The farther you are from past events, the more they blend together. Time periods – years, decades, centuries – make for easy, automatic categorization of those events. “Take on Me”, “Just Like Heaven”, and “Don’t You (Forget About Me)” are distinctively “eighties” music in the public consciousness; today anything that sounds like synth-pop, from 1989 to “Seasons (Waiting On You)”, is an ‘80s throwback. Decades are efficient, well-defined genre descriptors, to the point where decades like the ’80s and ’90s feel so musically distinct that phrases like “1985-1994 in music” sound meaningless to someone who wasn’t around back then.
If you’re a fan of Jack White or The Black Keys, then you’re probably well aware of their little rivalry. In the last couple of years White has made a real ass out of himself over The Black Keys. Not only did he bash on the band in a Rolling Stone interview and accuse them of riding on his coattails and being unoriginal, he also pulled his kid out of school to avoid association with Dan Auerbach’s child. Sure he went on to post an apology to The Keys and other artists on his website but come on, he said some pretty shitty stuff about a band that shares much of the same audience as his own, with nothing to provoke him other than his ego.
Like a lot of folks my age, I went through a pretty intense garage-rock phase the first few years of High School and was super into both Jack White’s work as well as that of The Black Keys, for I, unlike Mr. White felt as if I shouldn’t have to choose a side.So when I was given the opportunity to see Jack White play at Bridgestone Arena on Wednesday, I had a couple of thoughts racing through my brain. Firstly, the 15-year-old version of myself trapped inside my head started peeing his pants with excitement. But simultaneously I was thinking back to The Black Keys arena show I witnessed a couple years ago on their El Camino tour and how it left such an awful taste in my mouth. Could Jack White, the man that truly believes he is a head above bands like The Black Keys, really outshine them? Did this guy actually have something to back up his claims? Was Jack White Justified in being a dick?
B4.DA.$$ is a record made for rap purists, which is a welcome change of pace in the era of personalities and quotability (see Shmurda, Bobby) taking the genre’s center stage. However, as a result, the record can get uncomfortable when it leaves Joey’s comfort zone of self-exploration and braggadocious wordplay over boom-bap beats. Joey’s natural flow and mastery of the craft of hip-hop over meticulously-crafted laid-back beats makes for an album with a definite confidence and direction, even if the 90’s rap sound feels disingenuous at times.
I first discovered Brooklyn rapper Joey Bada$$ with “95 Til Infinity” off of his 2012 mixtape “Summer Knights.” The most jarring aspect of the song was the reference to his birth year, 1995: the same year I was born.
If you have heard a Death Grips song before, you may have described the experience as shocking, unnerving, electrifying, or just plain weird.
While the group (supposedly) disbanded on July 2, 2014, they have been quite active on social media and have actually come out with an album since then. So, what are they really up to?
With the Grammy’s less than two weeks away, there is lots of speculation surrounded who will win. I’m here to tell you who (in my humble opinion) should be taking home those golden statues on February 8th.
Record of the Year
Nominees: Fancy (Iggy Azalea feat. Charlie XCX), Chandelier (Sia), Stay With Me (Sam Smith), Shake It Off (Taylor Swift), All About that Bass (Meghan Trainor)
My Pick: Chandelier
In terms of overall song quality, Chandelier is the song that encompasses the best lyrics, music, and overall performance by Sia. It also seems like Sia is a bit overdue for some recognition – she’s been making music (really really good music) longer than any of the other nominees in the category, especially considering 3 out of the 5 nominees are newcomers. Overall, Chandelier takes the cake for me.
Album of the Year
Nominees: Morning Phase (Beck), Beyoncé (Beyoncé), X (Ed Sheeran), In the Lonely Hour (Sam Smith), Girl (Pharrell Williams)
My Pick: Beyoncé
With it’s incredibly successful surprise release, Beyoncé’s self-titled was undoubtedly one of (if not the most) buzzed about albums of the year. Not to mention Beyoncé managed to do what few artists do anymore – focus on creating songs that work together as a cohesive album, not just a few hit singles. If this is the direction music is headed, I’m all for it.
Many fans of old 60’s music and psychedelia will know names like Tame Impala and Foxygen due to their neo-psychedelic sound and influences, but also because of the critical acclaim and publicity that they’ve received in recent years. Even more music-oriented people will know The Flaming Lips as they’ve been around for 30+ years and have managed to keep themselves in the public eye with tricks, gimmicks, and, most importantly, a steady stream of music (while it sometimes seems hit or miss). But many people aren’t aware of Pond, or at least haven’t heard any of their material. Some are far too quick to judge and claim Pond as simply a “Tame Impala offshoot” when the truth is that they have been around since the time of Tame Impala’s inception. With a similar style to those aforementioned psychedelia-influenced groups, Pond have managed to come a long way since their debut, Psychedelic Mango.
Getting into the electronica scene these days can get a little overwhelming. Trap, deep house, progressive house, jersey club, future R&B, dubstep, future bass and many more… the list just goes…
As many of you may already be aware, Australian musical artist Sia recently released a rather controversial video for her song Elastic Heart. Like her previous hit Chandelier, Elastic Heart featured twelve-year-old dancer Maddie Ziegler of Dance Moms fame. The video depicted Ziegler dancing alongside actor Shia LaBeouf. Almost immediately after its release, the video came under fire due to accusations of pedophilia and abusive overtones. The bulk of this criticism stemmed from the fact that LaBeouf and Ziegler both danced in nude clothing while “trapped” inside a cage.
Over the past month, Modest Mouse has released two singles off of their highly anticipated upcoming album, Strangers to Ourselves. It has been nearly eight years since the release of their last album, We Were Dead Before the Ship Even Sank, which was either Modest Mouse’s best album or worse album depending on who you ask. Naturally, there was a lot of excitement and anxiety over the direction Modest Mouse would take with this next album, which warrants us to take a closer look at the releases.
We know, we know, we belong to ya.
We know you built your life around us.
And would we change? We had to change some.
Here at WRVU, we’re all about the underground music scene, whether we’re introducing you to fresh new songs or interviewing artists who may not even be college graduates yet (in…
The other day I was scrolling through the Internet and I passed an advertisement asking me to watch a new Smashing Pumpkins music video. For a solid two minutes, I stared at Billy Corgan’s round, bald head wondering when the Smashing Pumpkins would finally call it quits. Looking at the 90s band in 2015– middle-aged men in raggedy t-shirts and jeans with patches– I felt uncomfortable.
In the craziness of life, sometimes tasks and the time that they take to accomplish can be a little overwhelming. As a college student, I find it almost impossible to…
When WRVU announced the winner of 2014’s edition of our annual AOTY (Album of the Year) tournament, hardcore rap duo Run the Jewels emerged on top. Run the Jewels joined the ranks of Vampire Weekend and Tame Impala, who won the tournament in 2013 and 2012, respectively.
The tournament isn’t the whole story though. While its an exciting way to narrow down an overall winner, it doesn’t completely explain why we liked what we did. Additionally, there’s a worry that popular voting is biased against niche releases; it’s certainly not required that voters listen to each and every one of the 32 contenders to better inform their decision.
In the interest of calling out as much great 2014 music as possible, this post compiles the individual top 10 lists from our DJs. But first, a few tournament-related consolation prizes.
The Alternate Universe WRVU-AOTY Award
The results are in! Run the Jewels – Run The Jewels 2 has bested FKA Twigs – LP1 by a slim margin of 3 votes. Arguably the second most popular album…
We’ll skip the analysis — there isn’t any need. These albums speak for themselves. Last round looked like this: Run the Jewels St. Vincent FKA twigs – LP1 Salad Days Who will be…
Final Four
Big shout-out to William Doran for the creative design seen throughout this tournament. The Round Three/Elite Eight vote results are below, as well as previews of the Final Four matchups. But more importantly,
VOTE HERE.
Elite 8
The Sweet 16 round of the Album of the Year tournament has come to a close. The round featured some very close finishes, with two matchups determined in tiebreakers. Click the box to find out what remains.
The remaining eight albums can be called elite, but they’re by no means champions. For that, they need to win three more times. Let’s take a look at this round’s matchups.
Mac Demarco – Salad Days and Beck – Morning Phase face off for a spot in the Final Four. Salad Days’ popularity in the nominations indicate it as this matchup’s favorite, but don’t count out the Grammy-nominated Morning Phase.
Swans – To Be Kind and its small, loyal following look to derail R&B star FKA Twigs’ LP1.
Run the Jewels – Run The Jewels 2 looked strong in the first two rounds of voting. We’ll see if it can maintain its momentum against Aphex Twin – Syro.
St. Vincent – s/t takes on Flying Lotus – You’re Dead! in what may be a close matchup with no clear favorite.
But you already know who you’re voting for, don’t you? Go on, then.
VOTE HERE
Read on for a recap of round one.
Sweet 16
The results for the first round of WRVU’s Album of the Year tournament are in. Check out the updated bracket to see what albums remain standing.
The journey will end here for eight of these albums. Support your favorites, because without you they will never become WRVU Album of the Year.
VOTE HERE
Top 32
For us college kids, 2014 was consumed by late nights studying, barely passed exams, countless job and grad school apps, and maybe a few parties, concerts, and vacations to keep us sane. 2014 meant we were one year closer to the real world, except we didn’t feel older.
For music fans, 2014 meant a continuous stream of new music to sift through: a lot of it good, more of it bad, and some of it downright confusing. At the end of the day, it’s the good we remember, and 2014 had plenty. A pop left turn from America’s best-selling artist. A disconnected folk artist’s rumination on aging and death. Celebrated hip-hop producers and emcees honing their craft. These artists all made it to WRVU’s collection of the 32 best 2014 albums, but now they compete to be crowned album of the year.
Tournament seeds were awarded based on rankings from our DJs. Higher ranked picks received more points. Over 100 unique albums received votes, and the top 32 appear in this tournament. 16 will advance past the first round. Your favorite albums need your votes to advance. Your least favorite albums need your votes against them to be stopped. At the end of the day, only one will remain: the 2014 WRVU Album of the Year.
VOTE HERE
Design credit to William Doran.
For my last article of the year, I’ve decided to compile a list of some of the songs from my yesteryear that really hit me hard and had an impact on my musical taste. If you haven’t heard some of them, give them a listen and you just might find your next favorite genre or band.