In the world of hip-hop, producer mashups are hardly rare. Danger Mouse first made a name for himself in 2004 with The Grey Album, which combined the verses of Jay-Z’s The Black Album with the instrumentals of The Beatles’ The White Album. Tom Caruana did the same with Magical Mystery Tour and Enter the Wu-Tang (36 Chambers), deeming it Enter the Magical Mystery Chambers. And the subgenre of plunderphonics revolves around the overlaying of samples over hip-hop verses, leading to classics like Girl Talk’s Night Ripper.
Earlier this week, Nashville was lucky enough to host one of the most innovative and creative bands in the business right now. Combining elements of jazz, electronica, rock, and everything in between, Snarky Puppy attracted probably one of the most demographically diverse crowds I have ever seen at a concert. It was amazing to see this band have such a crowd equally invested into their music, and taking a closer look at their work will show you how this was possible.