Nilüfer Yanya captivated the audience at the Basement East with an intimate yet electrifying concert. With her 2024 album release, My Method Actor, the British singer-songwriter delivers a poignant exploration…
700,000 people listen to Sarah Kinsley each month, but only 575 had the opportunity to watch her perform in Nashville on September 29th. When I first heard Kinsley was performing…
Welsh post-hardcore outfit Holding Absence returned to Nashville, performing at the Basement East for their first headline date in the city bringing along some of the best the genre has…
Kofi Owusu-Ansah, better known as Genesis Owusu, didn’t leave any room for “sophomore slump” allegations with his release of Struggler this August. Without hesitation, Owusu-Ansah began his world tour in…
The last time Del Water Gap played in Nashville, lead singer Samuel Holden Jaffe was running a 103 fever at the Mercy Lounge – which famously closed last year. He…
For Samia Finnerty, Portland Brew is a sacred place. She’s canonized it, notably, namedropping the shop in the opening line of “As You Are.” When we last spoke, in March…
Zac Farro’s HalfNoise is always going to have huge shoes to fill. The project, started during Farro’s hiatus from Paramore in 2012, has the unenviable task of standing out as…
We caught up with Whitney’s Julien Ehrlich to talk about their upcoming tour kicking off tomorrow in Nashville, pre-show rituals, the next LP, and an exciting collection of demos to be released in November.
Atop the dark stage in the large ballroom of Nashville’s The Basement East sit six vintage television sets, arranged in a cultish semicircle. I’m here to see Joywave, the glitchy indie-pop group from Rochester, New York. They’re 10 minutes late. I begin to look at my watch when I hear a dull murmur emerge around the room. As I lift my gaze, I see a single man emerge from the darkness. A dim light illuminates his body from below. I can’t make out his face, but I can see his shirt strikingly clear. On it reads one succinct sentence: “I don’t like corn dogs, but I do like Korn, dawg.”
I had the opportunity to watch my favorite band, Chicago-based Maps & Atlases, for the fourth time on Saturday, October 24th at the Basement East in East Nashville. For the first time, however, I had the honor of interviewing the band after they opened for Bobby Bare Jr.
Maps & Atlases played for almost an hour, revisiting old songs from their second EP “You And Me And the Mountain” to their most recent LP, “Beware And Be Grateful.” Only months after former band member Erin Elders left to pursue other opportunities, this was one of the few shows the former quartet has played as a trio.