Super Duped: The Decline of the Red Hot Chili Peppers

Super Duped: The Decline of the Red Hot Chili Peppers

Flea, your bass is unplugged...and since when did Chad Smith look like Bruno Mars instead of Will Ferrell?

Flea, your bass is unplugged…and since when did Chad Smith look like Bruno Mars instead of Will Ferrell?

If you grew up a rock music fan in the first decade of the 2000s, as I did, the Red Hot Chili Peppers likely provide much of the soundtrack of your formative years.  Songs like “Can’t Stop” and “Dani California” populated your early-generation iPods, and you familiarized yourself with the oldies that stood the test of time: “Give it Away,” “Under the Bridge,” etc.  Listening to these songs probably invokes a good deal of nostalgia.  They stand the test of time, too; listen through Californication again today, and relish in the tight, emotionally thick beauty of its fifteen tracks.

Given these assumptions, you were probably just as pumped as I was to hear that the Chili Peppers would be joining Bruno Mars for the Super Bowl XLVIII halftime performance.  By the time the teams headed to the locker rooms and Seattle had ensured that the game would be akin to watching a monster truck run over the same poor car for three hours, you were probably relieved that some good music would interrupt the tedium.  Bruno Mars, sure, cool, but the CHILI PEPPERS!!!  I was so excited, I had even set up a betting pool with my family, trying to pick the three songs they would play.

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Crafting the Contemporary Music Taste

Crafting the Contemporary Music Taste

A world without musical taste is chaos.

A world without musical taste is chaos.

Music is an inescapable fact of life.  It streams from our computers like a waterfall; it fills the empty space in our bars and restaurants; it augments the visual impact of television shows, movies, and advertisements.  On top of this universal presence of music, the democratization of the recording and distribution process has ensured that the variety of music available to the general public is vaster than ever before.  Yet it is precisely because of this deep and pervasive connection between music and human culture that it is necessary for you to make sense of this cacophony.  The person without a distinct musical taste risks being lost in the sonic forest, unable to converse about music with other people and unable to discern their own character.  In short, having a defined sense of what music you like is vital to becoming a contemporary man.  So, how do you develop a musical taste that keeps you both interested and interesting?  Read on to find out!

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Campy Music (and some other stuff)

Campy Music (and some other stuff)

None of the songs on this cover were written after 1971.

None of the songs on this cover were written after 1971.

Hey everybody,

It’s been one of those weekends that wasn’t any sort of break from the action of the week, but definitely in a good way.  Things got started with a bang when I scored free tickets to see Fitz and the Tantrums, Capital Cities, and Beat Club at Marathon Music Works on Thursday night.  All three bands started in Los Angeles, but each has a distinct sound within the broader category of indie pop-rock.  Beat Club has a very retro feel and their sound is very influenced by The Strokes, which makes sense because they are connected with Julian Casablancas.  Capital Cities is straightforward synth-pop and put on a very energetic show, closing with a fifteen minute rendition of “Safe and Sound” that turned into an electro-dance party.  Other than the last song, however, I didn’t find their music terribly engaging; all the songs sounded very similar but lacked the catchy hook of “Safe and Sound.”  This is only natural, though, since they have released just one LP.  The fact that they already have a Top 10 single at this point in their existence is very promising.  Unfortunately for Capital Cities, their performance was totally upstaged by that of Fitz and the Tantrums, whose neo-soul had a perfect dancing groove but didn’t feel superficial.  ”Moneygrabber” was a highlight, leading off the encore and featuring a confetti explosion in the middle of the song.  Overall, the night of music was supremely satisfying, and there should be a lot of buzz about these three bands. Here’s some of the better songs that were played.

The real highlight of the weekend, however, was going home for a weekend of summer camp-related festivites: a bar mitzvah, an official camp reunion, and lots of running around to see as many friends as possible before heading back to school this morning.

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Between the Buried and Me at Cannery Ballroom: Out of this World

Between the Buried and Me at Cannery Ballroom: Out of this World

Between the Buried and Me, probably the best progressive metal band around today.

Between the Buried and Me, probably the best progressive metal band around today.

I have a fairly eclectic taste in music, and it shows when I think about my five favorite artists.  Four of those are Rush, Red Hot Chili Peppers, The Beatles and (the most recent addition) Kanye West.  All revered throughout their community of contemporaries and listeners, all well-known to the general public.

The fifth artist?  Between the Buried and Me.  Never heard of them?  Not surprising, seeing as their genre is progressive death metal.

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