Following the release of the Rites lineup, one of the most common complaints I heard was that Future had no business being invited to perform. Many of these critics complained that his lyrics left something to be desired. Others found the songs repetitive. Even then, others found him too simplistic and not deep enough. People have a right to their opinion, but in this instance I think many critics of Future and trap music in general are doing themselves a disservice by ruling out the genre. All the things that give trap rap a bad name are the same things that give it a valid place on the musical spectrum. Let’s take a look.
I think it is safe to say that we all had that one band at one point in our lives that really got us into music. The one band that made us go, “Wow, so that’s how listening to music is supposed to feel.” For me, it was Arctic Monkeys. When I was in high school, I used to go to my local library to rent CDs and burn them onto my computer (sorry, iTunes). One of the first albums I obtained was Arctic Monkeys’ first full length debut, “Whatever People Say I am, That’s What I’m Not” (among other gems, including “Is This It?” by The Strokes and “The Queen is Dead” by The Smiths). That album, and the subsequent ones that I devoured later, became the soundtrack to my high school experience; my go-to answer to the feared “what’s your favorite band?” question.
Sun Seeker, whose newest single, “Georgia Dust,” has become a Third Man Records favorite, played some of their undeniably catchy and easily lovable tunes at Grimey’s last Saturday.
No matter your relationship status, I have tailored six different playlists to be the perfect soundtrack for your February 14th experience.
When Josiah Williams, a trombone performance major from Downer’s Grove, Illinois, isn’t performing in a Blair ensemble, you might find him reading something like this:
She’s all states, and all princes, I,
Nothing else is.
Princes do but play us; compared to this
All honour’s mimic, all wealth alchemy.
Thou, sun, art half as happy as we,
In that the world’s contracted thus.
Thine age asks ease, and since they duties be
To warm the world, that’s done in warming us.
Shine here to us, and thou art everywhere;
This bed they center is, these walls, thy sphere.
(John Donne, “The Sun Rising”)
Josiah’s love of poetry informs one of WRVU’s most unique shows: Wax Poetics. I sat down with the DJ this week to discuss his show, how it started, and what he’s discovered along the way.
The art of spotting a sample has faded to technology. Now all a good ear has to do is a quick google search or peruse a blog to reveal the mystique of an eloquent beat. But an infectious hook, loop, and vocal can haunt me for an afternoon. Or a few days. Or this past week. Red Pill’s 2015 release Look What This World Did To Us has been on regular rotation on my Spotify feed. Rum and Coke especially speak to my Friday nights’ struggles between a girlfriend, a graduate student’s bank account, and a bar tab. Yet that’s not what this post is about. On the self-titled track “Look What This World Did to Us”, Red Pill tells a Bukowskian tale with an acerbic tongue. Familiar to early Atmosphere, the track speaks of a guarded regret singular to the loss of youth.
WRVU is hosting its first big festival giveaway to the Okeechobee Music & Arts Festival in Florida taking place from March 4-6. What better way to start your spring break?…
When a friend told me about Discover Weekly on Spotify, I thought it was one of the better ideas of online music services. A playlist tailored to your music preferences, including songs from artists you probably don’t know? Every week? All the work of finding new music now done by a computer for you. How unbelievably convenient!
Thirty-four years ago, Swans hit the underground in New York with their self-titled EP. Now (thirteen studio albums, ten live albums, a heap of EPs and compilations, dozens of members, and a thirteen year hiatus later) the band is finishing up work in the studio on what is, according to the band, going to be the final work from this incarnation of Swans. After this album and its subsequent tour, Michael Gira and the rest of this current six-piece form of the band are ending a historic reunion run the likes of which just don’t happen.
In Galaxie 500’s incredible On Fire, the opener “Blue Thunder” immediately places the album—and the listener—into a state of motion. The iconic refrain of “I’ll drive so far away” never really addresses the place from which the speaker is so intent on leaving, letting the focus rest on the act of departure and the imagined “elsewhere” to which we’re going and being taken. Money’s sophomore album Suicide Songs is at times thematically and sonically reminiscent (with singer Jamie Lee even belting “I’m on fire” in “Night Came”), positing suicidal ideation as an act of departure from the self, offering a framework through which to explore and complicate the notion of identity formation as simultaneously oppressive and liberating.
Allow me to introduce you to The Oh Hellos. Siblings Tyler and Maggie Heath (center) formed a folk rock duo in 2011 and have since released three albums. Today, as you can see, they are supported by an army of musicians. The Oh Hellos are an independent band, meaning they are self-funded and do not belong to a record label.
Before you say “oh no, not another indie folk band,” hold your judgment and watch their NPR Tiny Desk Concert from December.
Everyone knows that Monday is the worst day of the week. Even if you don’t agree, it’s usually true to say that having a full week of meetings, assignments and…
Possibly one of the most notable things about Death of a Bachelor is that it is the first time Panic! at the Disco wrote an album with only one member. After the departure of drummer Spencer Smith in April 2015, Brendon Urie was left to carry on and write what actually may be the band’s best album yet. Already, it has done much better than the previous four. In its debut week, it sold more than 190,000 album units and scored a spot as number one on the US Billboard 200, the first album by the band to accomplish such a feat.
When I was in high school, a close friend of mine introduced me to the hilarious and often ridiculous wonder that is Ezra Koenig’s twitter. I initially dismissed his posted jokes as self-indulgent banter with a worshipping fan base. But, admittedly, I was intrigued, and started listening to Vampire Weekend. I got almost immediately hooked, and rapidly transformed into a person who listened to their self-titled album and Contra every day after school.
I’ll the first to admit that I’m a bit of a fanboy of Tool, and I was definitely a pretty big Primus fan back in the day (I mean, with a bass style like Les Claypool’s, how could I not?), so when I read that the two bands were going to be playing Bridgestone Arena, I did the logical thing and set a reminder on my phone for when to stop paying attention in stats class to buy tickets as they went on sale. I was a little excited.
We’ve narrowed it down to four semi-finalists (credit to Will Doran), so we’re nearly there! It’s crucial we get this right so vote below to see who goes on to…
As always when we find ourselves awaiting a new soon-to-be-released Young Thug album/mixtape/symphony, we are living in a historic time. Slime Season 3 (SS3) is coming (Feb. 5th) and all we have to do is make it until then, which is easier said than done.
Jukebox the Ghost managed to plan a perfectly timed show, performing for Nashville on Thursday night and celebrating the rain, as opposed to the snow, that lingered the day before and after. The band brought along Greg Holden to open the show, bracing the stage similarly to how Passenger did a few years ago, with just his songs and guitar to carry the mood. Although many voices were heard singing along to the Brit’s 2015 single, “Boys in the Street,” those just hearing him for the first time seemed pleasantly surprised based on the chatter in between sets. His stage presence paralleled his music, honest and heartfelt.
After an incredible Round 1 voter participation, it’s safe to say these winners definitely deserved their victory (credit to Will Doran). Now it’s time to see which albums will make…
The time has come to see who will take the esteemed WRVU Album of the Year title from last year’s winner, Run the Jewels. 2015 had it’s fair share of…
With 2015 in the books, it’s time to look back at the year and see what songs stood out and are worth carrying into 2016. After tallying up the numbers, here are the top 10 songs of 2015 voted for by our staff here at WRVU.