Cold War Kids: A Solid Performance at Marathon Music Works

By a stroke of luck, I ended up winning a pair of tickets to the Cold War Kids’ concert in Nashville this past week through a WRVU giveaway. So, on Friday night, I ventured out to Marathon Music Works to watch their Hold My Home tour. I entered the venue to a surprisingly packed audience. Per usual, I weaseled my way as close as possible to the opening act, Elliot Moss.

Though I missed part of the act, what I did see was exciting. Before the show, I only knew Elliot Moss from his song “Slip,” but I was tingling with anticipation at the thought of seeing the life performance. Marathon Music Works has a tendency to be a loud crowd, and I was worried about his voice fading out amongst the chatter. Instead, Moss set the mood for the rest of the concert. By easing into the concert with his quiet energy, Moss outdid my expectations. My personal favorite of his ended up being “I Can’t Swim.” Definitely be on the look out for more of Elliot Moss in the future — he’s yet to release his upcoming debut album, but Highspeeds is definitely one to watch out for.

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Maybe Jack White is Justified in Being a D*ck

If you’re a fan of Jack White or The Black Keys, then you’re probably well aware of their little rivalry. In the last couple of years White has made a real ass out of himself over The Black Keys. Not only did he bash on the band in a Rolling Stone interview and accuse them of riding on his coattails and being unoriginal, he also pulled his kid out of school to avoid association with Dan Auerbach’s child. Sure he went on to post an apology to The Keys and other artists on his website but come on, he said some pretty shitty stuff about a band that shares much of the same audience as his own, with nothing to provoke him other than his ego.

Like a lot of folks my age,  I went through a pretty intense garage-rock phase the first few years of High School and was super into both Jack White’s work as well as that of The Black Keys, for I, unlike Mr. White felt as if I shouldn’t have to choose a side.So when I was given the opportunity to see Jack White play at Bridgestone Arena on Wednesday, I had a couple of thoughts racing through my brain. Firstly, the 15-year-old version of myself trapped inside my head started peeing his pants with excitement. But simultaneously I was thinking back to The Black Keys arena show I witnessed a couple years ago on their El Camino tour and how it left such an awful taste in my mouth. Could Jack White, the man that truly believes he is a head above bands like The Black Keys, really outshine them? Did this guy actually have something to back up his claims? Was Jack White Justified in being a dick?

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Turn on the Brightest Lights

Before the out-of-nowhere snowstorm that caused Interpol to be stranded for 50 hours, I had the pleasure of seeing Interpol at Marathon Music Works on the unusually chilly night of November 11. I went over to the venue and was immediately greeted by a large, excited crowd. What came after definitely did not disappoint and made my Tuesday night go from ordinary to extraordinary.

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A Tale of Two Whales: Mastodon and Gojira Melt Faces at Marathon Music Works

The great metal band Mastodon finally return to Nashville after recording and releasing their sixth studio album, Once More ‘Round the Sun, in nearby Franklin, Tennessee, and this time around they’ve brought some friends, Norwegian metal band Kvelertak and, a band that I’ve really been getting into in the past several months, the French band Gojira.  When I was looking at going to the concert, I actually hadn’t heard of Kvelertak, but a friend of mine described them to me as “blackened hard rock” before the show started.  However, I was excited just to see Mastodon and Gojira on the same bill, and I was not disappointed in the least.

Atlanta-based proggy-sluddgy-gritty metal band Mastodon
Atlanta-based proggy-sluddgy-gritty metal band Mastodon

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Concert (P)review: GIVERS Showcase New Work at Exit/In

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On Tuesday, October 21st, concert goers at the Exit/In were one of the first to witness GIVERS, with opening act Kind Cousin, perform on their most recent tour. The bands only left their hometown of the wonderful Lafayette, Louisiana earlier this month, and so curiosity for what the indie pop groups had to offer was high. GIVERS has not released anything since their debut album In Light came on the scene in 2011. Having taken a break after their last batch of touring, there was definitely an unspoken expectation from the crowd to see what the quintet had been working on since their last foray in the spotlight. GIVERS did not disappoint, with the show at the Exit/In providing a solid, if not majority, representation of their new songs.

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The War on Drugs Rocks Marathon Music Works

The War on Drugs @ Marathon
The War on Drugs @ Marathon

Despite severe weather warnings, on Monday I and a healthy crowd of Nashvillians head over to Marathon Music Works for The War on Drugs’ exclusive brand of heartland rock. Attendees sport beards, boots, flannel, and, many of them, years of life experience. I’m pretty sure this is the same multigenerational group that showed up in place of Vanderbilt students when Quake accidentally booked My Morning Jacket several years ago.

During their 14-song set, The War on Drugs makes it plain that they are a guitar band. Frontman Adam Granduciel is brought a different guitar before each song, and he goes into extended soloing throughout the night. The sound is straightforward and expansive, and upbeat numbers like “Red Eyes” have fans swaying and bobbing their heads. Two young lumberjack types in my vicinity start up an air guitar band.

Adam Granduciel in the Spotlight for "Suffering"
Adam Granduciel in the Spotlight for “Suffering”

The remaining instruments play a supporting role. The other band members are a keyboardist, rhythm guitarist, bassist, drummer, and a baritone sax player. At first glance the sax player stands out because of his instrument, but quickly he’s revealed to be a subtle part of the band’s atmosphere instead of a gimmick. The sax never takes the lead, but instead layers into the densely mixed structure. Excluding Granduciel’s harmonica outros and on-the-prairie ballads like “Suffering” and “Lost in the Dream”, War on Drugs could pass respectably as a shoegaze outfit. Though tracks like “An Ocean in Between the Waves” and “Under the Pressure” exceed seven and nine minutes, respectively, the band plays hard throughout.

In the live setting at Marathon the music develops a natural and full quality, and the sound clearly envelops the area. As a relatively new venue, Marathon Music Works strikes an impressive balance between friendly rusticity and a modern sheen. Granted, the former quality can partly be attributed to the style of music of the night since electronic bands I’ve seen here before (Beach House, Passion Pit) had me mostly thinking about the second part. Either way, the versatile atmosphere and open layout makes Marathon an excellent addition to the Nashville scene. The War on Drugs certainly fit right in, and I’d be excited to see them back in this space in the future.

Check out War on Drugs’ great 2014 release, Lost in the Dream:

Quake Performers Shine Despite Poor Acoustics, AC in Memorial Gym

The first thing that I noticed walking in to Memorial Gym last night for Commodore Quake was the oppressive heat.  The second thing that I noticed once I found a seat was the atrocious, garbled acoustics of our re-purposed basketball court.  I wish I didn’t feel like I have to include these sour notes as the very first thing in this recap.  I wish I hadn’t noticed these things about Quake at all.  But most of all, I sincerely wish that these weren’t the most memorable aspects of my entire night at Quake.

This year's Quake logo
This year’s Quake logo

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