My favorite week of the year is quickly approaching, Although every week in Nashville has it’s fair share of loaded writer’s nights and stellar concerts, one week has a special place in my heart. Songwriters Festival, Tin Pan South, takes place at local venues in Nashville, for a week, every March. The lineup never ceases to disappoint as they utilize 10 of the most intimate venues in Nashville and host two shows a night. Every night attendees get to watch the songs they all know come to life in a somewhat backwards way. There is something magical about hearing a song stripped down, as it was originally written, and learning the stories behind them. The only way to understand is to experience this yourself! This is my advice and the shows you don’t want to miss (all in my opinion of course).
“Can we start it all over again this morning?” Beck asks early on in the opening track of Morning Phase, his first album since 2008′s Modern Guilt. After a gorgeous 40 second instrumental opening, strings give way into the plaintive guitar strums of “Morning”, and it truly does feel like a something entirely new, a rebirth — which is odd, because Beck has specifically said this album is a spiritual successor to his 2002 masterpiece Sea Change.
And sure, the beginning of “Morning” has an uncanny resemblance to the beginning of Sea Change opener “The Golden Age.” And sure, all of Morning Phase is ostensibly similar to its much-vaunted predecessor. It does feature the same musicians and the same California-folk influence. And yeah, even the cover art (Exhibits 1 and 2) looks strikingly similar, Beck’s steady gaze staring out behind smears of orange and blue.
But hear me out: the truth is that it’s only similar in the sense that all music by an artist sounds similar to previous music produced by that artist. No left turn is truly a total departure: even the cold, Kraftwerk heartbeat of Kid A‘s “Idioteque” had its roots in the laserbeam percussion loop of OK Computer’s “Airbag”.
The point of all this is to get you to look at Morning Phase in the ways it differs, rather than its similarities, because these differences are what make Morning Phase the best Beck album since 1998′s Mutations.
It has been on my bucket list since the beginning of my first semester – watch an awesome show at the Exit/In. That may be redundant, considering the bands that come to the venue are more likely than not, extremely talented. Some of them have been lucky enough to have their names written on a large wall behind the bar or on the grand mural outside the front door. Well, I would argue that the show I went to, Kodaline with the fantastic opener LP, should be put up next on that wall of fame.
In the past decade, a new style of music has wormed its way onto the music scene. While dubstep rose in popularity late in the first decade of the new millennium, with its driving, syncopated rhythms and epic bass drops, a completely opposite subgenre of quasi-electronic music also became popular. Chillwave, also known as glo-fi or shoegaze, is a much more ambient style that is reminiscent of popular music from the 1980s. It incorporates a lot of effects processing, sampling, use of synthesizers, and ambient background noise. Its slower tempos, light, ethereal vocals; relatively simple and singable melodies, and ample synthesized effects remind its listeners of the sounds of the summer, especially since its sudden explosion in popularity occurred during the summer of 2010.