Kid Freud: A Rising Vandy Band

Kid Freud, formed five months ago, is poised for a successful 2014-2015 campaign.
Kid Freud, formed five months ago, is poised for a successful 2014-2015 campaign.

It’s rare that you find a prodigious band coming out of Vanderbilt.  Vampire Weekend met at Columbia and Tom Schulz met his Boston bandmates at MIT, but here the music scene centers around singer-songwriters—Belmont produces the bands, they say.

With Kid Freud, though, Vanderbilt may have these rock titans’ future equals on its hands.

Despite forming only four months ago, the three-piece outfit is taking its place at the head of the burgeoning music community on West End, regularly packing venues like The End and fresh off earning the opportunity to open Rites of Spring after winning the festival’s Battle of the Bands.

[Read more...]

A First Look at the Rites of Spring Battle of the Bands

The Rites of Spring Battle of the Bands provides a great opportunity for local bands to play on a big stage--and for you to discover their music!
The Rites of Spring Battle of the Bands provides a great opportunity for local bands to play on a big stage–and for you to discover their music!

It’s that time of year again at Vanderbilt.  The Student Alumni Board is passing out free shirts at Rand; there are dozens of garbage bins lounging pell-mell on Alumni Lawn; the fraternities are gearing up for their crawfish boils and pig roasts; fierce debate regarding 2 Chainz’ arraignment echoes across campus.  What else could it be but Rites Week?

Love it or hate it (and, as always, there’s been a lot of both emotions in reaction to this year’s lineup), the week of Rites of Spring is the best time for music at Vanderbilt every year.  Though the main event will be an epic spectacle that should trump last year’s in terms of debauchery and Dionysian life force–after all, NEEDTOBREATHE probably played before the most sober Rites crowd ever–my favorite part of the week is the Battle of the Bands, which will take place this Thursday at 7:30 PM in Rand Lounge/Dank New Rand.  The Battle of the Bands is easy to overlook, especially with the winners’ prize being the chance to play on Friday afternoon before most students will want to arrive, but it’s a great showcase of some local talent (including a number of Vanderbilt-based acts) and winning would be a tremendous affirmation for any of the competitors.  And this year, you as an audience member have an opportunity to play a pivotal role in determining the battle’s victor, as the crowd’s vote will account for two-fifths of the final decision (alongside the three judges).  The idea seems to be that the winner should be able to draw a crowd to Rites as early as possible, with the ability to do this on a Thursday night supposedly predictive of the ability to follow suit the next afternoon.  So if you are friends with one or more of the contestants, the most important thing you can do for them is to show up at the battle on Thursday night and bring a pack of friends along for the ride.

[Read more...]

Rap for a Reason: A Conversation with Shadower

Shadower is a Nashville-based rapper who released his single "Bully Me" last Tuesday.  All proceeds from the single will go to charity.
Shadower is a Nashville-based hip-hop artist who released his single “Bully Me” last Tuesday. All proceeds from the single will go to charity.

It’s safe to say that regardless of whether or not you think Kendrick Lamar got robbed at the Grammys, Macklemore and Ryan Lewis accounted for a significant shift in the scope of issues dealt with in mainstream rap music.  Into a culture dominated by the elegant hedonism of Kanye West and Jay-Z was infused a dose of reality–”fifty dollars for a t-shirt” (or, as famously offered by Yeezy, $120) is beyond the fiscal considerations of most Americans and shouldn’t be a standard to which ordinary folks are held.  The challenges that The Heist issued to the industry’s status quo opened up lines of dialogue that had been confined to the independent outskirts for much of the past decade, particularly regarding the materialistic, misogynistic, and heteronormative culture that has dominated mainstream rap.

In this rapidly changing paradigm, any social issue can be captured and crystallized into a song with the potential to move millions of affected listeners and inspire the unaffected to take corrective action.  With his new single “Bully Me,” Nashville hip-hop artist Shadower attempts to take the serious issue of childhood and adolescent bullying and preach empathy as the cure.

[Read more...]

Introducing…Your All-2000s Bad Music Squad!

Mathematicians call this the "empty set."
Mathematicians call this the “empty set.”

I spent the majority of my spring break plastering the walls of a cinderblock building in the Puerto Rican rain forest.  The only way to possibly get through a task as mind-numbing as plastering walls is to have an upbeat, driving playlist of music blasting from a decent set of speakers.  Luckily, for the most part, that was the situation; our work crew leader had impeccable and eclectic taste, and about 100,000 songs in his iTunes library.  One day, though, we made the call to switch it up.  My buddy Matt had concocted a playlist entitled “Ridiculous Rap,” mainly comprised of one-hit crunk wonders from the mid-2000s.  The first couple songs were hilarious and everybody sang along.  By song five, the high had disappeared and it dawned on us that we had been ingesting pure crap for the past fifteen or so minutes.

[Read more...]

The Case Against the Star-Spangled Banner

Why do singers mess up these words so frequently?
Why do singers mess up these words so frequently?

It’s Olympics time, and that means patriotism is at a relative high here in America.  So is the potential to wile away the hours in front of non-stop sports coverage.  It’s taking all my willpower to keep my eyes on my laptop as the American hockey team plays the Czechs on the television in front of me.

But there’s one thing about seeing the United States in international competition that bothers the hell out of me: our national anthem, when compared to those of other countries, just doesn’t cut it.

[Read more...]

Super Duped: The Decline of the Red Hot Chili Peppers

Flea, your bass is unplugged...and since when did Chad Smith look like Bruno Mars instead of Will Ferrell?
Flea, your bass is unplugged…and since when did Chad Smith look like Bruno Mars instead of Will Ferrell?

If you grew up a rock music fan in the first decade of the 2000s, as I did, the Red Hot Chili Peppers likely provide much of the soundtrack of your formative years.  Songs like “Can’t Stop” and “Dani California” populated your early-generation iPods, and you familiarized yourself with the oldies that stood the test of time: “Give it Away,” “Under the Bridge,” etc.  Listening to these songs probably invokes a good deal of nostalgia.  They stand the test of time, too; listen through Californication again today, and relish in the tight, emotionally thick beauty of its fifteen tracks.

Given these assumptions, you were probably just as pumped as I was to hear that the Chili Peppers would be joining Bruno Mars for the Super Bowl XLVIII halftime performance.  By the time the teams headed to the locker rooms and Seattle had ensured that the game would be akin to watching a monster truck run over the same poor car for three hours, you were probably relieved that some good music would interrupt the tedium.  Bruno Mars, sure, cool, but the CHILI PEPPERS!!!  I was so excited, I had even set up a betting pool with my family, trying to pick the three songs they would play.

[Read more...]

Crafting the Contemporary Music Taste

A world without musical taste is chaos.
A world without musical taste is chaos.

Music is an inescapable fact of life.  It streams from our computers like a waterfall; it fills the empty space in our bars and restaurants; it augments the visual impact of television shows, movies, and advertisements.  On top of this universal presence of music, the democratization of the recording and distribution process has ensured that the variety of music available to the general public is vaster than ever before.  Yet it is precisely because of this deep and pervasive connection between music and human culture that it is necessary for you to make sense of this cacophony.  The person without a distinct musical taste risks being lost in the sonic forest, unable to converse about music with other people and unable to discern their own character.  In short, having a defined sense of what music you like is vital to becoming a contemporary man.  So, how do you develop a musical taste that keeps you both interested and interesting?  Read on to find out!

[Read more...]

Campy Music (and some other stuff)

None of the songs on this cover were written after 1971.
None of the songs on this cover were written after 1971.

Hey everybody,

It’s been one of those weekends that wasn’t any sort of break from the action of the week, but definitely in a good way.  Things got started with a bang when I scored free tickets to see Fitz and the Tantrums, Capital Cities, and Beat Club at Marathon Music Works on Thursday night.  All three bands started in Los Angeles, but each has a distinct sound within the broader category of indie pop-rock.  Beat Club has a very retro feel and their sound is very influenced by The Strokes, which makes sense because they are connected with Julian Casablancas.  Capital Cities is straightforward synth-pop and put on a very energetic show, closing with a fifteen minute rendition of “Safe and Sound” that turned into an electro-dance party.  Other than the last song, however, I didn’t find their music terribly engaging; all the songs sounded very similar but lacked the catchy hook of “Safe and Sound.”  This is only natural, though, since they have released just one LP.  The fact that they already have a Top 10 single at this point in their existence is very promising.  Unfortunately for Capital Cities, their performance was totally upstaged by that of Fitz and the Tantrums, whose neo-soul had a perfect dancing groove but didn’t feel superficial.  “Moneygrabber” was a highlight, leading off the encore and featuring a confetti explosion in the middle of the song.  Overall, the night of music was supremely satisfying, and there should be a lot of buzz about these three bands. Here’s some of the better songs that were played.

The real highlight of the weekend, however, was going home for a weekend of summer camp-related festivites: a bar mitzvah, an official camp reunion, and lots of running around to see as many friends as possible before heading back to school this morning.

[Read more...]