Track Reviews – Page 2 – WRVU Nashville

Shakey Graves Releases The Sleep EP Ahead of Upcoming Album

February 14, 2018 Ayden Eilmus

Alejandro Rose-Garcia, better known by stage name Shakey Graves, has long since been an Austin icon. A self-proclaimed ‘Texas gentleman,’ his prophetic lyrics and unapologetic DIY sound have earned his catalog regard as one of folk-rock’s greats. His signature suitcase kick drum, perfectly homemade and casual, epitomizes the distinctive one-man band style of his past recordings and live performances. Undeniably, Rose-Garcia has come a long way from those early days of Bandcamp releases and solo shows. The 2014 drop of album And the War Came marked the beginning of his transition to a more polished sound and filled out live set, of which he shared his thoughts on while opening for City and Colour in June of 2016. “There’s nothing wrong with needing a little help from your friends,” he explained. Although the recent re-release of The Donor Blues and Nobody’s Fool EPs one summer later seemed to indicate a potential return to his earlier bedroom style, upcoming record Can’t Wake Up suggests the contrary.

WRVU Look-Back: The Decemberists and German Romantic Opera

February 11, 2018 Heather West

If you’re a Decemberists fan, you’ve probably sung along to the folk anthem “Down By The Water” on a Sunday drive. If you’re an avid fan, you became intimate with their chart-topping 2011 release The King is Dead and have been a regular listener ever since. And if you’re a hardcore, there-for-every-show-marry-me-Colin-Meloy fan, then there’s a chance you’ve heard of their 2009 album The Hazards of Love.

Ought embraces a more accessible sound while staying true to art-rock roots on Room Inside the World

February 10, 2018 Sam Cyphers

On their third full-length LP, the Montreal post-punk revivalists have produced their most nuanced and melodically inclined album to date.

August – October 2017 GREAT Tracks

October 30, 2017 Linzy Scott

All of these songs are must-listens, and as such, you *must* listen to them.

The Front Bottoms Succeed—But Also Fail Miserably—With Going Grey

October 24, 2017 Karina Schechter

I guess I missed the day in class when we learned that “Going Grey” was synonymous with “Selling Out,” but thankfully The Front Bottoms (TFB) caught me up on that lesson with their album release earlier this month. Gone is the TFB known for their trademark gritty sound, lyrical depth, and endearing awkwardness. The new era of TFB is under strict dictatorship by their label, Fueled by Ramen, and it definitely shows in their catchy, over-produced pop-punk album, Going Grey.

King Krule Triumphantly Returns with ‘The Ooz’

October 10, 2017 Meredith Mattlin

King Krule’s The Ooz will be released October 13th.

King Krule’s The Ooz starts out modestly with “Biscuit Town,” leaning more towards the jazzy, hip-hoppy, slow-talking side of his elusive persona than the urban stoner aesthetic he embodies on, say, “Bleak Bake” from his 2011 self-titled album. Its quiet and enticing first track is a good palette cleanser for the rest of the album: The Ooz meanders through a staggering hour and six minutes of pleasantly cohesive yet disparate directions, taking us from peaceful piano to ethereal cacophony and back again. It’s, in fewer words, nothing short of beautiful.

The World Is a Beautiful Place & I Am No Longer Afraid to Listen to ‘Always Foreign’ on Repeat for the Next Month

October 8, 2017 Karina Schechter

The World Is a Beautiful Place & I Am No Longer Afraid to Die (TWIABP) has been a powerful presence in the ’emo’ community since the release of their debut full-length album Whenever, If Ever (2013). Last week, the band released their third album, Always Foreign, a phenomenally composed album overflowing with cynicism, chaos, and an unadulterated sense of vulnerability.

Moses Sumney’s Aromanticism Leaves Little Room For Longing

October 3, 2017 Matt Brady

(Courtesy of the artist’s Bandcamp page)

Moses Sumney’s debut full-length Aromanticism, released Sept 22^nd on Jagjagwar, is a shimmery showcase of Sumney’s smooth-as-butter voice that marks an artistic departure from his 2016 EP Lamentations. While the EP revolves around layers of Sumney’s vocals and guitar, his latest release incorporates a much wider color palate, replete with beautiful orchestration and swirling synths. There’s a higher production value, which in turn sacrifices some of the intimacy of his earlier releases which made his music so powerful.

Brent Faiyaz: More than just R&B’s Past, Present, and Future

September 26, 2017 Danny Lee

Can you feel it? Monday night at the science library. Three vending machine coffee cups and a hallucination of your girlfriend’s scent bear witness to your struggle—you’re new to the writing staff, and despite your general zeal for music and exegesis, you find yourself waylaid with uncertainty. What can you give to this blog? And what must you keep for yourself?

Why You Should Be Excited About Shoegaze in 2017

March 31, 2017 Nick Jelinek

So perhaps you’ve seen the pink guitar album, or at the very least seen praise heaped upon Bullet For My Valentine and thought it odd that not only have they been a band since the late ’80s but that they’ve also done anything worth mentioning in the same sentence as the words “critical acclaim.”

Wow, Thank You Drake & Nana Rogues For 🌺”Passionfruit”🌺

March 20, 2017 Linzy Scott

This song is VALID, and there’s really not much else to say. I threw it on, and suddenly I was wearing Aldo shoes (you know, like, the loafers) and I was two stepping with a truly unfathomable degree of proficiency.

“Shining” and the Art of Making Another One

February 21, 2017 Linzy Scott

Released in the after-hours of the Grammys on February 12^th, DJ Khaled’s “Shining” is definitely one of the best songs in its genre of this very young year, and just about everything about it works. It’s Khaled’s trademark pop production firing on all cylinders, and its arrival after last year’s “For Free” is evidence of Khaled’s sustained return to form as a hit-maker.

Altering Tracks: A Perspective

November 7, 2016 Bryce Beddard

Originally, this blog post was going to be a review of Tinashe’s newly released commercial mixtape Nightride. While I quite like the mixtape, something so atrocious happened during its production that it entirely consumed the contents of this post.

Young Thug was removed from “Party Favors”.

Albums That Don’t Suck As Much As I Once Thought

October 8, 2016 Karina Schechter

While on a music-deletion rampage sometime last week, I realized that a lot of the albums I ~~downloaded~~ legally purchased ages ago only had roughly 2 or 3 songs on them that I recognized/ever listened to. I gave some of these albums that I originally didn’t like more of a chance to woo me, and on most accounts I was pleasantly surprised.

Keaton Henson’s Kindly Now

September 22, 2016 Karina Schechter

Well folks, he’s done it again: Keaton Henson has released an album somehow more depressing than his last….. but, like, in a good way.

WRVU Presents: Top 10 Songs of 2015

January 2, 2016 Roshan Poudel

With 2015 in the books, it’s time to look back at the year and see what songs stood out and are worth carrying into 2016. After tallying up the numbers, here are the top 10 songs of 2015 voted for by our staff here at WRVU.

Let’s Talk About David Bowie’s “Blackstar”

December 6, 2015 Jamie Stoike

https://upload.wikimedia.org/wikipedia/en/7/71/David_Bowie_-_Blackstar_song_cover_art.png — David Bowie — “Blackstar”. Image couresty of Wikipedia.

David Bowie released the title track off of his forthcoming album, a 10-minute behemoth complete with a disturbingly surreal music video, about two weeks ago now. And despite almost obsessive listening over the past two weeks, I’m not sure I know any more what “Blackstar” is than I did when I first heard it. All I know is that I can’t stop listening.

I Just Love Earth / Flood Out Your Wrist: Playboi Carti & 21 Savage

October 28, 2015 Linzy Scott

Listen to “Peepin,” Atlanta icon Gucci Mane’s commemorative track for THEBURRPRINT.COM, and you’ll hear two of the city’s youngest and brightest rising talents. Playboi Carti and 21 Savage represent some of the best of the “New Atlanta” wave, a sorta shaky label that seems to get more and more nebulous. A better descriptor would probably just be “underground rap” but even this conjures up images of dusty cyphers and grimy dudes with backpacks and NYC golden-age obsessions. It’s best to just say that this versatile group is solely doing their own thing on their own time, which is fine because they’ve kept the city laced with talent for a while now. I’m gonna name names now: Key!, Rich The Kid, Two-9, Peewee Longway, Tk N Cash, K Camp, Bankroll Fresh, and Hoodrich Pablo Juan have been making hits for a minute now and frankly, it’s glorious. Add them to Father and the rest of Awful Records and you start to realize how bountiful good rap is in the city (same city that has Young Thug btw). These artists may not be running the radio game as well as the gawds Future, Migos and Rae Sremmurd (yet) but their presences are definitely felt.

Mono/The Ocean Mesh Post-Rock and Metal on Their New Split EP, Transcendental

October 26, 2015 Brandon Bout

Japanese post-rock band Mono (photo courtesy of Wikipedia)

As a way of celebrating the fact that Japanese post-rock band, Mono, have recently signed to Pelagic Records, the record label owned by The Ocean brainchild Robin Staps, the two groups released a split EP. The EP, entitled Transcendental, was released on October 23rd, and it features one extended track from each band.

RTJ Let the Cat out of the Bag

September 20, 2015 Roshan Poudel

Winners of WRVU’s 2014 Album of the Year Contest, rap duo Run the Jewels has been no stranger to critical acclaim since the release of Run the Jewels 2 last year. Killer Mike and El-P have not dropped any new material since then, but are set to release a remix album sometime in September. Meow the Jewels, the idiosyncratic remix of Run the Jewels 2 fans have been waiting months to listen to, will feature the duo rapping their lyrics over cat noises. Just this week, Run the Jewels gave a little sneak-peak into the album with “Oh My Darling Don’t Meow”, a play on “Oh My Darling Don’t Cry”.

Four Months of Music: A Retrospective

April 14, 2015 Rachel Sapp

As the school years comes to an end and finals begin to ramp up, it’s natural to think about everything other than academic responsibilities at hand. Naturally, it’s a time to dwell on memories, friendships, and, of course, our time here at WRVU. For me, this last blog post has got me thinking. While it’s incredibly sad I’ll be missing all my WRVU goings on for the next eight months, I’m beyond amazed at all the new stuff that’s been released in 2015.

As an ode to WRVU and this semester, I’ll be highlighting my ten favorite tunes of the semester, starting from the bottom (because Drake). If you happen to like electronica, check out some of the dopest of beats from early 2015 below.

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