Many fans of old 60′s music and psychedelia will know names like Tame Impala and Foxygen due to their neo-psychedelic sound and influences, but also because of the critical acclaim and publicity that they’ve received in recent years. Even more music-oriented people will know The Flaming Lips as they’ve been around for 30+ years and have managed to keep themselves in the public eye with tricks, gimmicks, and, most importantly, a steady stream of music (while it sometimes seems hit or miss). But many people aren’t aware of Pond, or at least haven’t heard any of their material. Some are far too quick to judge and claim Pond as simply a “Tame Impala offshoot” when the truth is that they have been around since the time of Tame Impala’s inception. With a similar style to those aforementioned psychedelia-influenced groups, Pond have managed to come a long way since their debut, Psychedelic Mango.
Getting into the electronica scene these days can get a little overwhelming. Trap, deep house, progressive house, jersey club, future R&B, dubstep, future bass and many more… the list just goes on & on. The subgenres of EDM can be extremely intimidating. If you ever feel personally victimized by your electronica-loving music snob friends, you should probably educate yourself on a few artists in the scene. Luckily for you, I’ve got some recent releases in store to keep you hip to some of the best beats on the block.
For those of you who don’t know, Snakehips is a British duo. From their breakout onto the scene with their remix of Wild Belle’s “It’s Too Late,” they’ve come quite a long way. Snakehips hasn’t released any new material for a long while until just a few days ago. This newest release, “Gone” featuring Syd, lives up to their usual high standard of quality production. With sultry vocals emanating from a backdrop of layered synths and chimes, Snakehips’ new jam is the perfect addition to any late night playlist. Check it out below:
Hailing from France, deep house remixer TEEMID is another artist to watch. His remixes of older pop songs as well as female covers of well-known songs are stellar. TEEMID recently dropped a remix of “Sun Goes Down,” a track originally by Robin Schulz and Jasmine Thompson. I really don’t know what to say about it other than you should seriously check it out. It’s the epitome of deep house ~vibes~.
Kaytranada might be one of my favorite artists of all time. From producer to DJ to musician, Kaytranada is no one trick pony. He’s produced songs from up-and-comer Vic Mensa’s “Wimme Nah” to Shay Lia’s “3 Months,” and he’s released tons of fantastic remixes over the past few years. One of his most recent standouts is his flip of BADBADNOTGOOD’s “Kaleidoscope.” Though Kaytranada usually shines brightest through his remixes of Hip Hop/R&B songs, his remix of BADBADNOTGOOD’s jazzy jam is truly stellar. If you like this, you should also definitely check out his remix of “Be Your Girl.”
Another genre you might’ve heard about is tropical house. At the forefront of this island vibe movement is Kyrre Kørvell-Dahll, a.k.a. Kygo. Though his music sounds like the product of a cheerful inhabitant on a tropical island in the Caribbean, Kygo is actually from Norway. Plot twist, huh? Anyway, I digress. Some of his most famous remixes like Seinabo Sey’s “Younger” and Marvin Gaye’s “Sexual Healing” exemplify his signature style. Lately he’s been working on more solo work, such as his new single, “Firestone.”
Last up, we’ve got a tune by Terence N’guyen. More commonly known as Darius, this French artist is known for his innovation in fusing elements of funk, disco and house through his remixes. One of his most recent releases is a remix of Flight Facilities’s song “Two Bodies.” With its slow tempo and dreamily percussive bass, Darius’s work is a deep house masterpiece. Listen below.
So next time one of your friends starts talking about deep house, EDM or anything in between, make sure you throw in your two cents. If you can name off anything other than “Animals, “Sandstorm” or Skrillex, they’ll probably be impressed.
Over the past month, Modest Mouse has released two singles off of their highly anticipated upcoming album, Strangers to Ourselves. It has been nearly eight years since the release of their last album, We Were Dead Before the Ship Even Sank, which was either Modest Mouse’s best album or worse album depending on who you ask. Naturally, there was a lot of excitement and anxiety over the direction Modest Mouse would take with this next album, which warrants us to take a closer look at the releases.
California natives Foxygen recently released their third full-length album, “…And Star Power”, and I couldn’t have been more hyped for the release date. Knowing Foxygen, I expected to get a blissful mix of neo-psychedelia and 60′s revival, and what I got was so much more. Their third album marks the first double album from the duo, and with their first double album comes some new elements to their sound. Even before listening to the album, I noticed a bunch of small tracks in between the longer ones, eventually turning out to be mainly segues between the songs. Segues are new to Foxygen’s music, and they manage to pull them off incredibly well. [Read more...]
“I feel like our previous music was fall and winter music. I wanted this new album to sound more like summer. I want people to feel like they walked outside on a summer day.”
– Ben Hardesty
Anyone familiar with the name Opeth most likely knows the Swedish band for being innovators in the progressive metal genre. Their extremely unique sound has led them to worldwide acclaim in the metal community, and the band has had much praise from the modern progressive rock community as well. Albums such as Blackwater Park and Still Life have become some of the most heavily-praised metal albums of the modern era. Many fans, myself included, love Opeth for their ability to change from an extremely heavy metal riff to a beautiful acoustic guitar with the creativity and skill that few bands can even manage to pull off a few times, let alone as consistently as the band has proved. [Read more...]
Many of you have probably seen this popular video posted by Grady Smith reminding us how mainstream and non unique country music was in 2013. What most of you probably don’t know is why this video exists. This video was actually made in response to the negative comments on his top 10 country album list that readers penned “not mainstream enough.” I don’t think his goal was to bash mainstream country music, but to open listeners eyes to songs they won’t hear every 5 minutes when stuck in Nashville traffic at rush hour. I have always loved some of the lesser known, genuine, country crossover artists, but didn’t realize how big of a genre they were becoming until my dad pointed out a Reddit post to me last week. Someone started dissing country music and one clever Reddit user retaliated with a Spotify playlist full of the best country songs he could find that aren’t about girls, trucks and beer. This playlist, featured below, includes some of my favorite new artists in Nashville that really have the potential to change country and triple A radio.
It’s no secret that Aphex Twin (AKA Richard D. James) is one of my favorite artists, but I can see how someone who’s yet to give him a listen might be intimidated by his scattered discography. Following are my picks for the top 10 Aphex Twin productions.