Aftershock is an open mic & coffee house for students to showcase their talents. Any student is welcome to perform (and anyone is welcome to attend, of course)! If interested…
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New artists, new albums, and new songs are constantly being produced, and it can get quite confusing keeping track of what you have and have not listened to. But often times, a band comes along and drops an album named after the band itself, making our job of keeping track of it all a bit more easy. It is surprising to see just how many bands have eponymous albums, and below I have compiled a list of just a fraction of the bands that have one. Best part is, if you like any of them you only have to remember one name! Wow!
For this week’s article I’m trying something new. Thinking about music and how it fits into my life, I thought about how I relate to a lot of my friends and family through music. My dad and I like listening to Neil Young on long drives, my best friend and I love going to see Manchester Orchestra whenever they come to town, and I’ve made a lot of close friends based on our mutual affinity towards certain artists.
Everyone has some sort of preference for music, it’s a very human process, and it can help them to relate to others. Going off of that idea, I thought, “I wonder what sort of music Vanderbilt faculty and staff members listen to.”
So for this post, I thought I would tackle some of the more difficult music questions. Not the ones that are difficult in content, but rather the ones that you’re afraid to ask your musical friends because in all honestly, the window of opportunity to admit that you didn’t know the answer passed quite possibly years ago. Now, to try and make this as helpful as possible, I opened up the floor to you guys. Here are the questions you wanted answered (as well as one of my own):
Leaving us with high expectations and wide-eyed anticipation, Alt-J’s first album, An Awesome Wave, burst onto the music scene making a name for the English indie rock band with singles “Breezeblocks” and “Fitzpleasure.” Living up to and exceeding our expectations, their sophomore album, This Is All Yours, was released Tuesday offering us a different side of Alt-J that had not been shown in the past.
So you’re a brand new DJ. A little excited, a little nervous to talk aloud to who knows how many listeners. You know the words to every song on The Essential Billy Joel, both discs. In high school, you rode shotgun down two-lane country roads in your friend’s doorless Jeep, sticking your bare feet out the side while the first Mumford & Sons album drowned out the cicadas. No one else in 11th grade had heard of The Decemberists or Regina Spektor. You thought you were pretty cool; you went to public school. But now, in college, the older DJs in WRVU are intimidating, and you don’t know any of the bands they’re talking about. You’re me, freshman year.
Two years ago, I spent a lot of time hunting for new music, though I wasn’t very efficient at it. Pitchfork was the only music journalism site I’d heard of, and I spent lots of time there without understanding the context of most of the articles. If I could do it all over again, here’s the resources I’d have used.
Boasting crowds approaching 20,000 each week, Nashville prides itself in having one of the best free music festivals in the country. You heard me right, free. Lightning 100, the only local independent radio station, brings in the best live acts for four Thursday nights full of food, fun and music then continues the party the last weekend by extending this Thursday night show into a whole weekend festival spicing up our Friday and Saturday. This year the lineup was better than ever with bigger bands and the same long sets. All of these Thursdays and weekend performances add up to 22 live sets by Cage the Elephant, The Head and the Heart, Capital Cities, Ingrid Michaelson, City and Colour, Jake Bugg, G. Love and Special Sauce, The Wild Feathers, Augustana, Delta Spirit, The Lone Bellow, Wild Cub, The Features, The Weeks, Spanish Gold, Johnnyswim, LP, All Them Witches, Goodbye June, Daniel Ellsworth and the Great Lakes, Sugar and the Hi-Lows and Phin.
I’ve been to Live on the Green three times in all. My first time was last year as a freshman and my was it wonderful. Naturally, I returned this year…
Today, Vanderbilt will host its most esteemed musical visitor, excluding Rites and Quake, since Billy Joel (and Michael Pollack) captivated a sold-out Langford Auditorium almost two years ago. Matisyahu burst onto the scene in the mid-2000s, delivering a powerful reggae sound laced with traces of rock, hip-hop, and his trademark Judaism-inspired lyrics. It was a wonder to behold him commanding the stage in traditional Hasidic dress, complete with yarmulke and full beard, while performing in a style that broke the mold of Jewish orthodoxy and tradition. We listened in awe as “King Without a Crown” leapt to #28 on the Billboard Top 100, easily the highest a song with explicitly Jewish lyrics has ever charted. We sang along to the powerful “One Day,” which was remixed with new verses by Akon. And then those of us outside the reggae community allowed Matisyahu to slip from our consciousness.
The Matisyahu who will be walking around West End today looks far different from the Matisyahu of ten years ago. Gone is the beard, as is the yarmulke–he wears a clean-shaven look topped by a mop of graying hair. The music, while it still contains Judaism at its heart, has become more secular and more diverse in style, reflecting the man’s continuing spiritual journey. But Matisyahu is as active as ever, having released his fifth studio album Akeda in June and touring extensively in support of the LP. In light of this metamorphosis, let’s take a closer look at some of the highlights of Matisyahu’s decade-long career.
In early June, the elusive experimental hip hop group Death Grips released the first half of a double LP called The Powers That B, effectively dropping a bomb on the indie music community from up their sleeves. Soon after, the band announced the completion of Death Grips as a project and the cancellation of all future tour dates. Now we find ourselves in a post-Death Grips world, except one of these days we can expect Death Grips to release the second half of The Powers That B in a similarly sudden fashion.
Black Quarterback:
With all students — both old and new — arriving back on campus this weekend, our e-staff curated the last playlist of our summer series based on our favorite songs from and…
My attendance a few weeks ago at the strange 4-day escape from reality called Bonnaroo Music & Arts Festival marked my fifth year at the event. Early on every year the same doubtful thought runs through my mind: Why do I continue year after year to put myself through this? Sometime between my first use of the less than gleaming porta-potties and the realization that yes, I would indeed be this sweaty and disheveled for the next four days, that moment of panic comes.
Next up in our series of summer Spotify Playlists, 3 hours of picks from DJ Brett Tregoning. Featuring Brian Eno, Death Grips, Aesop Rock, Animal Collective, and much more. For…
For many students, the opportunity to spend a few days in a sweaty music-frenzy won’t begin until a few weeks after a mind-numbing week of Finals is over with. To get ready for this year’s summer music festival season, I have compiled a list of 10 songs that capture the simple and carefree spirit of festivals like Bonnaroo, Lollapalooza, and others like them.
The Last Internationale opened for Weezer this past Saturday and Sunday at the Ryman, which concluded their tour with Weezer. As a recently formed band that played their first show only two…
You may remember my blog post from back in January giving my predictions for some of the artists I thought would be coming out to this year’s Rites of Spring festival. If you do remember that post, you probably have figured out that I bombed all of my predictions except for the big one: I correctly guessed that 2 Chainz would be a Rites 2014 headliner. Today, I write again about our school’s beloved spring music festival, because it starts tomorrow. My fellow staff writer Zach Blumenfeld has given you a great preview of tonight’s unofficial Rites kick-off, the annual Battle of the Bands, by giving an overview of each artist you’ll be hearing. Instead of giving y’all an artist-by-artist breakdown, I’m going to take a step back and give more of an overview on how to get the most out of the Festival based on my own personal experiences the past three years.
“11 bullshit-free rock songs about getting past the bullshit in your life”
Being one of the biggest Andy Hull fans out there, you better bet I’m pretty excited about today.
If you’re not exactly sure who Manchester Orchestra is, you might want to take a second to get comfortable because you might end up falling in love and then subsequently facing heartbreak. Bear with me.
Many of you have probably seen this popular video posted by Grady Smith reminding us how mainstream and non unique country music was in 2013. What most of you probably don’t know is why this video exists. This video was actually made in response to the negative comments on his top 10 country album list that readers penned “not mainstream enough.” I don’t think his goal was to bash mainstream country music, but to open listeners eyes to songs they won’t hear every 5 minutes when stuck in Nashville traffic at rush hour. I have always loved some of the lesser known, genuine, country crossover artists, but didn’t realize how big of a genre they were becoming until my dad pointed out a Reddit post to me last week. Someone started dissing country music and one clever Reddit user retaliated with a Spotify playlist full of the best country songs he could find that aren’t about girls, trucks and beer. This playlist, featured below, includes some of my favorite new artists in Nashville that really have the potential to change country and triple A radio.
Most people are familiar that Johnny Cash’s famous “Hurt” is actually a Nine Inch Nails song, that Led Zeppelin took much of their catalog from early blues recording, or that all of the various recordings of “Hallelujah” owe themselves to Leonard Cohen’s original. But what about those song’s that we associate with one artist entirely when they are actually the creative genesis of another artist entirely? These five songs fall in that category; that a listen to the original versions.
It’s safe to say that regardless of whether or not you think Kendrick Lamar got robbed at the Grammys, Macklemore and Ryan Lewis accounted for a significant shift in the scope of issues dealt with in mainstream rap music. Into a culture dominated by the elegant hedonism of Kanye West and Jay-Z was infused a dose of reality–“fifty dollars for a t-shirt” (or, as famously offered by Yeezy, $120) is beyond the fiscal considerations of most Americans and shouldn’t be a standard to which ordinary folks are held. The challenges that The Heist issued to the industry’s status quo opened up lines of dialogue that had been confined to the independent outskirts for much of the past decade, particularly regarding the materialistic, misogynistic, and heteronormative culture that has dominated mainstream rap.
In this rapidly changing paradigm, any social issue can be captured and crystallized into a song with the potential to move millions of affected listeners and inspire the unaffected to take corrective action. With his new single “Bully Me,” Nashville hip-hop artist Shadower attempts to take the serious issue of childhood and adolescent bullying and preach empathy as the cure.
Many of us associate movies with their leading stars, dramatic plot lines, or box office success. However, one area that is often overlooked is a movie’s soundtrack. Mostly drawing from music of the 60s and 70s, but also more recent tracks, several movies have created new meaning for songs that have become crucial to pop culture.