Pinegrove, Cafe Coco, and Fruit Juice

March 15, 2016

https://www.youtube.com/watch?v=nh3s0Bl5k4Q

Note: This interview took place just prior to the anonymous accusation of sexual misconduct against Evan Stephens Hall, the details of which are murky as of this time. We do not at all endorse or condone any inappropriate or coercive behavior on the part of bands we’ve interviewed. Read our full statement here.  

Café Coco isn’t normally the go-to venue for bands as suddenly popular as Pinegrove. Though they easily could have filled Exit/In next door—where their friends, the edgy punk duo PWR BTTM, were coincidentally playing tonight—they instead packed Coco, where eager fans filled the space with anticipatory energy.

Life On Mars: A Reflection on Bowie, Two Months Later

March 6, 2016

As a composer, people often ask what my favorite piece of music is – the one that affected me the most, the one that made me feel things I hadn’t before, the one that when I heard it I knew what I had to do with my life. I remember one day last fall that question was posed in my Intro to Composition class, to a room of mostly composition majors. Everyone in the room called to mind immediately their first exposure to Mahler, or their first bout with Bach or Beethoven or Brahms. As a composer I know I “should” love these great composers and be deeply affected by their expertise and power – and I do, and I am. But the piece that has most deeply affected me, the one that makes me sure of exactly why I chose to study to be an artist, and the one with which I responded in class was “Life On Mars?” by David Bowie. This song is, without hesitation, my Mahler Five, my Beethoven Nine, my Rite of Spring. But its impact on me (as well as Bowie’s impact) stretches back years before I ever decided to compose.

Revisiting The Decemberists’ “What a Terrible World, What a Beautiful World”

March 3, 2016

Driving back to Nashville from Lafayette, Indiana this weekend, I decided to revisit the Decemberists’ entire discography on the way down, to listen to each record and then to rank them in a hierarchy. The result was a list ordered as such:

  1. Picaresque (2005)
  2. Castaways and Cutouts (2002)
  3. The Hazards of Love (2009)
  4. The King is Dead (2011)
  5. The Crane Wife (2006)
  6. Her Majesty the Decemberists (2003)
  7. What a Terrible World, What a Beautiful World (2015)

You may notice that their most recent release, What a Terrible World, is at the bottom. What you can’t see is how strikingly large the gap between albums six and seven actually is. Make no mistake — WATW is still a decent album by any standard. But it does stand as the Decemberists’ biggest disappointment, especially given the bands remarkable consistency and excellence. I want to reexamine What a Terrible World a year after its release, unpack its problems, and see if they can be fixed.

Leon Bridges Takes Nashville Back to the 1950s

March 3, 2016

IMG_0849

After selling out Marathon Music Works in October, contemporary 1950s-soul artist Leon Bridges was back in Nashville last night at a sold-out Ryman Auditorium. The crowd surprisingly consisted of all ages compared to the Marathon Music Works show, which was a glaring majority of young couples. The ability to sit down in pews likely contributed to the older crowd’s attendance, and there was also the benefit of not having to watch hundreds of couples slow-dance and make out to Leon’s jams. In general, as my friend astutely commented, “There are a lot of good hats tonight.” Leon’s vintage style permeated the crowd, transporting us to the 1950s.

The Life of Kanye West’s Career

March 2, 2016

 (Written by Corey McCloud and Linzy Scott)

Nobody will ever imitate Kanye West. Not even Kanye himself. With the release of his most recent effort, Life of Pablo, the eclectic rapper-producer megastar proved once again that he isn’t afraid to change his style and push rap forward with every release. So against the cries of his fans demanding old Kanye, against people saying he was getting too artsy, or too egoistic with Yeezus, and against everybody who thought he might actually be losing his mind, Kanye dropped the a-bomb with Pablo. The album’s sonic range alone is impressive and the first six tracks are among the best stretches of tracks in hip-hop history. I hate to sound like a fanboy, but at this point we are 2 weeks removed from the release of the album. It’s been a week and a half since I first bit the bullet and got a Tidal trial account to try it out, and yet I somehow find myself going back to this album multiple times a day.

Merchandise Frontman Brings Out Hardcore Sensibilities in New Project

February 29, 2016

Carson Cox of Merchandise recently formed Death Index, a side project that seems to unleash the musician’s inner hardcore sensibilities.  The project’s debut album, released on February 26th, uses a post-punk template that one would expect from Cox, but adds plenty of hardcore punk elements to the music.  With all of the vocals done by Cox, the album certainly reminds listeners of modern post-punk outfits such as Viet Cong, but several of the tracks contain hardcore and noise-rock tendencies that I embrace with open arms.

Kurt Vile’s Sold-Out Show at Marathon Music Works

February 26, 2016
Kurt Vile at Marathon Music Works 2/25 (photo courtesy of Alexandra Justice)
Kurt Vile at Marathon Music Works last night (photo courtesy of Alexandra Justice)

Kurt Vile tickets were in such high demand that the show moved from Exit/In to Marathon; they eventually sold out there as well. Everyone, it seemed, was clamoring to see the man behind the deep, droning voice whose b’lieve i’m goin down… rounded out the latest addition to his successful solo career.

Paying for Music, and the Value of Rap

February 23, 2016

1035x1035-drakeyoung-thug-barter-69cd0f669d4df4cd85d57b059f6ff29f3.1000x1000x1

When you find something you like, usually you want more of it, and this basic relationship finds a lot of relevance in music. It’s become an even greater part of many music lovers’ lives with the onset of the eras of downloading and streaming. Whereas before, our parents and grandparents had to really make that journey down to a physical place selling physical copies of the new Luther Vandross and part with their pocket change, the only thing that’s stopping us now from having Sonic Youth’s entire discography is an internet connection.

Truett In-Studio 2/19

February 23, 2016
brooklynbasementrecords.com

As you may know, last Friday, Ron Pope & The Nighthawks played at Mercy Lounge. But you may not know that Ron Pope brought with him Truett, an up-and-coming blues-rock artist and a fellow Georgia native. I had the opportunity to interview Truett the morning of the Nashville show. He told me about how he and Ron go way back, first meeting when he was practically still a kid. Truett’s sister made the introduction, because she and Pope went to same high school. Recently, Truett signed to Brooklyn Basement Records, the label Pope owns with his wife.

2015 AOTY Winner

February 21, 2016

WRVU AOTY

As mom used to tell me, the best things in life are worth waiting for. The 2015 Album of the Year Tournament Crowning of the Champion is no exception, and I am happy to announce that we have our results. After careful consideration and several rounds of voting, your 2015 AOTY Winner is……….

Icelandic Indie-Rockers, Kaleo, Start Tour In Nashville

February 19, 2016

MEM_4713-2

Whether it be the unnaturally warm February weather or the surprisingly (or should I say unsurprisingly) sold out show for a relatively new and developing band, everyone in the jam-packed Mercy Lounge sensed that something big was happening. Chatter was made up of conversation on who is who in the Nashville music scene and the next show people would be attending. Not lost in the conversations was an overwhelming sense of confidence that Kaleo was about to blow up, summed up by a Kentucky native to the right of me who said it was worth the drive and she didn’t think she would see the quartet in such a small, intimate venue ever again. With such a buzz preceding them, the band definitely delivered. Starting with “No Good,” a song picked up for the new HBO original series, Vinyl, the crowd was immediately moving to the blues/rock riffs and grungy vocals.

WRVU Unplugged: VU Backstage

February 19, 2016
Allan Boudreau-Fine in the studio. Photo by Jamison Stoike.
Allan Boudreau-Fine in the studio. Photo by Jamison Stoike.

Sometimes the Vanderbilt music scene can seem a bit dull compared to our neighbors at Belmont, but Allan Boudreau-Fine begs to differ. Boudreau-Fine, a sophomore, hosts VU Backstage, a weekly look into the thriving Vanderbilt music scene. I met with him this week to chat about WRVU’s only radio show focused on campus music.

And one of the most well-deserved Grammys goes to…

February 18, 2016
LOS ANGELES, CA - January 26, 2014 Winners of the best R&B Album Snarky Puppy and Lalah Hathaway (at the mike) at the 56th Annual GRAMMY(R) Pre-telecast show at Nokia Theater L.A. Live in Los Angeles, CA. Sunday, January 26, 2014. (Robert Gauthier / Los Angeles Times)
LOS ANGELES, CA – January 26, 2014 Winners of the best R&B Album Snarky Puppy and Lalah Hathaway (at the mic) at the 56th Annual GRAMMY(R) Pre-telecast show at Nokia Theater L.A. Live in Los Angeles, CA. Sunday, January 26, 2014. (Robert Gauthier / Los Angeles Times)

Snarky Puppy earned their second Grammy on Sunday for their ninth album “Sylva,” an instrumental masterpiece of composition. Michael League, bassist, bandleader, and the group’s main composer has been aiding in the redefinition of big band jazz-fusion on a mainstream level for over 10 years. An art form that has been slowly escaping the public’s ears, Snarky Puppy is successfully bringing big band music back into the spotlight.

House Music Will Never Die

February 16, 2016

As my mother once told me, “Disco never died in Europe.” Although it is glaringly obvious that our transatlantic cousin continent has embraced electronic music more than we ever have, I was still taken aback by her statement. When I initially decided to study abroad, the last thing I expected to find was a time capsule of a 1970s discothèque in the heart of Prague. But there I was, wading through a crowd on that iconic glowing Tetris floor while loops of reverberating vocals flooded the club. Disco had, in fact, not died at this one hole-in-the-wall locale. It seemed surreal, but moms are typically always right — my case was no exception.

WRVU is not operated by Vanderbilt University. The views and opinions expressed in this publication are those of the authors and do not necessarily reflect the policy or position of Vanderbilt University or its official representatives. Vanderbilt® and the Vanderbilt logos are registered trademarks of The Vanderbilt University. © 2024 Vanderbilt University