With less than a week left to go, Thanksgiving is fast approaching. So in the spirit of the season, those of us here at WRVU have decided to make a…
You sit down at your desk after a long, hard day of work. Unraveling your headphones, you anticipate the transcendent melodies of your favorite artists. Today, it’s Elliot Smith, and nothing could stop you from drifting off to the sound of his cherubic voice. Just as you lift a steamy cup of herbal tea to your lips and click play, you jerk back in agony, your headphones flying off your head and crashing to the linoleum floor.
One thing that DIIV has undeniably cultivated is a certain, for lack of a better word, aesthetic—that quintessentially millennial, carelessly cool, baggy-shirt-baggy-pants-European-jazz-shoes Brooklynite look that perfectly matches their laid-back, yet guitar-heavy, washed-out sound. Despite their niche persona (or perhaps because of it), they have wide appeal, and wowed the crowded High Watt last night at their show.
So since we find ourselves in November and I’m feeling somewhat reflective, I think that this is a perfect opportunity to look back over the year and take some time to consider how great some of these 2016 tracks have been. Honestly It’s been a pretty nice year in terms of music (and a pretty terrible year in terms of other things) and there’s a ton of quality out there. So we’re gonna keep it light and fun and just look at some stunners that have been released in the calendar year of 2016. No specific order.
Daylight savings time did something to us. Now we wake up… and it’s dark. We go in buildings for the whole day. Then when we walk home it’s dark again. With light only available for a few hours now, it’s easy to slip into playlists that sound well, melancholic. Though the trees are changing colors, their leaves are still falling and dying off. We’re in this place where we need to accept the changes in the day and slowly dive into this new dark lifestyle. The best artist to help us through this is Bedroom, also known as Noah Kittinger.
My Wednesday started last week with my professor cancelling my 6-9pm class so that he could watch the Cubs game. I was pretty pumped because having a three hour class on Wednesday nights is beyond brutal, but on top of that, I received a text from my friend Haley begging me to go with her to see Wild Nothing perform that night. While I had never heard of the band before, my love for discovering new music inclined me to say yes, and I am so glad that I did.
Wax Mistress’ members represent the trifecta of Nashville-area universities–Vanderbilt, Belmont, and MTSU. With an already-well-developed sound and ubiquitous presence, playing tons of shows all over the city, these newcomers are certainly more than the sum of their parts.
Continuing with our artist highlights of Thursday’s Turkey Jerky Jam at The End, we have the Nashville-based Born Animal. If you want a preview of this excitement before you see their set live, check them out here, and keep reading below to learn more.
WRVU’s Turkey Jerky Jam artist highlight continues with Spirit Week. We are very excited about these people. Elated, in fact. You will see just why they are so praiseworthy in person at The End on Thursday night, but in order to satisfy your pre-show jitters, sprinkle your ears with the sweet jams they have on their bandcamp.
Our next WRVU Turkey Jerky Jam artist highlight is Boyscott. Oh boy. These guys are something real special, folks.
If you haven’t already heard the word around the block, WRVU is hosting a show at The End on November 3rd at 8 pm (7 pm doors). We wanted to highlight the artists gifting us with their presence, and first up is: THE PILLS.
The End is such an ominous title for a concert venue. I remember my freshman year when I did my very first in-studio interview. The band I was interviewing was telling me all about their show tonight at The End. Being a clueless freshman, I of course asked ‘at the end of what’?
Three years later and infinitely wiser, I’ve grown to love that concert venue on Elliston. Here are five reasons why:
If you’re reading this, you probably like music. (Nice! Us too.) If you also live in the Nashville area, you would be remiss to forgo the opportunity to see…
Last Tuesday night, droves of Saint Motel fans packed into the dim, cozy space of Cannery Ballroom, anticipating the eclectic show that was to come. Among those fans were fellow Vanderbilt students, high schoolers, and even a few parent-aged folks. Despite Saint Motel’s indie-pop label, this diverse crowd is a testament to the wide-ranging appeal of their high-energy sound and quirky stage performance.
In the world of hip-hop, producer mashups are hardly rare. Danger Mouse first made a name for himself in 2004 with The Grey Album, which combined the verses of Jay-Z’s The Black Album with the instrumentals of The Beatles’ The White Album. Tom Caruana did the same with Magical Mystery Tour and Enter the Wu-Tang (36 Chambers), deeming it Enter the Magical Mystery Chambers. And the subgenre of plunderphonics revolves around the overlaying of samples over hip-hop verses, leading to classics like Girl Talk’s Night Ripper.
Vanderbilt’s annual fall concert has traditionally been headlined by at least one hip-hop act. Last year’s lineup of The Band Perry and Third Eye Blind broke this trend, leading to a confused and disinterested student body. Music Board this year had the task of bringing the crowd back to Memorial Gym. Given the full floor and general campus excitement, it seems like Big Sean and A$AP Ferg accomplished just that.
The weekend is finally here and 5pm is coming faster than ever. Assignments have been turned in. Lunch has never tasted better. Classes are done. Work is finished. And you have plans tonight. Finally, you have plans tonight.