Last weekend I packed two t-shirts, a pair of tennis shoes, and a few extra socks and jumped on a plane bound for Burbank, California for my inaugural weekend at Joshua Tree’s Indian Cove.
I had no idea who Porter Robinson was when I went to Hard Summer 2015. With other names like ODEZZA, Griz, Big Gigantic, Bro Safari, and Chemical Brothers, it struck me how many kids were wearing black t-shirts with Windings font and carrying “we <3 Porter” signs. Just before his show, I found myself with a group of Robinson fanatics who warned me I was about to have an experience of a lifetime. I smiled, gave a big-festival-hug, and turned toward the stage aglow with the art deco neon of Robinson’s debut album, Worlds.
Omar Moctar, aka Bombino and his band are men of action. No introduction. No witty banter. The band just played, brilliantly.
A summer album released in the middle of winter, the bright tones and short song constructions present the band’s most accessible album to date. Animal Collective’s tenth studio album, Painting With, is the ‘punchy’ pop album my girlfriend still wouldn’t listen to.
The art of spotting a sample has faded to technology. Now all a good ear has to do is a quick google search or peruse a blog to reveal the mystique of an eloquent beat. But an infectious hook, loop, and vocal can haunt me for an afternoon. Or a few days. Or this past week. Red Pill’s 2015 release Look What This World Did To Us has been on regular rotation on my Spotify feed. Rum and Coke especially speak to my Friday nights’ struggles between a girlfriend, a graduate student’s bank account, and a bar tab. Yet that’s not what this post is about. On the self-titled track “Look What This World Did to Us”, Red Pill tells a Bukowskian tale with an acerbic tongue. Familiar to early Atmosphere, the track speaks of a guarded regret singular to the loss of youth.