Jake Bugg’s ‘Shangri La’ Lives up to the Hype

Before the official release of Bugg’s sophomore album Shangri La, he released two singles from the album What Doesn’t Kill You and Slumville Sunrise, which featured a significant development in Bugg’s music from his first debut album Jake Bugg. The two singles were much heavier, rockier, and fast moving; that’s definitely not a bad thing by any means, but I fell in love with Jake Bugg’s music because it felt real, genuine, and I liked the folky acoustic sound in all of his songs. So while I was excited to listen to Shangri La, I was worried it would disappoint my expectations for Bugg. But, it’s amazing and everyone should listen to it.

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Little Known Classics: Marvin Gaye

I admit, we all know Marvin Gaye as one of the all time greats. But do most of us know Marvin Gaye beyond “Let’s Get it On”? I have 8 less appreciated tracks from the legendary soul singer’s more popular albums that you can appreciate whether you’re hip to crooner’s catalogue or just taking your first listen. [Read more...]

Arcade Fire’s Reflektor is Nothing Short of Astounding

Image Courtesy of Wikipedia

It’s here.  After a beautifully executed marketing campaign highlighted by street art veve drawings and fictional bands, Arcade Fire’s fourth studio album, Reflektor, has arrived to bring music to our waiting ears.  At a personal level, this record has struck a vibrant chord with me.  The simplistic epic that was “Wake Up” from Arcade Fire’s debut, Funeral, was one of the first songs that opened up my musical horizons past classic rock, where I had always thought that the guitar solo was king.  I’m finding my tastes diverging now into more like that of a dance-maven, and so a danceable album from the band that was a real catalyst in getting me to originally expand my musical horizons might just be my favorite release of the year when it’s all said and done.

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Meet Electronic Music Producer, Gold Panda

Photo courtesy of oohbrilliant.com

 

London born electronic producer Gold Panda’s sophomore album Half of Where You Live, released this past June, showcases his experiences jetsetting throughout the world for the past three years, and boy is it a treat for the ears. The album stays fresh yet minimal by sampling different vibes from South American, Asian, and European countries in tracks named like An English HouseBrazil, My Father in Hong Kong 1961, and Enoshima.

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CHVRCHES Soar With Thrilling, Excellently Executed Debut

Photo Courtesy of anotherrainysaturday.com

Coming off of last year’s monster single “The Mother We Share,” many (including yours truly) have been hotly anticipating more from Scottish synthpop band CHVRCHES. Could they sustain the rush of that song over a whole album? Would they be able to bring enough variety in their sugary-yet-melancholic sound to last an album’s length? Thankfully the answer to both of those questions on debut The Bones of What You Believe is “mostly yes.” With the sonic layers to please synth-heads and the songwriting prowess to please everyone else, CHVRCHES has delivered one of the year’s most fully realized debuts and one of the best pop records I’ve heard in ages.

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The 1975′s Self-Titled Debut is Driving and Relaxing All In One

Image courtesy of gigwise.com

I discovered The 1975 while browsing r/listentothis on Reddit last year, probably in September or October.  I was immediately enthralled with this band with an interesting name and a catchy, if unpolished, sound and I began looking for a larger catalog .  Or, attempting to find one rather; at the time they had only two EP releases to their name.  Very little information was to be found.  And so I was left to wait patiently for a debut album to appear, only to be met by consecutive EP releases that were interesting, but at the same time so short and left me wanting something fuller.  However, after all of my waiting, their self-titled debut album has finally arrived, filled with songs that sound like they could all be singles yet still find cohesion as a whole work.  Suffice it to say that I am not disappointed. [Read more...]

Meet Human Don’t Be Angry

Photo courtesy of malcolmmiddleton.blogspot.com

Malcolm Middleton, a musician from Falkirk, Scotland, was once part of the duo Arab Strap before embarking on a solo career and releasing five albums in the span of seven years. However, seeking yet another creative outlet, Middleton decided to take on the pseudonym of Human Don’t Be Angry, a translation of the German board game “Mensch ärgere Dich nicht”, releasing his first self-titled album in 2012. This new solo project is a completely new departure from his previous heartachey lyrics and mellow indie rock sounds; Human Don’t Be Angry is a largely electronic instrumental album. [Read more...]