Legendary hip-hop group De La Soul made their entire discography available for download this Valentine’s day. Here are eight love tracks to help you sift through the epic collection of beats and rhymes.
In the past decade, a new style of music has wormed its way onto the music scene. While dubstep rose in popularity late in the first decade of the new millennium, with its driving, syncopated rhythms and epic bass drops, a completely opposite subgenre of quasi-electronic music also became popular. Chillwave, also known as glo-fi or shoegaze, is a much more ambient style that is reminiscent of popular music from the 1980s. It incorporates a lot of effects processing, sampling, use of synthesizers, and ambient background noise. Its slower tempos, light, ethereal vocals; relatively simple and singable melodies, and ample synthesized effects remind its listeners of the sounds of the summer, especially since its sudden explosion in popularity occurred during the summer of 2010.
The other day, as I stumbled upon some old photos of myself deep in the crevices of my computer files, I started reflecting on my middle school self. I was, of course, rocking the typical emo/pop punk kid uniform of as much pink and black as possible and sporting thick, black etnies in most of the photos. In a few pictures, I’m seen with a metallic blue iPod mini on hand. So, the other day, I started thinking about the bands I was listening to back in 2006 and thought I’d give you all a recap of my ultimate favorites at the time. Hopefully some of you can relate.
Back as a sophomore in high school I came across a very peculiar album cover that had could have well been a classic art piece, if not for the strange bread-like object that had replaced the girl’s face in the artwork. I decided not to judge an album by its cover and went to listen to a couple songs. It was unlike anything I had heard before – eerie, dreamy, lyrically ambiguous, but somehow very beautiful. It was none other than the album “In the Aeroplane Over the Sea” by Neutral Milk Hotel. I would never have guessed that a little over three years later I would watch the band live after their indefinite hiatus.
Looking for someone to swoon over this Valentine’s Day? What about a song? Fall in love with the sweet melodies of Emily Hearn’s voice. You’ll forget all about your love life as you dive into the music. Emily’s latest single “Found A Heart” from her EP called “Promises” showers love and hope on those of us that are not as fortunately in love as she is. It characterizes the path of her and a guy falling more and more in love up until their wedding day (which is featured in the music video).
In November 2007, Nickel Creek, a progressive bluegrass band composed of Chris Thile on mandolin and siblings Sara and Sean Watkins on fiddle and guitar, respectively (and all providing vocals in order to capture those necessary bluegrass harmonies), played their final show before an indefinite hiatus in order to expand their musical horizons. On February 3rd, 2014, the band announced that they were back together, with a new album due at some point in the spring of this year and an accompanying tour starting with two nights in April at The Ryman, the same venue where they played their final show before their hiatus. With this announcement, Nickel Creek also released the single “Destination,” their first since 2005’s “When In Rome.”
If you grew up a rock music fan in the first decade of the 2000s, as I did, the Red Hot Chili Peppers likely provide much of the soundtrack of your formative years. Songs like “Can’t Stop” and “Dani California” populated your early-generation iPods, and you familiarized yourself with the oldies that stood the test of time: “Give it Away,” “Under the Bridge,” etc. Listening to these songs probably invokes a good deal of nostalgia. They stand the test of time, too; listen through Californication again today, and relish in the tight, emotionally thick beauty of its fifteen tracks.
Given these assumptions, you were probably just as pumped as I was to hear that the Chili Peppers would be joining Bruno Mars for the Super Bowl XLVIII halftime performance. By the time the teams headed to the locker rooms and Seattle had ensured that the game would be akin to watching a monster truck run over the same poor car for three hours, you were probably relieved that some good music would interrupt the tedium. Bruno Mars, sure, cool, but the CHILI PEPPERS!!! I was so excited, I had even set up a betting pool with my family, trying to pick the three songs they would play.
The month of February is inevitably linked to Valentines Day, a holiday most college students (or at least the ones at Vandy) love to hate on. Nobody likes to see unnecessary PDA or patiently listen to how their roommate received the cutest yet cheesiest gift from their significant other. So to help us all get through these next few weeks, here are my top 5 electronic songs that feature the word “love” in the track title. Who says you can’t spend Valentine’s Day swooning over some good tunes and indulging in chocolates?
2014 is over a month old now, the Grammys have finally aired, and it’s high time for me to compose this before the moment passes and 2014’s release schedule starts to heat up as the year pushes into spring. And what better time is there to catch up on music than a rainy Nashville February?
I know what you’re thinking. Perhaps you’re thinking marching band is lame. When you see or hear the words “marching band,” you might think of the stereotypical “band geek” who walks around talking about cork grease and spit valves. Or maybe you think of sexually frustrated high schoolers, who brag about all the unmentionable things they did during that one time at band camp (looking at you, American Pie). But, I can promise you that marching band isn’t really like that…
…well, except maybe for that one time at band camp. Anyone who’s been in marching band knows band camp can get pretty wild for a number of reasons.
All band jokes aside, here is an explanation for why everyone should experience the Honda Battle of the Bands at some point during their lifetime.
In a ranking of the months by number of great albums released, January would be right there with December at the bottom. That trend has been proven especially true this year, since there’s been a severe lack of releases that anyone will be listening to a month from now. Between disappointing releases from the promising young artists of today (Warpaint, Young the Giant) and disappointing releases from artists who were promising and young in 1997 (Crystal Method, Mogwai), January 2014 has gone down in music history as a good time to catch up on music from another era.
Fortunately, the rest of 2014 should be jam-packed with great new music. I now present the top 10 upcoming releases most worthy of hype, starting with…
A great drummer can make the difference in a band. Anyone will tell you that’s a fact. Try to imagine The Who without the thunderous, kinetic play of Keith Moon. Or “Be My Baby” without that famous drum break and frantic yet tasteful fills by Hal Blaine. Or James Brown’s classic records without the “Funky Drummer” himself, Clyde Stubblefield. Even the much-maligned Ringo Starr knew exactly when to accent a moment in a song with a perfect fill (think “Helter Skelter” or “Drive My Car”) and when to sit back and let the music groove.
Sadly, the drummer is often ignored in indie-rock conversation. Maybe it’s because the genre itself doesn’t lend itself to the kind of flash that classic rock and roll or funk or jazz does (there aren’t a lot of soloists in indie rock). The drumming in a ton of indie rock music also doesn’t move beyond simple timekeeping or tasteful grooves, which doesn’t immediately impress as much as a great jazz solo or a thunderous metal part. As a drummer and indie rock fan, I’ve found the genre to house plenty of interesting and excellent players, some of which don’t get the respect they deserve. These are just a few of the drummers of indie rock who deserve more attention.
If there’s one up-and-coming artist you should check out right this second, it’s Connor Zwetsch. At the youthful age of 21, Connor has already managed to harness both the talent and the self-actualization required to help her rise into a promising career. So rare is it that a musician successfully propagates such candor and humility that Connor’s work is invitingly reassuring.
Despite plenty of success and years of experience, some artists just want to mix things up. This motivation creates what we may call side projects or musical supergroups. Take all the best qualities of similar, or not so similar, musicians, put them in a recording studio, and watch the magic happen. In the past decade or so, five projects in particular have redefined the expectations of musical collaborations. In fact, some of the names may even surprise you.
I know you’ve seen it. The boy running from his girlfriends parents house, taco gripped in one hand, jacket in the other, terrified look on his face as you see an angry dad chasing him down the street. There’s one thing you may have not noticed, besides the fact that the Grilled Stuft Nacho is not actually that big, and that is the song playing. That song is “Evil Friends” by Portugal. The Man off of their latest album Evil Friends.
In 2011, I predicted that Kid Cudi would headline Rites of Spring, based on the similar success he and Drake were having at the time and Drake’s performance the previous year. In 2012, I predicted Wiz Khalifa would headline, again based on his break-through hip-hop success that was similar to Drake and Cudi. I further predicted that MUTEMATH would be coming that year, albeit not as the Friday-night headliner they ended up being, based on their fall, winter, and spring tours all circumventing Nashville while traveling through the southeast (they had to come here sometime). On the other hand, I failed marvelously at predicting what the 2013 Rites lineup might look like, following my previous trend of looking at breakthrough rap success to peg Kendrick Lamar, who ended up coming for Quake this past fall. In short, over my four years at Vandy, making Rites artist predictions has become a hobby of mine, much in the same way that people make predictions for Coachella, Bonnaroo, Lollapalooza, and so many others of the festivals that have become so popular throughout the country.
Of course, all of these predictions and guesses were made in the relative comfort of my friendgroup, where no one would give me too much grief if I was wildly offbase and drinks would be had in my honor if I happened to be correct. They’re much more forgiving than the scores that swim the internet waters, but this year I decided to up the stakes by sharing my predictions in a public forum. Please note that I hold no affiliation with the Music Group or any other arm of the Vanderbilt Programming Board, and that I have no sources for my predictions other than the reasoning presented in my own words to you. These are a couple of my personal hopes, dreams, and deductions presented to a wide audience, for glory or for shame.
Music is an inescapable fact of life. It streams from our computers like a waterfall; it fills the empty space in our bars and restaurants; it augments the visual impact of television shows, movies, and advertisements. On top of this universal presence of music, the democratization of the recording and distribution process has ensured that the variety of music available to the general public is vaster than ever before. Yet it is precisely because of this deep and pervasive connection between music and human culture that it is necessary for you to make sense of this cacophony. The person without a distinct musical taste risks being lost in the sonic forest, unable to converse about music with other people and unable to discern their own character. In short, having a defined sense of what music you like is vital to becoming a contemporary man. So, how do you develop a musical taste that keeps you both interested and interesting? Read on to find out!
27 year old Hudson Mohawke (HudMo), real name Ross Birchard, has become quite the DJ and producer over the last several years. Most people probably know his name because he makes up one half of the duo TNGHT, or because he helped produced Kanye West’s most recent album, Yeezus (him and Lunice, the other half of TNGHT, had the most influence over Kanye’s track Blood on the Leaves which is my favorite track!). Over winter break I was most fortunate and spent nearly a month in Glasgow, Scotland, where HudMo is from, and (almost!!) ran into him several times in the small but vibrant city. Call me ignorant but I hadn’t heard his name before winter break although I knew and listened to TNGHT’s music, and as he’s a “local celebrity” in Glasgow, I had to catch up on all the gossip and news going around town concerning HudMo.
I’m a Chicago kid. Born in the city and raised on the Southside. It’s what I know, it’s what I rep, it’s the place I love and call home. We get a bad rap on the national media for the violence, the public schools and the corruption (at least, in part, rightfully so) but all in all, I’m proud of where I’m from. So when something good comes out of where I’m from, I have to bump it.
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