My attendance a few weeks ago at the strange 4-day escape from reality called Bonnaroo Music & Arts Festival marked my fifth year at the event. Early on every year the same doubtful thought runs through my mind: Why do I continue year after year to put myself through this? Sometime between my first use of the less than gleaming porta-potties and the realization that yes, I would indeed be this sweaty and disheveled for the next four days, that moment of panic comes.
“You better dance with us, even if it’s bad” John and Jacob said to a friend and I before the show. Apparently the whole crowd overheard this as swing dancers were in full motion by the first note of their vibey, fun music and they didn’t show any signs of slowing down. As the night went on, John and Jacob decided to share a little secret with us. Having an album all recorded and ready, they were only missing a release date. They decided what better way to release an album than exclusively to this Nashville crowd that night. The album is not available to anyone other cities or states right now except Nashville showing John and Jacob’s love and thankfulness for the supportive Nashville crowd.
It has been on my bucket list since the beginning of my first semester – watch an awesome show at the Exit/In. That may be redundant, considering the bands that come to the venue are more likely than not, extremely talented. Some of them have been lucky enough to have their names written on a large wall behind the bar or on the grand mural outside the front door. Well, I would argue that the show I went to, Kodaline with the fantastic opener LP, should be put up next on that wall of fame.
Earlier this week, Nashville was lucky enough to host one of the most innovative and creative bands in the business right now. Combining elements of jazz, electronica, rock, and everything in between, Snarky Puppy attracted probably one of the most demographically diverse crowds I have ever seen at a concert. It was amazing to see this band have such a crowd equally invested into their music, and taking a closer look at their work will show you how this was possible.
Back as a sophomore in high school I came across a very peculiar album cover that had could have well been a classic art piece, if not for the strange bread-like object that had replaced the girl’s face in the artwork. I decided not to judge an album by its cover and went to listen to a couple songs. It was unlike anything I had heard before – eerie, dreamy, lyrically ambiguous, but somehow very beautiful. It was none other than the album “In the Aeroplane Over the Sea” by Neutral Milk Hotel. I would never have guessed that a little over three years later I would watch the band live after their indefinite hiatus.
I have a fairly eclectic taste in music, and it shows when I think about my five favorite artists. Four of those are Rush, Red Hot Chili Peppers, The Beatles and (the most recent addition) Kanye West. All revered throughout their community of contemporaries and listeners, all well-known to the general public.
The fifth artist? Between the Buried and Me. Never heard of them? Not surprising, seeing as their genre is progressive death metal.
This is covert stuff. I’ve been waiting in line for 45 minutes to attend a show for which their are no real tickets — it’s all electronic, so as to prevent reselling and scalping. Now, the throng of diehards here to see a band that died 15 years ago, is herded into single-file lines. Women’s bags are checked. Men are given full-body pat downs. We’re all warned several times: no cameras, no video recorders, no audio recorders, no cell phone videos or pictures. I wouldn’t be surprised if I have to file for Level 3 Security Clearance. People talk in hushed tones. What is inside Track 29, in Chattanooga, isn’t meant to get out. Inside is an experience, ephemeral, to be stored in one’s mind and not one’s computer. It’s like the nineties. Entering this venue is entering a time machine. This is not surprising, considering that the band we’re all here to see famously sang “I wish’d I could save her in some sort of time machine.” Everyone thought Neutral Milk Hotel was dead; perhaps they were saved in that very same time machine.
This past Friday and Saturday marked the 3rd year of the return of Atlanta’s Music Midtown Festival to Piedmont Park. The two-day festival included three stages and a diverse line-up ranging from rap genius Kendrick Lamar, to classic rock titans Journey, to live show titans Red Hot Chili Peppers. I attended the festival with a friend who is a graduate student in chemistry at Georgia Tech. In short, it was an amazing weekend. After the jump, I’ll be giving you a look at it day-by-day, and then summarizing the festival experience as a whole to wrap things up. [Read more...]