Earlier this week, another one of WRVU’s staff writers talked about Concert Do’s and Don’t’s. One of the suggest modes of concert etiquette was “Don’t experience the concert through the lens of your camera.” I feel like this has become a hot topic among my friends and me throughout the past few years; increasingly so as apps like Snapchat and Instagram have become more and more popular. So I’m here to talk about what I think, what the good people of the Internet think, and what artists think about smartphones at concerts.
California natives Foxygen recently released their third full-length album, “…And Star Power”, and I couldn’t have been more hyped for the release date. Knowing Foxygen, I expected to get a blissful mix of neo-psychedelia and 60′s revival, and what I got was so much more. Their third album marks the first double album from the duo, and with their first double album comes some new elements to their sound. Even before listening to the album, I noticed a bunch of small tracks in between the longer ones, eventually turning out to be mainly segues between the songs. Segues are new to Foxygen’s music, and they manage to pull them off incredibly well. [Read more...]
Now we can’t all be as great as good guy Greg. But there are still a couple things that you can do to be more like him at your next concert.
This week was a good one for Run the Jewels fans in Nashville. This morning, two days after their sold-out show at Exit/In, Run The Jewels 2, the duo’s long awaited follow-up to their self-titled debut, appeared on my news feed. I ate up this fresh musical morsel as soon I could. What I found when I dove into this album was one of the best collection of dope beats, club bangers, and vicious verses I have heard out of the rap scene this year and a continuation of the trademark style that El-P and Killer Mike have developed.
On Tuesday, October 21st, concert goers at the Exit/In were one of the first to witness GIVERS, with opening act Kind Cousin, perform on their most recent tour. The bands only left their hometown of the wonderful Lafayette, Louisiana earlier this month, and so curiosity for what the indie pop groups had to offer was high. GIVERS has not released anything since their debut album In Light came on the scene in 2011. Having taken a break after their last batch of touring, there was definitely an unspoken expectation from the crowd to see what the quintet had been working on since their last foray in the spotlight. GIVERS did not disappoint, with the show at the Exit/In providing a solid, if not majority, representation of their new songs.
Noah Lennox, who goes by the stage name Panda Bear, has recently released an EP titled Mr. Noah. However, the good news does not stop here. The release of Mr. Noah comes shortly before the anticipated “Panda Bear Meets the Grim Reaper” album that is due to come out on January 13, 2015. With Panda Bear’s renewed activity in the music industry, I wanted to take time to recount the many accomplishments and upcoming developments of an admirable musician.
November 9th, 2013. Winter was upon us as potential students scurried around campus knocking leafs around the greek row sidewalks with their weathered, leather boots as they toured a campus and a city that might one day become a home to them. Pretending the brisk Nashville temperatures were still fall conditions, I dressed in a thin long sleeve shirt and prepared for the night ahead of me. We had been looking forward to this day for months. American Authors at one of Nashville’s most unique, bursting of character and quite frankly small venues, The End. Thrilled to leave the lonesome cave I’d created of post break-up tears and cheesy rom coms, otherwise known as my room, my friends and I arrived at the venue minutes before the show facing a crowd of no more than 30 people. Lost in chatter and introductions a voice suddenly broke through the noise and stopped me in my tracks. Who was this girl with the powerhouse vocals strong enough to shatter the thoughts of everyone in the room and draw every eye in this small dive club to her luscious hair, small frame and impeccable style? The voice belonged to Mandy Lee, one third of the trio Misterwives hailing from New York City.
On this day nineteen years ago, four of Blind Melon’s five members woke up expecting to play a show that night at Tipitina’s in New Orleans. The fifth, lead vocalist and chief songwriter Shannon Hoon, never awoke. He had died of a cocaine overdose at age 28. Today, to honor Hoon’s memory, I’d like to take a look at Blind Melon, a terribly under-appreciated member of the grunge pantheon.