No Trouble for The National as they Rock the Ryman

September 13, 2013
Photo by Rick Hawkins for American Songwriter

Everyone has “that one band.” That one band that first exposed you to what would become your taste in music (Modest Mouse for me). That one band that expanded your horizons as to what music could be (Radiohead, specifically the album Kid A for me too). Bands or artists that exposed you to various genres: metal, hip-hop, jazz, what have you. The National is that one band that I listened to every time when things just seemed to suck as a teenager. Of the top 25 most played songs in my iTunes library, 9 of them are by The National (including 2 of the top 3). I have a deep and abiding love for Matt Berninger’s velvety dark-chocolate baritone, Bryan Devendorf’s jittery, spastic drumming, and the Dessners’ genius arrangements. But despite this, I’d never had a chance to see this juggernaut of my teenage life in concert (hence why I woke up early for the pre-sale and refreshed the Ticketmaster page until it actually went live). Thus, this review may be a little skewed. Even on the off chance that the live show didn’t quite match the power of their records, I would be head over heels for that Sunday night. However, I’m happy to report that this (like my experiences with Death Grips, The Mountain Goats, The Hold Steady, My Morning Jacket, Radiohead, and Godspeed You! Black Emperor) was not just a great show, but a defining moment of my year.

The 1975’s Self-Titled Debut is Driving and Relaxing All In One

September 11, 2013
Image courtesy of gigwise.com

I discovered The 1975 while browsing r/listentothis on Reddit last year, probably in September or October.  I was immediately enthralled with this band with an interesting name and a catchy, if unpolished, sound and I began looking for a larger catalog .  Or, attempting to find one rather; at the time they had only two EP releases to their name.  Very little information was to be found.  And so I was left to wait patiently for a debut album to appear, only to be met by consecutive EP releases that were interesting, but at the same time so short and left me wanting something fuller.  However, after all of my waiting, their self-titled debut album has finally arrived, filled with songs that sound like they could all be singles yet still find cohesion as a whole work.  Suffice it to say that I am not disappointed.

Meet Human Don’t Be Angry

September 9, 2013
Photo courtesy of malcolmmiddleton.blogspot.com

Malcolm Middleton, a musician from Falkirk, Scotland, was once part of the duo Arab Strap before embarking on a solo career and releasing five albums in the span of seven years. However, seeking yet another creative outlet, Middleton decided to take on the pseudonym of Human Don’t Be Angry, a translation of the German board game “Mensch ärgere Dich nicht”, releasing his first self-titled album in 2012. This new solo project is a completely new departure from his previous heartachey lyrics and mellow indie rock sounds; Human Don’t Be Angry is a largely electronic instrumental album.

Volcano Choir Repaves Sound for Sophomore LP

September 8, 2013
Photo Courtesy of Jagjaguwar

Bon Iver may be done for a little while, but between popping up on hip-hop albums big (Yeezus, My Beautiful Dark Twisted Fantasy, Watch The Throne) and small (P.O.S.’s We Don’t Even Live Here), playing with his band The Shouting Matches, and collaborating with The Blind Boys of Alabama, Justin Vernon hasn’t exactly been quiet. Nevertheless, the announcement of another album from Volcano Choir, a collaboration with post-rock band Collections of Colonies of Bees, was a bit of a surprise. Their 2009 album Unmap was a solid collection of abstractions with the occasional killer song (“Island, IS”, if you haven’t heard it, is still awesome), but it was a bit unstructured (and quite strange for my tastes). However,  it seems to have been an important project for Vernon. Just look at the world of difference between For Emma and Bon Iver, Bon Iver: all the layered, more complex instrumentation. The odder, instrumentally complex, direction of Volcano Choir definitely had a hand in influencing that album’s left-turn from the dude-in-a-cabin scrappiness that defined his debut. On Repave, however, it’s Bon Iver that is influencing Volcano Choir.

theGODleeBarnes(lp)

September 7, 2013
Photo Courtesy of turntablekitchen.com

 

The LP:

On a seemingly random day in 2010, California MC Blu drops the theGODleeBarnes(lp) via his twitter account. It comes as a single, large mp3 and is totally unmixed. Fans aren’t pleased and Blu doesn’t seem to care. And why would he? The man had produced a lo-fi masterpiece .

The Belle Game’s Solid, Traditional Debut

September 6, 2013
courtesy of Yours Truly

Like many of you (or at least those who don’t have their ear to the ground in the Vancouver indie scene), my first exposure to The Belle Game came from indie-rock kingmakers Pitchfork, who named their single “River” as a Best New Track earlier this summer. They were right, but to call this band “new” isn’t entirely correct. After amassing much acclaim in Vancouver with two EPs over the course of four years, debut album Ritual Tradition Habit is a chance to cement The Belle Game as a new player in indie-rock (and another chance to prove the good ol’ Pitchfork effect). While it doesn’t quite follow through on the promise of that aforementioned revelation of a track, The Belle Game’s familiar sound lends itself to a solid debut.

A Modest Proposal in Defense of the EP

September 5, 2013

I’m a Modest Mouse fan–more or less old news, for those who know me–and my recent fixation has been a revolving cycle of classic Modest Mouse songs: “Night on the Sun,” “Here It Comes,” “King Rat,” “All Night Diner”. Except these aren’t classics. In fact, they’re relatively forgotten because none of them is featured on a single LP. Nor is the National’s excellent “Sin-Eaters,”, nor Interpol’s darkly seductive “Specialist,” nor The Decemberists’ 18-minute epic “The Tain.” These are songs that too few people have, because they were relegated to the lowly EP.

In an era in which music is increasingly consumed by either buying single tracks on iTunes or shelling out $25 for an album on vinyl, the half-length EP is often forgotten.

It shouldn’t be.

Michael Pollack and Singing Your Own Lyrics

September 2, 2013
Michael Pollack has always had confidence behind a piano; only recently did he gain confidence behind a microphone.
Michael Pollack has always had confidence behind a piano; only recently did he gain confidence behind a microphone.

Hello everybody!

My name is Zach Blumenfeld and each Sunday at 9pm central I host The VU Backstage, which features a live performance by and interview with a Vanderbilt student musician.  This week’s guest was Michael Pollack, who gained fame when he played New York State of Mind with Billy Joel on January 30th.  He’s really come a long way from where he was the last time I had him on the show, in February.  Since then, Michael has gone viral on YouTube, appeared on nationally broadcast talk shows like Today and Jeff Probst, recorded and released an eponymous EP, and played in front of a sold-out crowd at the Best Buy Theater in Times Square.  If you missed the show, you can catch the whole thing here.

Neko Case Impresses on Stunning Return

September 1, 2013

A solo artist since the 90s and a core member of the Canadian supergroup The New Pornographers, Neko Case has worn many hats throughout her career.  But while her output has always been strong, her last release—2009’s “Middle Cyclone”—didn’t do much to push the envelope of Case’s sound, and it seemed as though we might’ve seen all she had to offer.  Fortunately, 20 years into her career, Case has crafted her most innovative and engaging album yet.

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