I Love You, “I Love You, Honeybear”

Father John Misty. Probably a fitting moniker for a man who claims to have “discovered” himself while sitting naked, atop an oak tree. Josh Tillman is the real name of the shroomed-out, van-driving, gentleman we came to love in 2012 when he released his hilarious, honky-tonkish debut, Fear Fun.

Father John Misty's second album, "I Love You, Honeybear," available as of February 10th.
Father John Misty’s second album, “I Love You, Honeybear,” released February 10th.

 

With his first album as Father John Misty, Tillman came out unadulterated and charmingly honest, a man free of any obligation to take himself seriously. Before that, he was only known as the unenthusiastic drummer of Fleet Foxes, who opened his own shows as folk singer, J. Tillman playing morbidly depressing songs that, frankly, weren’t very good. But Fear Fun marked a transformation for the man. He cast himself as a comedian doing standup at a rock n’ roll concert, and somehow he fit the role. It seemed as if he had finally found what would make his music brilliant: his sense of humor. Something he could surely stick to.

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Understanding the Decemberists in 13 Songs

The Decemberists are nothing less than the band that got me into indie rock, albeit in a very non-indie way: back in January of 2009, I was watching a rerun of one of my favorite episodes of How I Met Your Mother, “Ted Mosby, Architect”. During the episode’s denouement, as Ted Mosby walks the streets of New York and muses on his relationship woes, the seminal Decemberists’ track “Here I Dreamt I Was an Architect” plays. I’d seen the episode before, but something inside me told me to look up the song this time — and just a month later I had purchased all five of the Decemberists’ LPs (including the newly released The Hazards of Love) and was at the beginning of a relationship that I still find myself in. They’ve provided the soundtrack of my past 6 years, good and bad, and with their new album What a Terrible World, What a Beautiful World there’s no better time to fall in love with them again — or for the very first time.

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Humble Opinion on Modest Mouse

 

Cover art for upcoming Modest Mouse album
Cover art for upcoming Modest Mouse album

Over the past month, Modest Mouse has released two singles off of their highly anticipated upcoming album, Strangers to Ourselves. It has been nearly eight years since the release of their last album, We Were Dead Before the Ship Even Sank, which was either Modest Mouse’s best album or worse album depending on who you ask. Naturally, there was a lot of excitement and anxiety over the direction Modest Mouse would take with this next album, which warrants us to take a closer look at the releases.

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Turn on the Brightest Lights

Before the out-of-nowhere snowstorm that caused Interpol to be stranded for 50 hours, I had the pleasure of seeing Interpol at Marathon Music Works on the unusually chilly night of November 11. I went over to the venue and was immediately greeted by a large, excited crowd. What came after definitely did not disappoint and made my Tuesday night go from ordinary to extraordinary.

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Punky Reggae Party

11ska

When you think “punk” it is likely that images of garage bands, spiked hair, and lyrics about anarchy and disestablishment come to mind. However, when you think “reggae” you may conjure up images of the beach, slow beats, and lyrics about peace and love. After taking a closer look, the two seemingly opposite genres are in fact not all that dissimilar. While the two originated in different times and in different ways, they have since been brought together to make some groundbreaking tunes that we now usually refer to as “ska.”

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The Human Panda Bear

pandabear

Noah Lennox, who goes by the stage name Panda Bear, has recently released an EP titled Mr. Noah. However, the good news does not stop here. The release of Mr. Noah comes shortly before the anticipated “Panda Bear Meets the Grim Reaper” album that is due to come out on January 13, 2015. With Panda Bear’s renewed activity in the music industry, I wanted to take time to recount the many accomplishments and upcoming developments of an admirable musician.

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Girls, Girls, Girls! A Look At Some Leading Ladies In The Current Alt Scene

misterwives

November 9th, 2013. Winter was upon us as potential students scurried around campus knocking leafs around the greek row sidewalks with their weathered, leather boots as they toured a campus and a city that might one day become a home to them. Pretending the brisk Nashville temperatures were still fall conditions, I dressed in a thin long sleeve shirt and prepared for the night ahead of me. We had been looking forward to this day for months. American Authors at one of Nashville’s most unique, bursting of character and quite frankly small venues, The End. Thrilled to leave the lonesome cave I’d created of post break-up tears and cheesy rom coms, otherwise known as my room, my friends and I arrived at the venue minutes before the show facing a crowd of no more than 30 people. Lost in chatter and introductions a voice suddenly broke through the noise and stopped me in my tracks. Who was this girl with the powerhouse vocals strong enough to shatter the thoughts of everyone in the room and draw every eye in this small dive club to her luscious hair, small frame and impeccable style? The voice belonged to Mandy Lee, one third of the trio Misterwives hailing from New York City.

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Remembering Shannon Hoon and Blind Melon

On October 21, 1995, Shannon Hoon (second from left) died of a cocaine overdose.  He was 28.
On October 21, 1995, Shannon Hoon (second from left) died of a cocaine overdose. He was 28.

On this day nineteen years ago, four of Blind Melon’s five members woke up expecting to play a show that night at Tipitina’s in New Orleans.  The fifth, lead vocalist and chief songwriter Shannon Hoon, never awoke.  He had died of a cocaine overdose at age 28.  Today, to honor Hoon’s memory, I’d like to take a look at Blind Melon, a terribly under-appreciated member of the grunge pantheon.

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