Nine Years Later, System of a Down Still “Mezmerizes” Me

System of a Down managed to capture the zeitgeist of American anti-war sentiment in 2005 with their shocking hit album Mezmerize.
System of a Down managed to capture the zeitgeist of American anti-war sentiment in 2005 with their shocking hit album Mezmerize.

It may be surprising to see a retrospective of a nine-year-old nu metal album on this blog, particularly from a writer who has vented at length about the overall lack of quality of mid-2000s popular music.  Then again, everything about System of a Down’s music, from the band’s ability to mash together disparate and seemingly irreconcilable influences to their shocking success on the mainstream airwaves, is a bit surprising.  System’s landmark 2005 album Mezmerize happened to be on my mind as I put together a discussion for my psychology class, and revisiting it as I worked resulted in three dominant trains of thought, none of which dealt with my homework: 1) nostalgia for the days when my biggest concern was whose backyard trampoline the neighborhood kids would be hitting up after school, 2) amazement at how irresistibly fun the eleven songs are, and 3) wonder at System’s ability to somehow maintain this fun amidst livid, highly caustic lyrics and guitar riffs.  In conjunction, these concurrent streams of consciousness brought me to the crucial question: how the hell did a band like System of a Down hijack the popular music consciousness?

I think the answer boils down to two factors: perfect timing and the group’s ability to infuse its thrashing songs with elements that made them palatable to mainstream listeners.

[Read more...]

Shake It Off or Take It Off (of Spotify): Interpreting Taylor Swift’s Bold Move

Taylor may have swiftly changed the game when it comes to the future of streaming music.
Taylor may have swiftly changed the game when it comes to the future of streaming music.

I’m sure by now you’ve all heard the news: Taylor Swift has removed all of her music from Spotify.  As in, everything.  Not just 1989.  The only track you can find that even features Swift is “Safe and Sound,” her collaboration with The Civil Wars.  Go now and listen while you still can, before we have all been forsaken by the great blond goddess of our musical age.

[Read more...]

Remembering Shannon Hoon and Blind Melon

On October 21, 1995, Shannon Hoon (second from left) died of a cocaine overdose.  He was 28.
On October 21, 1995, Shannon Hoon (second from left) died of a cocaine overdose. He was 28.

On this day nineteen years ago, four of Blind Melon’s five members woke up expecting to play a show that night at Tipitina’s in New Orleans.  The fifth, lead vocalist and chief songwriter Shannon Hoon, never awoke.  He had died of a cocaine overdose at age 28.  Today, to honor Hoon’s memory, I’d like to take a look at Blind Melon, a terribly under-appreciated member of the grunge pantheon.

[Read more...]

Vandy Unplugged: Jen Bradham

header

For this week’s article I’m trying something new. Thinking about music and how it fits into my life, I thought about how I relate to a lot of my friends and family through music. My dad and I like listening to Neil Young on long drives, my best friend and I love going to see Manchester Orchestra whenever they come to town, and I’ve made a lot of close friends based on our mutual affinity towards certain artists.

Everyone has some sort of preference for music, it’s a very human process, and it can help them to relate to others. Going off of that idea, I thought, “I wonder what sort of music Vanderbilt faculty and staff members listen to.”

[Read more...]

The Evolution of Matisyahu

Matisyahu, mid-2000s (top) and 2014 (bottom).

Today, Vanderbilt will host its most esteemed musical visitor, excluding Rites and Quake, since Billy Joel (and Michael Pollack) captivated a sold-out Langford Auditorium almost two years ago.  Matisyahu burst onto the scene in the mid-2000s, delivering a powerful reggae sound laced with traces of rock, hip-hop, and his trademark Judaism-inspired lyrics.  It was a wonder to behold him commanding the stage in traditional Hasidic dress, complete with yarmulke and full beard, while performing in a style that broke the mold of Jewish orthodoxy and tradition.  We listened in awe as “King Without a Crown” leapt to #28 on the Billboard Top 100, easily the highest a song with explicitly Jewish lyrics has ever charted.  We sang along to the powerful “One Day,” which was remixed with new verses by Akon.  And then those of us outside the reggae community allowed Matisyahu to slip from our consciousness.

The Matisyahu who will be walking around West End today looks far different from the Matisyahu of ten years ago.  Gone is the beard, as is the yarmulke–he wears a clean-shaven look topped by a mop of graying hair.  The music, while it still contains Judaism at its heart, has become more secular and more diverse in style, reflecting the man’s continuing spiritual journey.  But Matisyahu is as active as ever, having released his fifth studio album Akeda in June and touring extensively in support of the LP.  In light of this metamorphosis, let’s take a closer look at some of the highlights of Matisyahu’s decade-long career.

[Read more...]

Kid Freud: A Rising Vandy Band

Kid Freud, formed five months ago, is poised for a successful 2014-2015 campaign.
Kid Freud, formed five months ago, is poised for a successful 2014-2015 campaign.

It’s rare that you find a prodigious band coming out of Vanderbilt.  Vampire Weekend met at Columbia and Tom Schulz met his Boston bandmates at MIT, but here the music scene centers around singer-songwriters—Belmont produces the bands, they say.

With Kid Freud, though, Vanderbilt may have these rock titans’ future equals on its hands.

Despite forming only four months ago, the three-piece outfit is taking its place at the head of the burgeoning music community on West End, regularly packing venues like The End and fresh off earning the opportunity to open Rites of Spring after winning the festival’s Battle of the Bands.

[Read more...]

What in the World “Combat Salacious Removal” Means, and Why Abstract Lyrics Work

Sometimes I don’t know why I love the things I love. I was sitting in my room and doing homework this weekend while blasting through Interpol’s 2004 album Antics, singing along to the track “Length of Love”. It’s a great track, starting around a sinister guitar part before it shifts into the kind of ersatz-punk-disco that Interpol is known for. Naturally I’m singing along, but when I get to the chorus I stop and ask myself, “What in the world did I just sing?” See, I had to ask this question because the chorus is just a three word motif sung in Paul Banks’ ALL CAPS monotone. The words? (And I’m not making this up) “COMBAT SALACIOUS REMOVAL”.

[Read more...]

A First Look at the Rites of Spring Battle of the Bands

The Rites of Spring Battle of the Bands provides a great opportunity for local bands to play on a big stage--and for you to discover their music!
The Rites of Spring Battle of the Bands provides a great opportunity for local bands to play on a big stage–and for you to discover their music!

It’s that time of year again at Vanderbilt.  The Student Alumni Board is passing out free shirts at Rand; there are dozens of garbage bins lounging pell-mell on Alumni Lawn; the fraternities are gearing up for their crawfish boils and pig roasts; fierce debate regarding 2 Chainz’ arraignment echoes across campus.  What else could it be but Rites Week?

Love it or hate it (and, as always, there’s been a lot of both emotions in reaction to this year’s lineup), the week of Rites of Spring is the best time for music at Vanderbilt every year.  Though the main event will be an epic spectacle that should trump last year’s in terms of debauchery and Dionysian life force–after all, NEEDTOBREATHE probably played before the most sober Rites crowd ever–my favorite part of the week is the Battle of the Bands, which will take place this Thursday at 7:30 PM in Rand Lounge/Dank New Rand.  The Battle of the Bands is easy to overlook, especially with the winners’ prize being the chance to play on Friday afternoon before most students will want to arrive, but it’s a great showcase of some local talent (including a number of Vanderbilt-based acts) and winning would be a tremendous affirmation for any of the competitors.  And this year, you as an audience member have an opportunity to play a pivotal role in determining the battle’s victor, as the crowd’s vote will account for two-fifths of the final decision (alongside the three judges).  The idea seems to be that the winner should be able to draw a crowd to Rites as early as possible, with the ability to do this on a Thursday night supposedly predictive of the ability to follow suit the next afternoon.  So if you are friends with one or more of the contestants, the most important thing you can do for them is to show up at the battle on Thursday night and bring a pack of friends along for the ride.

[Read more...]