Between the Buried and Me at Cannery Ballroom: Out of this World

Between the Buried and Me at Cannery Ballroom: Out of this World

Between the Buried and Me, probably the best progressive metal band around today.

Between the Buried and Me, probably the best progressive metal band around today.

I have a fairly eclectic taste in music, and it shows when I think about my five favorite artists.  Four of those are Rush, Red Hot Chili Peppers, The Beatles and (the most recent addition) Kanye West.  All revered throughout their community of contemporaries and listeners, all well-known to the general public.

The fifth artist?  Between the Buried and Me.  Never heard of them?  Not surprising, seeing as their genre is progressive death metal.

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Pluck All Your Silly Strings: Neutral Milk Hotel, in Chattanooga, TN (10/19/13)

Neutral Milk Hotel in 1998. From left to right: Jeff Mangum, Scott Spillane, Julian Koster, Jeremy Barnes.

 

This is covert stuff. I’ve been waiting in line for 45 minutes to attend a show for which their are no real tickets — it’s all electronic, so as to prevent reselling and scalping. Now, the throng of diehards here to see a band that died 15 years ago, is herded into single-file lines. Women’s bags are checked. Men are given full-body pat downs. We’re all warned several times: no cameras, no video recorders, no audio recorders, no cell phone videos or pictures. I wouldn’t be surprised if I have to file for Level 3 Security Clearance. People talk in hushed tones. What is inside Track 29, in Chattanooga, isn’t meant to get out. Inside is an experience, ephemeral, to be stored in one’s mind and not one’s computer. It’s like the nineties. Entering this venue is entering a time machine. This is not surprising, considering that the band we’re all here to see famously sang “I wish’d I could save her in some sort of time machine.” Everyone thought Neutral Milk Hotel was dead; perhaps they were saved in that very same time machine.

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Atlanta’s Music Midtown Festival is a Can’t-Miss Weekend

Atlanta’s Music Midtown Festival is a Can’t-Miss Weekend

Image from Music Midtown

This past Friday and Saturday marked the 3rd year of the return of Atlanta’s Music Midtown Festival to Piedmont Park.  The two-day festival included three stages and a diverse line-up ranging from rap genius Kendrick Lamar, to classic rock titans Journey, to live show titans Red Hot Chili Peppers.  I attended the festival with a friend who is a graduate student in chemistry at Georgia Tech.  In short, it was an amazing weekend.  After the jump, I’ll be giving you a look at it day-by-day, and then summarizing the festival experience as a whole to wrap things up. [Read more...]

No Trouble for The National as they Rock the Ryman

Photo by Rick Hawkins for American Songwriter

Everyone has “that one band.” That one band that first exposed you to what would become your taste in music (Modest Mouse for me). That one band that expanded your horizons as to what music could be (Radiohead, specifically the album Kid A for me too). Bands or artists that exposed you to various genres: metal, hip-hop, jazz, what have you. The National is that one band that I listened to every time when things just seemed to suck as a teenager. Of the top 25 most played songs in my iTunes library, 9 of them are by The National (including 2 of the top 3). I have a deep and abiding love for Matt Berninger’s velvety dark-chocolate baritone, Bryan Devendorf’s jittery, spastic drumming, and the Dessners’ genius arrangements. But despite this, I’d never had a chance to see this juggernaut of my teenage life in concert (hence why I woke up early for the pre-sale and refreshed the Ticketmaster page until it actually went live). Thus, this review may be a little skewed. Even on the off chance that the live show didn’t quite match the power of their records, I would be head over heels for that Sunday night. However, I’m happy to report that this (like my experiences with Death Grips, The Mountain Goats, The Hold Steady, My Morning Jacket, Radiohead, and Godspeed You! Black Emperor) was not just a great show, but a defining moment of my year.

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