Periphery @Exit/In Tonight #MetalIsMusicToo

Periphery will be melting faces at Exit/In (not Rand) tonight.  Doors open at 7pm.
Periphery will be melting faces at Exit/In (not Rand) tonight. Doors open at 7pm.

For those of you there on that fateful afternoon in Rand almost two years ago, you remember it as one of the oddest sensory juxtapositions in your Vanderbilt career.

It was, at first, an ordinary lunch hour for the students in our campus dining hall.  Some were studying, their laptops and notebooks strewn about, taking up four-person tables all by themselves.  Others were casually munching on their Randwiches and “gourmet” Chef James meals and chatting with friends.  Many were multitasking.

Then, the music started.  At first, it was just a rush of distortion in the background, barely registering in ears so unaccustomed to hearing it.  But it soon became clear that this was no mere technical accident.  The speakers in Rand were playing metal–replete with screams and growls of vocals and guitars and lacking any consistent melody or rhythm.

Aphex Twin – Syro Review

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The Aphex Twin blimp over London, the harbinger of the return of Richard D. James.

On August 16, 2014 this mysterious blimp, sporting the iconic Aphex Twin logo and “2014”, appeared over London.  Soon after, the same logo appeared in street art graffiti-ed onto the sidewalk in front of New York’s Radio City Music Hall.  While many refused to buy into the hype, discussion exploded in the music community about the possibility of a new Aphex Twin album this year, which would be 43-year-old beatsmith Richard D. James’ first full release since 2001’s Drukqs.  Just two days later, Syro was announced via James’ twitter, and just one month after that music fans found themselves experiencing an Aphex Twin comeback.

All About That Bass

victorwooten.com
victorwooten.com

On September 18th, virtuosic bass player Victor Wooten premiered his unprecedented electric bass concerto, entitled “The Bass Whisperer: Concerto for Electric Bass and Orchestra”, with the Nashville Symphony Orchestra. Often times, it was hard to distinguish where bass ended and Victor began, making the night memorable for everyone in attendance.

A River That Does A 180°

An album two years in the making finally presented itself this past August. Dry the River’s Alarms of the Heart exudes a confidence that wasn’t as obvious in listening to the band’s first album. Actually, in a lot of ways, the two albums are super different.

(The Guardian)
Dry the River (theguardian.com)

Progressive or Regressive Rock?: Opeth’s “Pale Communion” Reviewed

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Anyone familiar with the name Opeth most likely knows the Swedish band for being innovators in the progressive metal genre.  Their extremely unique sound has led them to worldwide acclaim in the metal community, and the band has had much praise from the modern progressive rock community as well.  Albums such as Blackwater Park and Still Life have become some of the most heavily-praised metal albums of the modern era.  Many fans, myself included, love Opeth for their ability to change from an extremely heavy metal riff to a beautiful acoustic guitar with the creativity and skill that few bands can even manage to pull off a few times, let alone as consistently as the band has proved.  

Beyond Pitchfork: 5 Online Resources for the Budding Indie Music Fan

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So you’re a brand new DJ.  A little excited, a little nervous to talk aloud to who knows how many listeners.  You know the words to every song on The Essential Billy Joel, both discs.  In high school, you rode shotgun down two-lane country roads in your friend’s doorless Jeep, sticking your bare feet out the side while the first Mumford & Sons album drowned out the cicadas.  No one else in 11th grade had heard of The Decemberists or Regina Spektor.  You thought you were pretty cool; you went to public school.  But now, in college, the older DJs in WRVU are intimidating, and you don’t know any of the bands they’re talking about.  You’re me, freshman year.

Two years ago, I spent a lot of time hunting for new music, though I wasn’t very efficient at it.  Pitchfork was the only music journalism site I’d heard of, and I spent lots of time there without understanding the context of most of the articles.  If I could do it all over again, here’s the resources I’d have used.

The Best Of Live On The Green

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Boasting crowds approaching 20,000 each week, Nashville prides itself in having one of the best free music festivals in the country. You heard me right, free. Lightning 100, the only local independent radio station, brings in the best live acts for four Thursday nights full of food, fun and music then continues the party the last weekend by extending this Thursday night show into a whole weekend festival spicing up our Friday and Saturday. This year the lineup was better than ever with bigger bands and the same long sets. All of these Thursdays and weekend performances add up to 22 live sets by Cage the Elephant, The Head and the Heart, Capital Cities, Ingrid Michaelson, City and Colour, Jake Bugg, G. Love and Special Sauce, The Wild Feathers, Augustana, Delta Spirit, The Lone Bellow, Wild Cub, The Features, The Weeks, Spanish Gold, Johnnyswim, LP, All Them Witches, Goodbye June, Daniel Ellsworth and the Great Lakes, Sugar and the Hi-Lows and Phin.

Tom Krell Shows Exit/In How to Dress Well

How to Dress Well performs in Nashville. Source: the author's phone.
How to Dress Well performs in Nashville.

By most metrics, How to Dress Well still has a lot of room to grow in the music industry. This past Tuesday, singer/songwriter Tom Krell’s first appearance in Nashville meant a twelve dollar Tuesday show at Exit/In that maybe half sold out. The intimate crowd size and locale seemed much more befitting to How to Dress Well’s early lo-fi work than to 2014’s immaculately produced “What Is The Heart?” While his music is influential to similar indie-R&B peers like The Weeknd and Frank Ocean, Krell is several orders of magnitude behind the breakout recognition those two have enjoyed. Critical appeal has grown with each full-length release, and so has both the production quality and amount of potential breakthrough singles, which makes it hard to say why Tom Krell has yet to experience a higher level of cultural significance.

The Evolution of Matisyahu

Matisyahu, mid-2000s (top) and 2014 (bottom).

Today, Vanderbilt will host its most esteemed musical visitor, excluding Rites and Quake, since Billy Joel (and Michael Pollack) captivated a sold-out Langford Auditorium almost two years ago.  Matisyahu burst onto the scene in the mid-2000s, delivering a powerful reggae sound laced with traces of rock, hip-hop, and his trademark Judaism-inspired lyrics.  It was a wonder to behold him commanding the stage in traditional Hasidic dress, complete with yarmulke and full beard, while performing in a style that broke the mold of Jewish orthodoxy and tradition.  We listened in awe as “King Without a Crown” leapt to #28 on the Billboard Top 100, easily the highest a song with explicitly Jewish lyrics has ever charted.  We sang along to the powerful “One Day,” which was remixed with new verses by Akon.  And then those of us outside the reggae community allowed Matisyahu to slip from our consciousness.

The Matisyahu who will be walking around West End today looks far different from the Matisyahu of ten years ago.  Gone is the beard, as is the yarmulke–he wears a clean-shaven look topped by a mop of graying hair.  The music, while it still contains Judaism at its heart, has become more secular and more diverse in style, reflecting the man’s continuing spiritual journey.  But Matisyahu is as active as ever, having released his fifth studio album Akeda in June and touring extensively in support of the LP.  In light of this metamorphosis, let’s take a closer look at some of the highlights of Matisyahu’s decade-long career.

The Death of Death Grips and The Powers That B

mcridebuck
MC Ride

In early June, the elusive experimental hip hop group Death Grips released the first half of a double LP called The Powers That B, effectively dropping a bomb on the indie music community from up their sleeves.  Soon after, the band announced the completion of Death Grips as a project and the cancellation of all future tour dates.  Now we find ourselves in a post-Death Grips world, except one of these days we can expect Death Grips to release the second half of The Powers That B in a similarly sudden fashion.

Black Quarterback:

Left Field Favorites

Lots of music out there is just a little bit different, and that’s the common thread running through the songs on this playlist. The experimental, unconventional, and slightly off: all are highlighted in “Left…

Adventures at Bonnaroo 2014

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Ah, Bonnaroo 2014. As I wrote this post, I had a difficult time formulating the proper words to describe my experience. Well first of all, I’ll say when I set out for Bonnaroo on Wednesday night, I knew it’d be a great time, but I had no idea that after I got back home on Sunday, I’d be thinking I had the best weekend of my life.

Ridiculous

The summer Spotify series continues. Here’s what DJ Gracie Gonzalez has to say about her playlist, “Ridiculous”. I crafted this playlist at the beginning of summer, imagining my friends and…

Bonnaroo 2014- The Highlights

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My attendance a few weeks ago at the strange 4-day escape from reality called Bonnaroo Music & Arts Festival marked my fifth year at the event. Early on every year the same doubtful thought runs through my mind: Why do I continue year after year to put myself through this? Sometime between my first use of the less than gleaming porta-potties and the realization that yes, I would indeed be this sweaty and disheveled for the next four days, that moment of panic comes.

Turn Up/Turn Down

Just in time to help ring in another year of freedom for the reigning greatest country in the world, it’s WRVU’s officially certified Party Playlist. Turn Up features hard hitting…

Bring the Sun!

Next up in our series of summer Spotify Playlists, 3 hours of picks from DJ Brett Tregoning. Featuring Brian Eno, Death Grips, Aesop Rock, Animal Collective, and much more. For…

Kid Freud: A Rising Vandy Band

Kid Freud, formed five months ago, is poised for a successful 2014-2015 campaign.
Kid Freud, formed five months ago, is poised for a successful 2014-2015 campaign.

It’s rare that you find a prodigious band coming out of Vanderbilt.  Vampire Weekend met at Columbia and Tom Schulz met his Boston bandmates at MIT, but here the music scene centers around singer-songwriters—Belmont produces the bands, they say.

With Kid Freud, though, Vanderbilt may have these rock titans’ future equals on its hands.

Despite forming only four months ago, the three-piece outfit is taking its place at the head of the burgeoning music community on West End, regularly packing venues like The End and fresh off earning the opportunity to open Rites of Spring after winning the festival’s Battle of the Bands.