Special Features

Rap for a Reason: A Conversation with Shadower

Shadower is a Nashville-based rapper who released his single "Bully Me" last Tuesday.  All proceeds from the single will go to charity.
Shadower is a Nashville-based hip-hop artist who released his single “Bully Me” last Tuesday. All proceeds from the single will go to charity.

It’s safe to say that regardless of whether or not you think Kendrick Lamar got robbed at the Grammys, Macklemore and Ryan Lewis accounted for a significant shift in the scope of issues dealt with in mainstream rap music.  Into a culture dominated by the elegant hedonism of Kanye West and Jay-Z was infused a dose of reality–“fifty dollars for a t-shirt” (or, as famously offered by Yeezy, $120) is beyond the fiscal considerations of most Americans and shouldn’t be a standard to which ordinary folks are held.  The challenges that The Heist issued to the industry’s status quo opened up lines of dialogue that had been confined to the independent outskirts for much of the past decade, particularly regarding the materialistic, misogynistic, and heteronormative culture that has dominated mainstream rap.

In this rapidly changing paradigm, any social issue can be captured and crystallized into a song with the potential to move millions of affected listeners and inspire the unaffected to take corrective action.  With his new single “Bully Me,” Nashville hip-hop artist Shadower attempts to take the serious issue of childhood and adolescent bullying and preach empathy as the cure.

Music and Memories

“Taxman” always makes me think of this. (Photo courtesy of Zachary Willis)

I’ve read over and over again that olfaction is the strongest sense at evoking memories. I think it has to do with the amygdala or something — hey, I’m not a neuroscience major. There are certain smells that bring up memories for me, some specific and some general; the smell of pine and sugar cookies makes me think of Christmas; the smell of “Midnight Pomegranate” hand soap, weirdly enough, makes me think of playing Call of Duty 4 back in 8th grade. Growing up in the plains of Northern Indiana, I always looked forward to the first day of summer — not June 21, but rather some Saturday in late April or May when I’d wake up, open the window, and smell the first faint, sweet, loamy scent of soil carried across the fields on the constant breeze. Every once in a while I’ll catch a brief whiff of it in Nashville and it still makes me excited.

Despite all this, one sense evokes more memories than scent for me: hearing. Specifically, hearing music; nothing else so vividly conjures up the events of my life as it does.

Irish Music Is Alive

24075_1167251239917_1787018830_318342_7210598_n copyDidn’t get enough Irish this St. Paddy’s Day?

Yes, I know, St. Patrick’s Day was yesterday. Believe me, I don’t think the holiday should be dragged out any longer (especially after the endless weekend of St. Fratty’s Day celebrations) buttttttt I do think the day after St. Patrick’s day, while the orange and green dust settles, is a great time to discuss Ireland’s impact on modern music.

Five Classic Movies with Soundtracks to Match

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Many of us associate movies with their leading stars, dramatic plot lines, or box office success. However, one area that is often overlooked is a movie’s soundtrack. Mostly drawing from music of the 60s and 70s, but also more recent tracks, several movies have created new meaning for songs that have become crucial to pop culture.

T-Bone Burnett and the Americana Film Soundtrack

On the Friday before spring break, I had the pleasure of seeing the Vanderbilt Core Choir perform their home concert that began their week long tour to Florida.  The front end of the program was a typical classical repertoire, featuring works from Bach, Mendelssohn, and Brahms.  Via short sets focusing on international pieces and original compositions by choir members and friends, there was a gradual transition into what I found to be an absolutely stunning performance of Americana songs at the tail end of the program.  There was a complete change in atmosphere of the concert, and it was in no way related to the quality of the music going up for some strange reason.  The performance level was stunning throughout; in the roots set, it was just like the music stopped being a performance and began to be a warm and welcoming conversation.  It focused strongly on spirituals, arrangements of songs by The Wailin’ Jennys to highlight some of the ensemble’s remarkable sopranos and altos, and a selection for the male vocalists to shine on that happens to be one of my current favorite songs.    This was an adapted arrangement of Marcus Mumford and Oscar Isaac’s recording of “Fare Thee Well (Dink’s Song)” for the 2013 Coen Brothers film Inside Llewyn Davis (you can listen to a recording of the choir’s men performing the selection above).  The film follows a week in the life of Llewyn Davis, a fictional folk artist in Greenwich Village in the early 1960s struggling to make it by, providing a dreary reminder to the audience that for every Bob Dylan or Joan Baez success that came from this vibrant folk movement there were countless careers that failed to start.  Again and again in this dismal setting, the film’s music shines through, punctuated by performances from Oscar Isaac in his titular role.  The man that put that soundtrack together was T-Bone Burnett.

Introducing…Your All-2000s Bad Music Squad!

Mathematicians call this the "empty set."
Mathematicians call this the “empty set.”

I spent the majority of my spring break plastering the walls of a cinderblock building in the Puerto Rican rain forest.  The only way to possibly get through a task as mind-numbing as plastering walls is to have an upbeat, driving playlist of music blasting from a decent set of speakers.  Luckily, for the most part, that was the situation; our work crew leader had impeccable and eclectic taste, and about 100,000 songs in his iTunes library.  One day, though, we made the call to switch it up.  My buddy Matt had concocted a playlist entitled “Ridiculous Rap,” mainly comprised of one-hit crunk wonders from the mid-2000s.  The first couple songs were hilarious and everybody sang along.  By song five, the high had disappeared and it dawned on us that we had been ingesting pure crap for the past fifteen or so minutes.

The Case Against the Star-Spangled Banner

Why do singers mess up these words so frequently?
Why do singers mess up these words so frequently?

It’s Olympics time, and that means patriotism is at a relative high here in America.  So is the potential to wile away the hours in front of non-stop sports coverage.  It’s taking all my willpower to keep my eyes on my laptop as the American hockey team plays the Czechs on the television in front of me.

But there’s one thing about seeing the United States in international competition that bothers the hell out of me: our national anthem, when compared to those of other countries, just doesn’t cut it.

Super Duped: The Decline of the Red Hot Chili Peppers

Flea, your bass is unplugged...and since when did Chad Smith look like Bruno Mars instead of Will Ferrell?
Flea, your bass is unplugged…and since when did Chad Smith look like Bruno Mars instead of Will Ferrell?

If you grew up a rock music fan in the first decade of the 2000s, as I did, the Red Hot Chili Peppers likely provide much of the soundtrack of your formative years.  Songs like “Can’t Stop” and “Dani California” populated your early-generation iPods, and you familiarized yourself with the oldies that stood the test of time: “Give it Away,” “Under the Bridge,” etc.  Listening to these songs probably invokes a good deal of nostalgia.  They stand the test of time, too; listen through Californication again today, and relish in the tight, emotionally thick beauty of its fifteen tracks.

Given these assumptions, you were probably just as pumped as I was to hear that the Chili Peppers would be joining Bruno Mars for the Super Bowl XLVIII halftime performance.  By the time the teams headed to the locker rooms and Seattle had ensured that the game would be akin to watching a monster truck run over the same poor car for three hours, you were probably relieved that some good music would interrupt the tedium.  Bruno Mars, sure, cool, but the CHILI PEPPERS!!!  I was so excited, I had even set up a betting pool with my family, trying to pick the three songs they would play.

A Much Delayed Top 5 Songs of 2013

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2014 is over a month old now, the Grammys have finally aired, and it’s high time for me to compose this before the moment passes and 2014’s release schedule starts to heat up as the year pushes into spring. And what better time is there to catch up on music than a rainy Nashville February?

Why Everyone Should Experience the Honda Battle of the Bands

I know what you’re thinking. Perhaps you’re thinking marching band is lame. When you see or hear the words “marching band,” you might think of the stereotypical “band geek” who walks around talking about cork grease and spit valves. Or maybe you think of sexually frustrated high schoolers, who brag about all the unmentionable things they did during that one time at band camp (looking at you, American Pie). But, I can promise you that marching band isn’t really like that…

…well, except maybe for that one time at band camp. Anyone who’s been in marching band knows band camp can get pretty wild for a number of reasons.

All band jokes aside, here is an explanation for why everyone should experience the Honda Battle of the Bands at some point during their lifetime.

Five Side Projects Turned Supergroups

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The diverse members of Gorillaz

Despite plenty of success and years of experience, some artists just want to mix things up. This motivation creates what we may call side projects or musical supergroups. Take all the best qualities of similar, or not so similar, musicians, put them in a recording studio, and watch the magic happen. In the past decade or so, five projects in particular have redefined the expectations of musical collaborations. In fact, some of the names may even surprise you.

Rites of Spring 2014—Who Might Be Coming?

Image courtesy of Consequence of Sound

In 2011, I predicted that Kid Cudi would headline Rites of Spring, based on the similar success he and Drake were having at the time and Drake’s performance the previous year.  In 2012, I predicted Wiz Khalifa would headline, again based on his break-through hip-hop success that was similar to Drake and Cudi.  I further predicted that MUTEMATH would be coming that year, albeit not as the Friday-night headliner they ended up being, based on their fall, winter, and spring tours all circumventing Nashville while traveling through the southeast (they had to come here sometime).  On the other hand, I failed marvelously at predicting what the 2013 Rites lineup might look like, following my previous trend of looking at breakthrough rap success to peg Kendrick Lamar, who ended up coming for Quake this past fall.  In short, over my four years at Vandy, making Rites artist predictions has become a hobby of mine, much in the same way that people make predictions for Coachella, Bonnaroo, Lollapalooza, and so many others of the festivals that have become so popular throughout the country.

Of course, all of these predictions and guesses were made in the relative comfort of my friendgroup, where no one would give me too much grief if I was wildly offbase and drinks would be had in my honor if I happened to be correct.  They’re much more forgiving than the scores that swim the internet waters, but this year I decided to up the stakes by sharing my predictions in a public forum.  Please note that I hold no affiliation with the Music Group or any other arm of the Vanderbilt Programming Board, and that I have no sources for my predictions other than the reasoning presented in my own words to you.  These are a couple of my personal hopes, dreams, and deductions presented to a wide audience, for glory or for shame.

Crafting the Contemporary Music Taste

A world without musical taste is chaos.
A world without musical taste is chaos.

Music is an inescapable fact of life.  It streams from our computers like a waterfall; it fills the empty space in our bars and restaurants; it augments the visual impact of television shows, movies, and advertisements.  On top of this universal presence of music, the democratization of the recording and distribution process has ensured that the variety of music available to the general public is vaster than ever before.  Yet it is precisely because of this deep and pervasive connection between music and human culture that it is necessary for you to make sense of this cacophony.  The person without a distinct musical taste risks being lost in the sonic forest, unable to converse about music with other people and unable to discern their own character.  In short, having a defined sense of what music you like is vital to becoming a contemporary man.  So, how do you develop a musical taste that keeps you both interested and interesting?  Read on to find out!

Little Known Classics: Rhymes & Reason

Photo of MC Tree Courtesy of Rhymes & Reason

I’m a Chicago kid. Born in the city and raised on the Southside. It’s what I know, it’s what I rep, it’s the place I love and call home. We get a bad rap on the national media for the violence, the public schools and the corruption (at least, in part, rightfully so) but all in all, I’m proud of where I’m from. So when something good comes out of where I’m from, I have to bump it.

Let’s Get The Album-Of-The-Year Countdown Hype Started: My Albums of the Semester

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2013 has been a year of marvelous releases.  A few personal favorites have been Kanye’s Yeezus, James Blake’s Overgrown, Streetlight Manifesto’s The Hands That Thieve, and Daft Punk’s triumphant return with Random Access Memories, but these don’t even begin to comprise a complete highlight list.  Coming up with my list of Top Albums for the year is going to be an intensive process and I’m looking forward to it; in between debating the merits of different albums, I get to listen to all of them again.  It’s going to be something truly magical.  A much easier list to make, though, is my favorite albums of the semester.  While a lot of the heavy hitters for the year were released outside of that time period, there’s a great amount of quality for just these ~3 months.  In my opinion, these were the cream of the crop (presented in alphabetical order by artist).

Little Known Classics: Marvin Gaye

I admit, we all know Marvin Gaye as one of the all time greats. But do most of us know Marvin Gaye beyond “Let’s Get it On”? I have 8 less appreciated tracks from the legendary soul singer’s more popular albums that you can appreciate whether you’re hip to crooner’s catalogue or just taking your first listen.

Reflections on Christmas Music

There’s a golden rule that it’s generally impermissible to listen to Christmas music before Thanksgiving. Maybe it’s to contain everyone’s excitement; maybe — as my girlfriend likes to remind me — it’s to preserve the sanctity of Thanksgiving, the best holiday. My mom, in the past a proponent of this rule, announced with guilt that she’s been sneaking Christmas music: “I’m usually able to hold off until Thanksgiving but I was weak this year.”

In the past, I would’ve groaned; I was, like her, a staunch proponent of the Thanksgiving Rule. But this year even I find myself slipping into a Christmas mood earlier than usual. So I broke. I listened to Barry Manilow’s Christmas album, then all of my Christmas favorites. And I feel phenomenal. Christmas is the itch, and its music is the salve.

Campy Music (and some other stuff)

None of the songs on this cover were written after 1971.
None of the songs on this cover were written after 1971.

Hey everybody,

It’s been one of those weekends that wasn’t any sort of break from the action of the week, but definitely in a good way.  Things got started with a bang when I scored free tickets to see Fitz and the Tantrums, Capital Cities, and Beat Club at Marathon Music Works on Thursday night.  All three bands started in Los Angeles, but each has a distinct sound within the broader category of indie pop-rock.  Beat Club has a very retro feel and their sound is very influenced by The Strokes, which makes sense because they are connected with Julian Casablancas.  Capital Cities is straightforward synth-pop and put on a very energetic show, closing with a fifteen minute rendition of “Safe and Sound” that turned into an electro-dance party.  Other than the last song, however, I didn’t find their music terribly engaging; all the songs sounded very similar but lacked the catchy hook of “Safe and Sound.”  This is only natural, though, since they have released just one LP.  The fact that they already have a Top 10 single at this point in their existence is very promising.  Unfortunately for Capital Cities, their performance was totally upstaged by that of Fitz and the Tantrums, whose neo-soul had a perfect dancing groove but didn’t feel superficial.  “Moneygrabber” was a highlight, leading off the encore and featuring a confetti explosion in the middle of the song.  Overall, the night of music was supremely satisfying, and there should be a lot of buzz about these three bands. Here’s some of the better songs that were played.

The real highlight of the weekend, however, was going home for a weekend of summer camp-related festivites: a bar mitzvah, an official camp reunion, and lots of running around to see as many friends as possible before heading back to school this morning.

8 Songs to Play at a Halloween Party That You Might Not Have Thought Of

My fellow staff writer Lucas Kunsman recently wrote a very good list of songs that are hauntingly beautiful. A few of my favorites — “Oh Comely” and “Kasimir Pulaski Day” — made the list. But it got me curious: what are 8 songs that are actually appropriate for a Halloween party? Now, these aren’t all Halloween songs, I know, and a lot of them aren’t really that dark or scary; I didn’t want to give you a list filled with horror-film scores and industrial metal. I also didn’t want to give you a list of songs like “Monster Mash” and “Thriller”, so I tried to pick songs you haven’t thought of.

So here are a few songs that are vaguely sinister and festive, but still fun enough to justify playing at a party. No one wants to hear the theme from Psycho while they’re sipping a beer and trying to hit on the girl in the inappropriately revealing costume.

A Closer Look at Why We Hate Nickelback

But why?  ...Okay, that soul patch is pretty bad.
But why? …Okay, that soul patch is pretty bad.

This past weekend, I was having a GroupMe conversation with a few of my fraternity brothers and, somehow or other, Nicolas Cage popped up.  He always seems to do that in the strangest of places.  We threw around the idea of having Cage be the entertainment for our next party–“he probably needs the money,” quipped our social chair–when I brought up the possibility of a Nick-themed rager: Nicolas Cage PLUS Nickelback.  So bad it would be legendary.  “Cagelback: Because we hate you.”

We all had our laughs but then I remembered something: I used to like Nickelback.