If there’s one up-and-coming artist you should check out right this second, it’s Connor Zwetsch. At the youthful age of 21, Connor has already managed to harness both the talent and the self-actualization required to help her rise into a promising career. So rare is it that a musician successfully propagates such candor and humility that Connor’s work is invitingly reassuring.
Before the official release of Bugg’s sophomore album Shangri La, he released two singles from the album What Doesn’t Kill You and Slumville Sunrise, which featured a significant development in Bugg’s music from his first debut album Jake Bugg. The two singles were much heavier, rockier, and fast moving; that’s definitely not a bad thing by any means, but I fell in love with Jake Bugg’s music because it felt real, genuine, and I liked the folky acoustic sound in all of his songs. So while I was excited to listen to Shangri La, I was worried it would disappoint my expectations for Bugg. But, it’s amazing and everyone should listen to it.
I admit, we all know Marvin Gaye as one of the all time greats. But do most of us know Marvin Gaye beyond “Let’s Get it On”? I have 8 less appreciated tracks from the legendary soul singer’s more popular albums that you can appreciate whether you’re hip to crooner’s catalogue or just taking your first listen. [Read more...]
Now let me say singer-songwriter Jake Bugg is hands down my all time favourite artist in the whole world, so when he released his newest single around two weeks ago I was pleasantly surprised by the harsher, tougher, sound of What Doesn’t Kill You, marking a huge shift from the indie folk/rock sound of his debut album Jake Bugg. For his fans who prefer the tracks with just Bugg’s voice and his acoustic guitar (Simple as This, Country Song, Note to Self, Someone Told Me), it may take some time for the new single to grow on them, but Bugg’s charismatic voice and intimately personal lyrics only get better with each listen.
You’ve heard him on Rudimental’s track Feel the Love (and if you haven’t here’s a link), but John Newman is making it big. Call it soul, r&b, funk, whatever you want, but Newman’s music is unbelievably catchy and charismatic, and although he’s only released a handful of singles (his debut album is set to release October 14!), his climb to fame is attracting attention throughout the UK and seeping its way into America.
Thanks for your continued support of The VU Backstage! Jillian Stein was a phenomenal guest last night. Her music gives off a very retro, late 60s-early 70s folk vibe, and you can easily draw comparisons to Joni Mitchell (who, as it turns out, is her chief influence). Catch the full episode right here.
This next bit of news is extremely exciting and relevant both to the show and to WRVU. It has taken weeks of development on my part and involved a litany of other people, both students and fully grown adults. It required a fairly large investment by the Vanderbilt Student Communications board. It has the potential to change the music scene at Vanderbilt FOREVER.
Have I built you up sufficiently?
A solo artist since the 90s and a core member of the Canadian supergroup The New Pornographers, Neko Case has worn many hats throughout her career. But while her output has always been strong, her last release—2009’s “Middle Cyclone”—didn’t do much to push the envelope of Case’s sound, and it seemed as though we might’ve seen all she had to offer. Fortunately, 20 years into her career, Case has crafted her most innovative and engaging album yet.