My attendance a few weeks ago at the strange 4-day escape from reality called Bonnaroo Music & Arts Festival marked my fifth year at the event. Early on every year the same doubtful thought runs through my mind: Why do I continue year after year to put myself through this? Sometime between my first use of the less than gleaming porta-potties and the realization that yes, I would indeed be this sweaty and disheveled for the next four days, that moment of panic comes.
Next up in our series of summer Spotify Playlists, 3 hours of picks from DJ Brett Tregoning. Featuring Brian Eno, Death Grips, Aesop Rock, Animal Collective, and much more. For more like it, be sure to check out Brett’s show “Diabeatus” this fall!
Here’s what Brett has to say about it:
Hey WRVU! Summer is well underway and, if you’re anything like me, that means hour and a half long commutes into major metropolitan areas for your internship! Here are some of the tunes that have been keeping me company in the car this summer. These should keep your mind off of the road rage. I have included some Death Grips just in case you need something to blast out your windows to intimidate your fellow motorists.
Rites of Spring was in many ways a kick-off for the summer season of music festivals. For many students, the time to go to music festivals in a hot, showerless, frenzy of music, beach balls, and girls on the shoulders of some poor soul won’t begin until a few weeks when we are done with the stresses of finals and school work. To get ready for this wonderful time of year, I have compiled a list of 10 songs that really get us into the mood for these festivals. These songs are not necessarily the most intricate or creative songs that these artists have made, but I think they really capture the carefree, no-consequences kind of attitude most people are looking for during the middle of a summer festival.
The Last Internationale opened for Weezer this past Saturday and Sunday at the Ryman, which concluded their tour with Weezer. As a recently formed band that played their first show only two months ago, The Last Internationale have garnered a reputation for playing rock music laced with politically charged lyrics.
Lead singer Delila Paz first came on stage and performed “Workers of the World Unite,” a stripped down song that showed off her soft and haunting vocals. The title, which alludes to the popular political slogan, highlights the wicked truth about the American dream. This anthemic piece prepared the audience as other band members Edgey Pires and Brad Wilk (drummer of Rage Against the Machine) took the stage and started rocking out with other songs off of their EP New York I Do. My favorite was their new single “Killing Fields,” it definitely got the crowd pumped.
I had the opportunity to speak to the Last Internationale after their set (AKA I had the opportunity to awkwardly stutter questions because I’m awkward inside and out). As a Jersey girl not too far from the city myself, I was excited to speak to them about NYC and their favorite venues to play in, as well as their experience in Nashville so far. Like most of us, the Last Internationale was definitely pumped about the ever-changing music scene here in Nashville, pointing to the Third Man Records coming to Nashville as a big turning point for the Music City. (P.S. Weezer recorded a new version of Suzanne at Third Man Records the day of the concert, which you can hear snippets of on Weezer’s Instagram account.)
Check out The Last Internationale at their website thelastinternationale.
Weezer were super cool to see live–Pinkerton nearly brought me to tears. It was a really special night, starting off with a set of greatest hits, followed by some old never-seen-before footage of the band during their Pinkerton tour, and then Pinkerton from start to finish. The crowd was full of die-hard fans that shouted all the words and sang all the guitar solos, and it was clear that everyone enjoyed Weezer’s night of memories. The performance was really great, and (I think) a pretty cathartic experience for all involved.
Thanks for WRVU for sending me out to check out The Last Internationale, it was a ton of fun and I’m looking forward to following them in the future!
You may remember my blog post from back in January giving my predictions for some of the artists I thought would be coming out to this year’s Rites of Spring festival. If you do remember that post, you probably have figured out that I bombed all of my predictions except for the big one: I correctly guessed that 2 Chainz would be a Rites 2014 headliner. Today, I write again about our school’s beloved spring music festival, because it starts tomorrow. My fellow staff writer Zach Blumenfeld has given you a great preview of tonight’s unofficial Rites kick-off, the annual Battle of the Bands, by giving an overview of each artist you’ll be hearing. Instead of giving y’all an artist-by-artist breakdown, I’m going to take a step back and give more of an overview on how to get the most out of the Festival based on my own personal experiences the past three years.
“11 bullshit-free rock songs about getting past the bullshit in your life”
Being one of the biggest Andy Hull fans out there, you better bet I’m pretty excited about today.
If you’re not exactly sure who Manchester Orchestra is, you might want to take a second to get comfortable because you might end up falling in love and then subsequently facing heartbreak. Bear with me.
Many of you have probably seen this popular video posted by Grady Smith reminding us how mainstream and non unique country music was in 2013. What most of you probably don’t know is why this video exists. This video was actually made in response to the negative comments on his top 10 country album list that readers penned “not mainstream enough.” I don’t think his goal was to bash mainstream country music, but to open listeners eyes to songs they won’t hear every 5 minutes when stuck in Nashville traffic at rush hour. I have always loved some of the lesser known, genuine, country crossover artists, but didn’t realize how big of a genre they were becoming until my dad pointed out a Reddit post to me last week. Someone started dissing country music and one clever Reddit user retaliated with a Spotify playlist full of the best country songs he could find that aren’t about girls, trucks and beer. This playlist, featured below, includes some of my favorite new artists in Nashville that really have the potential to change country and triple A radio.
Most people are familiar that Johnny Cash’s famous “Hurt” is actually a Nine Inch Nails song, that Led Zeppelin took much of their catalog from early blues recording, or that all of the various recordings of “Hallelujah” owe themselves to Leonard Cohen’s original. But what about those song’s that we associate with one artist entirely when they are actually the creative genesis of another artist entirely? These five songs fall in that category; that a listen to the original versions.