Tag: 2018

Women in Music: What We Can Learn from Hop Along

Hop Along is a part of the conversation. This past year saw the takeover of indie by women, and Frances Quinlan is another prime example of this. Her band’s most recent release, Bark Your Head Off, Dog, has consistently ranked across many major music publications’ best of 2018 lists, including the likes of NPR, Billboard, and Rolling Stone. Rightfully so, as the group’s third record is their most powerful yet. Quinlan’s unique style of world-building storytelling shifts to the forefront on this album, a necessary move given the extent and consequent of the issues she works hard to tackle and contextualize here. The line ‘strange to be shaped by such strange men’ appears on multiple tracks and is repeated like a mantra across the record, a tactic that is intentionally unavoidable and jarring (especially when put to words by Quinlan’s hair-raising voice). This powerful motif unites the project around a common theme of social reflection and reconciliation— one that is about as 2018 as you can get.

Ghost: Growing Beyond Novelty

Prequelle by Ghost

Earlier this year, Ghost released Prequelle, a near-perfect arena rock record dripping with the band’s classic satanic doom-metal aesthetic and dashes of really fun pop glimmer.  Every song on the album fits ingeniously and further establishes the band’s repertoire of new rock classics.  Even the two instrumental pieces continue the energy of the other songs seamlessly, creating a beautifully cohesive album.  Some tracks have lush orchestral intros and outros which act as gorgeous reprises or previews of other melodies on the album and enhance the overall flow.  Somehow, amidst our current music climate of the widespread reappropriation of the sounds and textures of the 1980s, the clear 80s influence on Prequelle still feels fresh and exciting, balanced perfectly against 70s hard rock and 21st century dance sensibilities.  Thematically, the album perfectly intertwines deliciously cheesy imagery of the Black Death with entertaining and incisive disses on some of the former members of the band who levied a lawsuit against the frontman.  At a fairly concise 41 minutes long, Prequelle doesn’t squander a second; every moment on the album feels important.  It’s a strong top 5 contender for my AOTY, and so I had very high hopes for the tour.

Rites of Spring 2018 Preview

Rites of Spring began in the 1960’s with the goal to connect students to the greater Nashville community.  The festival is put on by Music Group, a branch of Vanderbilt Programming Board.  While many universities hold on-campus music festivals, Rites of Spring is unique due to the major acts that have graced the stage as well as the festival being open to the Nashville community.  Some of these acts include Red Hot Chili Peppers (1989), Phoenix (2005), Spoon (2008), Drake (2010), and many more you can see here.  This year Rites will be held April 20th and 21st and tickets are available at Sarratt Cinema or online.  While there is still one more act to be announced (hopefully an alternative act since that genre is still lacking), the line-up already features a variety of acts from all different corners of the music scene.