As a Chicago native, Pitchfork Music Festival was a summer staple. There, musicians are friendly and approachable. It’s easy to push through a crowd or hop into the mosh until…
In an unfiltered 18-minute live video Chi-town rapper Cupcakke announced her retirement from the music industry, citing compulsive gambling and corruptive influence as primary reasons for her emotional decision. Wrapped…
The collaboration “I Need a Forest Fire” by James Blake and Bon Iver opens calmly, with a sustained note that plays quietly in the background as wispy melody fluctuates around…
If you haven’t heard of Portland-based indie folk pop band Y La Bamba yet, I’m jealous; from the first listen, it’s a hypnosis by Luz Elena Mendoza’s infectious Spanish/English vocals and a percussion setup that’s bound to get you dancing – all while reflecting on your place in the world.
Is He Real? is the latest project by Maryland rapper IDK. In this project, he takes a departure from the dark subject matter and more aggressive style of rapping on…
Back in August, JPEGMAFIA broke his year-long silence with a new single “Jesus Forgive Me, I Am a Thot.” The accompanying music video featured him donned in tunics, robes and…
“This album is all about how it’s okay to not be okay, and as an Enneagram type 7, that’s been really hard for me.” Surrounded by her friends, co-writers, and…
The Regrettes, an LA based rock band, unapologetically raised hell at their Nashville show this past Friday. From the moment they stepped on stage, it was clear that their energy…
Oh yes, another quasi-personality evaluation that is not backed by science or empirical evidence. But hey, if you’re dying from midterms like the majority of the college population, maybe you’ll…
WRVU’s Ashley Roh caught up with indie pop duo, joan, last week as they passed through Nashville on tour supporting flor. They talked musical inspiration, hobbies, tour life, and goals…
An early look at WRVU’s new space After a long summer of construction, our new station is nearly finished. WRVU is thrilled to announce that we’ll be back to regularly…
By the end of 2017, Claire Cottrill had gone viral with her lo-fi bedroom pop single “Pretty Girl” under the moniker Clairo. Her growing success quickly drew criticism from people…
If there’s one thing I learned this weekend while attending Pitchfork Music Festival, it’s that bad weather will not stop a crowd of music lovers. Faced with sweltering, 95+° heat…
Three things in this life are certain: death, taxes, and the fact that Pitchfork Music Festival will boast the most eclectic, value-packed lineup of the year. In 2019, this proves…
This summer WRVU, along with multiple other student media spaces in the Sarratt basement, will be undergoing some exciting renovations. In addition to getting all new equipment, the station will…
Better Oblivion Community center exploded onto the scene upon announcing their self-titled debut album at the beginning of 2019. The folk-rock duo, composed of Phoebe Bridgers and Conor Oberst (of…
Listen to WRVU Thursday and Friday afternoon and keep up with our social media for a chance to win tickets to SALES on March 30th at Basement East. Check out…
Five years after his acclaimed debut album, Hozier has returned. If you listen to the internet, he has spent these last five years journeying the Earth to bring us the sounds of the forest and show us the melodies of our deepest, hidden emotions. Wasteland, Baby! is the haunting result.
Hop Along is a part of the conversation. This past year saw the takeover of indie by women, and Frances Quinlan is another prime example of this. Her band’s most recent release, Bark Your Head Off, Dog, has consistently ranked across many major music publications’ best of 2018 lists, including the likes of NPR, Billboard, and Rolling Stone. Rightfully so, as the group’s third record is their most powerful yet. Quinlan’s unique style of world-building storytelling shifts to the forefront on this album, a necessary move given the extent and consequent of the issues she works hard to tackle and contextualize here. The line ‘strange to be shaped by such strange men’ appears on multiple tracks and is repeated like a mantra across the record, a tactic that is intentionally unavoidable and jarring (especially when put to words by Quinlan’s hair-raising voice). This powerful motif unites the project around a common theme of social reflection and reconciliation— one that is about as 2018 as you can get.
The Ryman Auditorium often challenges its visiting artists. For Rainbow Kitten Surprise, this manifested as a battle over energy. But they still crushed it.
If you’re into Courtney Barnett or Sleater-Kinney, chances are you’re already a fan of Katie Harkin’s work. She got her start as the guitarist for English rock band Sky Larkin…