On October 19th, 2018, I was given the opportunity to speak with Matt Signore, the Chief Operating Officer of Warner Music Nashville, a sub-label under Warner Music Group. Mr. Signore offered unique insight to the culture and values of the company, as well as answers to questions about the internal operations of Warner Music Nashville and Warner Music Group as a whole.
Back on September 26th, myself and WRVU’s station manager Morgan Levy had the opportunity to sit down with Lillie West of Lala Lala before her gig opening for Mothers at the 5 Spot. In the parking lot across the street from the venue we talked about the band’s history, writing process, tour life, and anticipated upcoming album The Lamb, which has since been released. Her first LP, Sleepyhead, was put out on Bandcamp back in 2016 in what she considers to be a moment of “boredom.” You wouldn’t guess this by listening to the record, however, as its sound is anything but monotonous.
We caught up with Whitney’s Julien Ehrlich to talk about their upcoming tour kicking off tomorrow in Nashville, pre-show rituals, the next LP, and an exciting collection of demos to be released in November.
Gleams of sunlight patterned the back patio of The Basement East as WRVU chatted with Clay Frankel of Chicago-based rock band, Twin Peaks, the evening before their sold-out show. In between wisps of a cigarette, Clay shared his insights on tour life, the writing process, musical influences, his album artwork drawings, along with answers to various questions from WRVU’s DJ-created Question Bucket Hat.
Join WRVU Nashville for a podcast that explores Carson Lystad’s radio show “Playists for Friends,” (Mondays at 5pm), a look at the Rap/Hip-Hop Releases of 2018 so far, and, finally,…
(via “Legend Has It” music video by Run the Jewels)
Politics! We all love (or love to hate) talking about it. Undeniably, we are living in a time where almost everyone is paying attention to our political climate. Which, in turn, also brings out a lot of opinions. Run the Jewels are no stranger to politics. Killer Mike was a strong endorser of Senator Bernie Sanders in the presidential primaries, even speaking at rallies. Tracks like “Talk to Me” are laden with political talk (“went to war with the Devil and Shaytan/He wore a bad toupee and a spray tan”). Their music videos have even embraced this talk wholeheartedly.
A while back, WRVU had the opportunity to interview Wet, the effervescent indie pop sensation that had eager Nashvillians lining up out the door to Exit/In in hopes of a ticket to the sold-out show. We talked before their Exit/In show about touring, new music, their writing process, being on the road and in the South, pre-concert rituals…to read it all, and watch for the first time/relive their show, check out the interview and concert footage below. (We also photographed the band backstage before the show, which you can check out below as well.)
They’re rough around the edges and they’re still finding their swing, but they’re uncompromising. Fruit and Flowers and The Ex Girlfriends came through the studio for an interview with us at WRVU.
For those of you who missed it, Stop Resisting recently had a show in the basement of Towers. The set-up was great, with curtains over the door and multicolored lights playing off the walls. However, for some of us concert goers it was a little difficult to tell what exactly was going on with this new band. They played a mix of originals and covers, and while I was incredibly entertained, I needed to find out a little more about this new band. I emailed one of the band members, Will Braithwaite, and he got me the inside scoop. So without further ado, I give you Stop Resisting.
Kristen sits on a backless bench in the hallway of a classroom building. It’s dark outside and the hallway is barely lit. All you can hear are the handfuls people loudly roaming through the building, filing into classrooms for meetings. She looks completing unfazed by the conversations around us, and looks confidently prepared to discuss her show, Swag Swag Like Caillou.
Two nights ago I’m sitting at my desk, dead eyed, and I open innumerable Chrome tabs in avoidance of my paper that’s due the next day. I decide to refresh my Vanderbilt gmail inbox for the sixth time, something that traditionally needs to be done after I scroll through my entire Facebook feed. It turns out that neither of the two WRVU DJs I’ve reached out to earlier in the day is able to meet up this week for an interview. I get it. It’s a busy week and I only gave them a few days to clear their schedules for me.
So I think in my head, “What if I interview myself?”
Sometimes the Vanderbilt music scene can seem a bit dull compared to our neighbors at Belmont, but Allan Boudreau-Fine begs to differ. Boudreau-Fine, a sophomore, hosts VU Backstage, a weekly look into the thriving Vanderbilt music scene. I met with him this week to chat about WRVU’s only radio show focused on campus music.
When Josiah Williams, a trombone performance major from Downer’s Grove, Illinois, isn’t performing in a Blair ensemble, you might find him reading something like this:
She’s all states, and all princes, I,
Nothing else is.
Princes do but play us; compared to this
All honour’s mimic, all wealth alchemy.
Thou, sun, art half as happy as we,
In that the world’s contracted thus.
Thine age asks ease, and since they duties be
To warm the world, that’s done in warming us.
Shine here to us, and thou art everywhere;
This bed they center is, these walls, thy sphere.
(John Donne, “The Sun Rising”)
Josiah’s love of poetry informs one of WRVU’s most unique shows: Wax Poetics. I sat down with the DJ this week to discuss his show, how it started, and what he’s discovered along the way.
Happy Thanksgiving Everyone!
Before we all stuff ourselves in the spirit of celebration, here’s a belated concert review/interview.
Hibou & Metric – 11/18 – Marathon Music Works
When’s the last time you went to a concert and the music started ON TIME? That’s what happened last week when Hibou opened for Metric at Marathon Music Works. I wandered in around 8:02 thinking I was early but the band had already begun. I don’t know about you all, but waiting for a concert to begin is my personal hell. Thank you, Hibou, for your punctuality; I promise the audience appreciates it. Hibou played a solid set of songs from their debut album (also called Hibou). I definitely recommend “Above Us” and “Shutter Song”. The group certainly has a lot of energy. Michel, in particular, likes to spin around in circles with his guitar. Above all, they seemed to really enjoy themselves, which I think is the most important thing. After their set, I walked over to the singer and arranged an impromptu interview with the band.
As I walked up to the Exit/In an hour before doors were set to open, to my surprise a sizable line was already beginning to form in front of the venue’s locked entrance. Based on the number of cut-off sleeves and smell of fresh cigarettes hanging in the air, it was safe to say these diehard fans were there for the folk-punk headliner Andrew Jackson Jihad. However, I was there early for a different reason: I had the opportunity to sit down with Jordan Hudkins of Rozwell Kid—one of the openers for the night alongside Nashville locals Pumpkinseed and touring buddies Jeffrey Lewis & Los Bolts.
I had the opportunity to watch my favorite band, Chicago-based Maps & Atlases, for the fourth time on Saturday, October 24th at the Basement East in East Nashville. For the first time, however, I had the honor of interviewing the band after they opened for Bobby Bare Jr.
Maps & Atlases played for almost an hour, revisiting old songs from their second EP “You And Me And the Mountain” to their most recent LP, “Beware And Be Grateful.” Only months after former band member Erin Elders left to pursue other opportunities, this was one of the few shows the former quartet has played as a trio.
Photo courtesy of Carolyn Sloss
Just this past Saturday, the biopic I Saw the Light was presented at the Belcourt Theatre. The movie follows the life of famed country music star Hank Williams from his marriage to his first wife Audrey through his untimely death in the back of his car on his way to perform in Canton, OH. Given the iconic status Hank Williams occupies in the realm of country music it is no surprise that I Saw the Light was screened here, in the home of country.
It’s taken a while for this post to come to fruition but it’s finally here. After struggling to find Ben’s email address and then communicating online from different sides of the Pacific Ocean, I’ve ultimately compiled sufficient information to write this article. Keep reading to find out more about Ben Fensterheim’s show “But Why?”
On Monday evening, City Winery Nashville was graced with the presence of Ben Sollee and Mother Falcon, who performed the second show of their collaborative tour The Fall Migration. Ben Sollee, cellist, singer, composer extraordinaire, took the stage with a “super-band” of 14 (ish) musicians: himself, drummer Jordan Ellis, and the members of Austin-based orchestral band Mother Falcon. Together, they opened the show with “Something, Somewhere, Sometime” a track off Sollee’s 2010 album Dear Companion. In addition to being a talented musician, Sollee is a passionate environmentalist. The aforementioned album, Dear Companion, is entirely dedicated to the problem of Mountaintop Removal coal mining.
Ben Sollee and Mother Falcon performed their 90 minute set with a conversational fluidity. It seemed as if these acts had been playing together for years; it was incredible how such a large group of musicians could be so perfectly in sync. The “super band” lived up to the name, producing a full sound which filled the cavernous room.
Though a large portion of the show had both acts on stage, each took their turn in spotlight. A highlight was when Sollee played a few songs solo, accompanied by a drummer using a wooden box as an instrument. Even on a seemingly empty stage, Ben Sollee is a captivating performer – his charismatic personality translates to his music. He kept the crowd engaged by telling stories between songs. From following a redhead to California to crashing a karaoke bar with his bandmates, he created a personal connection with his audience. The crowd even convinced Sollee to reenact the night in the karaoke bar by playing their reggae cover of Prince’s “When Doves Cry”.
I get the idea that Heather and Travis would really love for you to listen to their show.
And I’m sure that most WRVU DJs would feel the same way – but Gettin’ Sweaty is a bit different.
They’re not here to educate you on what music’s now cool with the hip kids; they’re really just trying to improve your sex life
Maybe you’ve had the pleasure of knowing Bradley Wheaton. You might be aware that he’s a junior in Arts & Sciences, studying Sociology. What you may not know is that Bradley is the creator and host of WRVU’s show Without Vocals. If you haven’t tuned in yet, get yourself in the mood by imagining this:
You’re driving alone through west Texas, heating lightning in the distance. 300 miles of nothing…somewhere between despair and unseen beauty, an epic expression of soul.
Now, Bradley’s job is to provide a soundtrack for your lonely voyage – and he knows exactly how.
