WRVU Nashville – Page 38 – Vanderbilt’s #1 Music Resource, est. 1953

Why October 29th Is Gonna Be Amazing

October 25, 2013 Nick Kline

My reaction upon seeing next week’s new releases
Photo courtesy of Neatorama.

Next week is easily the best week of music releases so far this year. While most weeks may have one or two big releases, this next week has so many interesting listens for fans of all genres, a few of which have me giddy in anticipation.

Here’s just a sample of the smaller releases coming this week. For jazz/hip-hop fans, you have pianist Robert Glasper’s Black Radio 2, the sequel to his smooth album Black Radio featuring guest spots from Jill Scott, Common, Lupe Fiasco, Norah Jones, and more. For you Odd Future fans, Mellowhype drops their new album on Halloween. For hip-hop heads who want to look outside the Americas, UK synth-funk hip-hop group band Paper Tiger (not to be confused with the incredible Minneapolis producer/Doomtree affiliate of the same name) has a new album coming. Metal fans can check out new albums from Toxic Holocaust and Skeletonwitch. Garage-rock/soul/funk-rock fans can feast their ears on the new album from White Denim. And those are just the smaller cool releases I wanted to highlight. Here are the top 5 reasons that the 29th of October is going to be a quite exciting day in music.

8 Songs That Are Hauntingly Beautiful

October 24, 2013 Lucas Kunsman

Image courtesy of Shadow Mill Productions

Halloween is only a week away. Many people would say that it is a haunting time of year. Haunting is defined as “poignant and evocative; difficult to ignore or forget.” In that spirit, here are eight songs that are haunting in some or many aspects, but at the same time leave you in awe of their beauty; a different kind of Halloween song.

Jake Bugg’s New Single, Slumville Sunrise

October 21, 2013 Terri Lee

With his album Shangri La coming out November 18, Jake Bugg has released the second official single titled Slumville Sunrise. His new album will feature artists such as Jason Lader, Pete Thomas, and Pete Thomas.

Pluck All Your Silly Strings: Neutral Milk Hotel, in Chattanooga, TN (10/19/13)

October 20, 2013 Jamie Stoike

Neutral Milk Hotel in 1998. From left to right: Jeff Mangum, Scott Spillane, Julian Koster, Jeremy Barnes.

This is covert stuff. I’ve been waiting in line for 45 minutes to attend a show for which their are no real tickets — it’s all electronic, so as to prevent reselling and scalping. Now, the throng of diehards here to see a band that died 15 years ago, is herded into single-file lines. Women’s bags are checked. Men are given full-body pat downs. We’re all warned several times: no cameras, no video recorders, no audio recorders, no cell phone videos or pictures. I wouldn’t be surprised if I have to file for Level 3 Security Clearance. People talk in hushed tones. What is inside Track 29, in Chattanooga, isn’t meant to get out. Inside is an experience, ephemeral, to be stored in one’s mind and not one’s computer. It’s like the nineties. Entering this venue is entering a time machine. This is not surprising, considering that the band we’re all here to see famously sang “I wish’d I could save her in some sort of time machine.” Everyone thought Neutral Milk Hotel was dead; perhaps they were saved in that very same time machine.

8 Songs to remind us of the Government Shut Down

October 18, 2013 JR Mahung

1. I Want it That Way – Backstreet Boys

Partisan politics never sounded so ‘90s.

A Closer Look at Why We Hate Nickelback

October 14, 2013 Zach Blumenfeld

But why? ...Okay, that soul patch is pretty bad. — But why? …Okay, that soul patch is pretty bad.

This past weekend, I was having a GroupMe conversation with a few of my fraternity brothers and, somehow or other, Nicolas Cage popped up. He always seems to do that in the strangest of places. We threw around the idea of having Cage be the entertainment for our next party–“he probably needs the money,” quipped our social chair–when I brought up the possibility of a Nick-themed rager: Nicolas Cage PLUS Nickelback. So bad it would be legendary. “Cagelback: Because we hate you.”

We all had our laughs but then I remembered something: I used to like Nickelback.

My Top 5 Road Trip Albums

October 9, 2013 Lucas Kunsman

I go on a lot of road trips. I have to drive between Albuquerque, NM and Nashville, TN twice per year so I can have access to my car in my two homes. I drive to retreats and district events for Tau Beta Sigma, the band service organization I am a part of. I drive to various music festivals. I’m going to be driving to Mardi Gras this spring. And while some people may not understand it, I love all of these long drives, and one of the main reasons for that is having a good road trip playlist. Having been fortunate enough to be travelling to festivals for two of the past three weekends, I’ve decided to share a few of my current favorite road trip albums.

Jake Bugg’s “What Doesn’t Kill You” Review

October 5, 2013 Terri Lee

Now let me say singer-songwriter Jake Bugg is hands down my all time favourite artist in the whole world, so when he released his newest single around two weeks ago I was pleasantly surprised by the harsher, tougher, sound of What Doesn’t Kill You, marking a huge shift from the indie folk/rock sound of his debut album Jake Bugg. For his fans who prefer the tracks with just Bugg’s voice and his acoustic guitar (Simple as This, Country Song, Note to Self, Someone Told Me), it may take some time for the new single to grow on them, but Bugg’s charismatic voice and intimately personal lyrics only get better with each listen.

5 Reasons why Nobody Beats the Biz (Besides Just a Friend)

October 4, 2013 JR Mahung

We already know it’s wrong to friendzone Biz Markie. As the precursor to the post-quake. This blogger offers 5 more reasons why.

Under-appreciated Albums: “The Hazards of Love”, by the Decemberists

October 2, 2013 Jamie Stoike

A few weeks ago the National played at the Ryman, and fellow staff writer Nick Kline and I happened to meet up there. We talked about music, favorite bands, past concerts, and then we hit upon The Decemberists — we’d both seen them live, on their 2009 A Short Fazed Hovel tour, where they played the entirety of their recent album The Hazards of Love. Nick mentioned as an aside that HoL his least favorite Decemberists album, and conversation moved on.

Perhaps this (and, admittedly, a bad case of writer’s block) is what motivated me to write this. While I don’t necessarily know why it’s Nick’s least favorite, nor do I even know if he likes or dislikes it, the general opinion developed since The Hazards of Love‘s release is that’s it’s overwrought, weird, has too many guest vocals, is too repetitive, and too metal. By the time of the release of The Decemberists’ next effort, the superb The King is Dead in 2011, frontman Colin Meloy admitted “Even I’m starting to believe it, like, ‘I guess The Hazards of Love did kind of suck, didn’t it?'”. By 2013, it’s largely been swept under the rug, left hiding under the skirt of the bigger and strong releases in their six-album catalog. Yet, I can’t help but love this album.

Lockwood Barr and a Cloud Control Review

September 30, 2013 Zach Blumenfeld

I "discovered" Cloud Control this week. According to Christopher Columbus, I can claim them for Spain and force them to mine my gold and farm my crops. — I “discovered” Cloud Control this week. According to Christopher Columbus, I can claim them for Spain and force them to mine my gold and farm my crops.

Hey everybody,

One of the benefits of hosting The VU Backstage for a year is that you develop friendships and solid connections with the artists you invite on the show. This is especially nice when you are scrambling for a guest for the show on the day of. You call up a friend–in this case Lockwood Barr–and you do the show. And the interview is easy because there’s already an established rapport there, making conversation a delight and bringing more personality out of both you and the guest.

That was what happened last night. Lockwood and I had fun discussing everything from her new band and extensive tour plans to The Catcher in the Rye and gourmet cooking. It was fittingly awkward when I whiffed on two straight Napoleon Dynamite references, but there was also substantive insight into Lockwood’s songwriting and attitude towards music. Of course, there was also the music itself, which was fantastic. You can catch the full show here.

In other news, I discovered a new band (for me, at least; you’ve probably heard of them for a few years). Generally, I look to the past for my music; Rush, the Beatles, and the Red Hot Chili Peppers with John Frusciante are my three favorite bands. Any current music I consume has to be introduced to me by someone else, either because a recommendation is a sure sign that a band is worth my time or because I am too lazy to seek out the music myself. Luckily, I work at WRVU and cannot avoid being introduced to new and unfamiliar music.

CHVRCHES Soar With Thrilling, Excellently Executed Debut

September 27, 2013 Nick Kline

Photo Courtesy of anotherrainysaturday.com

Coming off of last year’s monster single “The Mother We Share,” many (including yours truly) have been hotly anticipating more from Scottish synthpop band CHVRCHES. Could they sustain the rush of that song over a whole album? Would they be able to bring enough variety in their sugary-yet-melancholic sound to last an album’s length? Thankfully the answer to both of those questions on debut The Bones of What You Believe is “mostly yes.” With the sonic layers to please synth-heads and the songwriting prowess to please everyone else, CHVRCHES has delivered one of the year’s most fully realized debuts and one of the best pop records I’ve heard in ages.

Atlanta’s Music Midtown Festival is a Can’t-Miss Weekend

September 25, 2013 Lucas Kunsman

Image from Music Midtown

This past Friday and Saturday marked the 3^rd year of the return of Atlanta’s Music Midtown Festival to Piedmont Park. The two-day festival included three stages and a diverse line-up ranging from rap genius Kendrick Lamar, to classic rock titans Journey, to live show titans Red Hot Chili Peppers. I attended the festival with a friend who is a graduate student in chemistry at Georgia Tech. In short, it was an amazing weekend. After the jump, I’ll be giving you a look at it day-by-day, and then summarizing the festival experience as a whole to wrap things up.

Meet Soul Belter John Newman

September 22, 2013 Terri Lee

You’ve heard him on Rudimental’s track Feel the Love (and if you haven’t here’s a link), but John Newman is making it big. Call it soul, r&b, funk, whatever you want, but Newman’s music is unbelievably catchy and charismatic, and although he’s only released a handful of singles (his debut album is set to release October 14!), his climb to fame is attracting attention throughout the UK and seeping its way into America.

Little Known Classics: Important by Jip Jop

September 20, 2013 JR Mahung

The Band:

Jip Jop formed sometime between 2006 and 2008 (depending on which online bio you trust) when front man Ben Gershman- Benny Nice behind the boards and on the mic- noticed a few standout students in Indiana University Bloomington’s Jacobs school of music. They each had jazz training, they all liked hip-hop and so naturally they melded the two.

Arcade Fire – Reflektor

September 18, 2013 Jamie Stoike

Day late and a dollar short, perhaps: this song came out eight whole days ago. In today’s hyper-consumptive, Facebook-addicted generation where one week becomes one month and a year compresses into a day, where we watch our lives unfold on our phones’ camera app, it’s easy for the present to slip through our fingers. Eight days is a long time. Don’t you know that one of my old high school friends has made 21 new posts since “Reflektor” released? Don’t you know that twenty-one important, life-changing things happened to them in that span of 8 days? I read it, too, all of it.

Yet, a year from now, they won’t remember what it was all about. And I won’t remember it, either. They’re someone that I knew once, but not anymore.

We live now in an embattled state, where social media and self-absorption has blurred and obscured the line between friend and stranger. This is the world that Arcade Fire’s new single, “Reflektor”, inhabits, questions, and condemns.

Jillian Stein and a New Project

September 16, 2013 Zach Blumenfeld

I have a second music child to look after now--RVU Records, Vanderbilt's student-run recording company. — I have a second music child to look after now–RVU Records, Vanderbilt’s student-run recording company.

Hi everybody,

Thanks for your continued support of The VU Backstage! Jillian Stein was a phenomenal guest last night. Her music gives off a very retro, late 60s-early 70s folk vibe, and you can easily draw comparisons to Joni Mitchell (who, as it turns out, is her chief influence). Catch the full episode right here.

This next bit of news is extremely exciting and relevant both to the show and to WRVU. It has taken weeks of development on my part and involved a litany of other people, both students and fully grown adults. It required a fairly large investment by the Vanderbilt Student Communications board. It has the potential to change the music scene at Vanderbilt FOREVER.

Jillian Stein played a great show on The VU Backstage last night. Also, building suspense for the "bit of news" I'm about to drop. — Jillian Stein played a great show on The VU Backstage last night. Also, building suspense for the “bit of news” I’m about to drop.

Have I built you up sufficiently?

HAVE I????????