these we can all relate to. The point is, no matter where you are in your personal life, Tom Petty’s got you covered.
1. Free Fallin’
This is the #1 song to play at max volume while you’re driving down a deserted highway. It arouses feelings of nostalgia and the lyrics are perfect for a sloppy sing-along. Watch out for the awesome guitar solo at 3:19.
Heads up, the John Mayer version sucks. This is a prime example of a cover that should never have been attempted. Stick to the original.
“All the vampires walkin’ through the valley, move west down Ventura Blvd. And all the bad boys are standing in the shadows and the good girls are home with broken hearts”
My favorite thing about electronic music is that possibilities for creating different instrumental tracks are endless. One thing that I do on a daily basis is find different remixes for a song and listen for new combinations of beats, chords and synth effects that mix well with the main melody. It’s definitely interesting, and it’s taught me a lot about different sound effects that I can incorporate into my own music.
Above all, listening to remixes is a lot like listening to a song for the very first time. Oftentimes, I will hear a song and wish that it were a little faster or slower, with a little more bass, or a few extra beats here and there. Remixes can make these ideas into reality, and it’s really cool to hear someone make variations to a song in the exact way that you had envisioned. Other times, a remix can show you a version of a song that you never expected would work. Either way, it’s a lot of fun.
Below are 10 of my favorite remixes/ covers (in no particular order)
The cover art of T. L. O. P., the album that has stirred up so much controversy in its short life. Source
Kanye West’s new album has been in the news many times in the past couple of weeks. First, there was the issue of what it would be called. He changed album titles a few times before settling on T. L. O. P., which stands for The Life of Pablo. Then, there was the question of when it would be released.
Today, the album is in the media for a very different reason. After premiering at Madison Square Garden on February 11 during the Yeezy Season 3 fashion show, the album has been a hot topic due to a reference to another celebrity. In his song “Famous,” West had a couple of questionable lines that featured Taylor Swift. The lyrics say, “I feel like me and Taylor might still have sex/ Why? I made that b***h famous.”