It has been on my bucket list since the beginning of my first semester – watch an awesome show at the Exit/In. That may be redundant, considering the bands that come to the venue are more likely than not, extremely talented. Some of them have been lucky enough to have their names written on a large wall behind the bar or on the grand mural outside the front door. Well, I would argue that the show I went to, Kodaline with the fantastic opener LP, should be put up next on that wall of fame.
Earlier this week, Nashville was lucky enough to host one of the most innovative and creative bands in the business right now. Combining elements of jazz, electronica, rock, and everything in between, Snarky Puppy attracted probably one of the most demographically diverse crowds I have ever seen at a concert. It was amazing to see this band have such a crowd equally invested into their music, and taking a closer look at their work will show you how this was possible.
Back as a sophomore in high school I came across a very peculiar album cover that had could have well been a classic art piece, if not for the strange bread-like object that had replaced the girl’s face in the artwork. I decided not to judge an album by its cover and went to listen to a couple songs. It was unlike anything I had heard before – eerie, dreamy, lyrically ambiguous, but somehow very beautiful. It was none other than the album “In the Aeroplane Over the Sea” by Neutral Milk Hotel. I would never have guessed that a little over three years later I would watch the band live after their indefinite hiatus.
I have a fairly eclectic taste in music, and it shows when I think about my five favorite artists. Four of those are Rush, Red Hot Chili Peppers, The Beatles and (the most recent addition) Kanye West. All revered throughout their community of contemporaries and listeners, all well-known to the general public.
The fifth artist? Between the Buried and Me. Never heard of them? Not surprising, seeing as their genre is progressive death metal.