Tag: 2014

2015 Grammy Awards – Who Should Win?

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With the Grammy’s less than two weeks away, there is lots of speculation surrounded who will win. I’m here to tell you who (in my humble opinion) should be taking home those golden statues on February 8th.

Record of the Year

Nominees: Fancy (Iggy Azalea feat. Charlie XCX), Chandelier (Sia), Stay With Me (Sam Smith), Shake It Off (Taylor Swift), All About that Bass (Meghan Trainor)

My Pick: Chandelier

In terms of overall song quality, Chandelier is the song that encompasses the best lyrics, music, and overall performance by Sia. It also seems like Sia is a bit overdue for some recognition – she’s been making music (really really good music) longer than any of the other nominees in the category, especially considering 3 out of the 5 nominees are newcomers. Overall, Chandelier takes the cake for me.

Album of the Year

Nominees: Morning Phase (Beck), Beyoncé (Beyoncé), X (Ed Sheeran), In the Lonely Hour (Sam Smith), Girl (Pharrell Williams)

My Pick: Beyoncé

With it’s incredibly successful surprise release, Beyoncé’s self-titled was undoubtedly one of (if not the most) buzzed about albums of the year. Not to mention Beyoncé managed to do what few artists do anymore – focus on creating songs that work together as a cohesive album, not just a few hit singles. If this is the direction music is headed, I’m all for it.

AOTY Tournament: Recap and Individual Lists

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When WRVU announced the winner of 2014’s edition of our annual AOTY (Album of the Year) tournament, hardcore rap duo Run the Jewels emerged on top. Run the Jewels joined the ranks of Vampire Weekend and Tame Impala, who won the tournament in 2013 and 2012, respectively.

The tournament isn’t the whole story though. While its an exciting way to narrow down an overall winner, it doesn’t completely explain why we liked what we did. Additionally, there’s a worry that popular voting is biased against niche releases; it’s certainly not required that voters listen to each and every one of the 32 contenders to better inform their decision.

In the interest of calling out as much great 2014 music as possible, this post compiles the individual top 10 lists from our DJs. But first, a few tournament-related consolation prizes.

The Alternate Universe WRVU-AOTY Award

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Final Four

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Big shout-out to William Doran for the creative design seen throughout this tournament. The Round Three/Elite Eight vote results are below, as well as previews of the Final Four matchups. But more importantly,

VOTE HERE.

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Elite 8

The Sweet 16 round of the Album of the Year tournament has come to a close.  The round featured some very close finishes, with two matchups determined in tiebreakers. Click the box to find out what remains.

Click to see bracket!
Click to see bracket!

The remaining eight albums can be called elite, but they’re by no means champions. For that, they need to win three more times. Let’s take a look at this round’s matchups.

Mac Demarco – Salad Days and Beck – Morning Phase face off for a spot in the Final Four.  Salad Days’ popularity in the nominations indicate it as this matchup’s favorite, but don’t count out the Grammy-nominated Morning Phase.

Swans – To Be Kind and its small, loyal following look to derail R&B star FKA Twigs’ LP1.

Run the Jewels – Run The Jewels 2 looked strong in the first two rounds of voting. We’ll see if it can maintain its momentum against Aphex Twin – Syro.

St. Vincent – s/t takes on Flying Lotus – You’re Dead! in what may be a close matchup with no clear favorite.

But you already know who you’re voting for, don’t you? Go on, then.

VOTE HERE

Read on for a recap of round one.

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Sweet 16

The results for the first round of WRVU’s Album of the Year tournament are in. Check out the updated bracket to see what albums remain standing.

Click to see bracket!
Click to see bracket!

The journey will end here for eight of these albums. Support your favorites, because without you they will never become WRVU Album of the Year.

VOTE HERE 

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Top 32

For us college kids, 2014 was consumed by late nights studying, barely passed exams, countless job and grad school apps, and maybe a few parties, concerts, and vacations to keep us sane. 2014 meant we were one year closer to the real world, except we didn’t feel older.

For music fans, 2014 meant a continuous stream of new music to sift through: a lot of it good, more of it bad, and some of it downright confusing. At the end of the day, it’s the good we remember, and 2014 had plenty. A pop left turn from America’s best-selling artist. A disconnected folk artist’s rumination on aging and death. Celebrated hip-hop producers and emcees honing their craft. These artists all made it to WRVU’s collection of the 32 best 2014 albums, but now they compete to be crowned album of the year.

Click to see bracket!
Click to see bracket

Tournament seeds were awarded based on rankings from our DJs. Higher ranked picks received more points. Over 100 unique albums received votes, and the top 32 appear in this tournament. 16 will advance past the first round. Your favorite albums need your votes to advance. Your least favorite albums need your votes against them to be stopped. At the end of the day, only one will remain: the 2014 WRVU Album of the Year.

VOTE HERE

Design credit to William Doran.

Top 10 Hip Hop Tracks of 2014

Bobby Shmurda
Bobby Shmurda

2014 saw all kinds of hip hop floating around, from new stars and old. Countless tracks have already been forgotten, but this article is about the ones that really stuck. This is just one writer’s opinion, but here it is: the ten best hip hop tracks of the year.

10. Clipping – “Work Work”

While clppng is one of 2014’s more uneven releases in any genre, “Work Work” channels the group’s brand of bizarre industrial-hop into something almost party-appropriate. The sneering delivery of lyrics about pimps, gang signs, and dead homies comes caked in irony, but “Work Work” is charming and catchy enough to let us in on the joke.

9. Jeremih – “Don’t Tell Em”

DJ Mustard gets much of the credit for gracefully reconciling modern popular hip-hop with increasingly EDM-soaked pop charts, after previous attempts ranged from limp to mashup-tier. You can criticize Mustard for being formulaic, but when songs you didn’t even produce start following the formula you can’t deny its effectiveness. On representative track “Don’t Tell Em”, Mustard streamlines the hazy, stylish, “All the Time” Jeremih for mass consumption.