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WRVU Unplugged: Liquid Architecture

March 26, 2017

On Valentine’s Day, a few weeks back, I had the privilege of meeting up with one of WRVU’s most articulate (I think you’ll agree) new DJs. Christopher Augustinos, a sophomore student from the Northeast, is rocking the Nashville airwaves with the likes of Kanye West, Hot Chip, and Röyksopp. When we sat down for the interview, I had never met Chris before. The first thing he said to me was “I hope I’ve prepared to answer your questions eloquently.” I knew we’d get along. Who doesn’t love it when DJs take their shows seriously?

COACHELLA =/= BEYONCÉ

March 14, 2017

(via Beyoncé’s Instagram)

Due to her doctor’s recommendation, Goldenvoice announced on February 23rd that Beyoncé would not perform at this year’s Coachella Valley Music and Arts Festival. Instead, she would headline in 2018 when she is not in the third trimester of twin pregnancy. Despite being replaced by her “Telephone” partner, Lady Gaga, ticket buyers are angry and want refunds. Do these ticket buyers deserve a refund?

Birth, Death, and Rebirth of Rock ‘N Roll

February 28, 2017
(source: Billboard)

Little Richard quit rock ‘n roll for Gospel in October 1957. Elvis was drafted in March 1958. Jerry Lee Lewis married his 13 year old cousin and was blacklisted from radio in March of 1958. Buddy Holly died in a plane crash in February 1959. Chuck Berry was arrested in December 1959 for soliciting a prostitute. Thus, rock ‘n roll died, and a vacuum was created in American music in the early 1960’s. The youth simply lost their sound. However, rock ‘n roll and the blues were abroad, being marketed to a foreign audience and growing outside the American musical garden.

Wet Talks Writing, Performing, & Pre-Show Prep in WRVU Interview

February 27, 2017
Wet backstage at Exit/In (photographed by Meredith Mattlin)

A while back, WRVU had the opportunity to interview Wet, the effervescent indie pop sensation that had eager Nashvillians lining up out the door to Exit/In in hopes of a ticket to the sold-out show. We talked before their Exit/In show about touring, new music, their writing process, being on the road and in the South, pre-concert rituals…to read it all, and watch for the first time/relive their show, check out the interview and concert footage below. (We also photographed the band backstage before the show, which you can check out below as well.)

WRVU Unplugged: Cool Waves

November 2, 2016

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Once in a while, you don’t get to do your interview in person. But, behold! That’s alright thanks to the Internet. This week, through the flexible avenue of gmail message threads, I had the privilege of interviewing one of our senior DJs Julia Anderson.

The Mainstream Alternative

September 19, 2016

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We all have that friend who talks incessantly about how they relate to Twenty One Pilots on a spiritual level, then ask you if you’ve heard “that new one from Suicide Squad.” They appear to listen to “Chocolate” by The 1975 on a loop on Spotify, with a brief intermission of Foster The People’s “Pumped Up Kicks.” They drone on about how they are literally obsessed with Imagine Dragons and can’t wait for fall just so they can play “Sweater Weather” on their new record player as they down their third Pumpkin Spice Latte (PSL if you’re edgy).

If You Go West, Check These Out

April 19, 2016

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As a school in music city, Vanderbilt has an endless supply of great live music venues, concerts, and amazing festivals. I have not been to very many myself, but the ones I have attended – Live on the Green and the CMA Festival – have been very positive experiences. This being said, a large majority of the music festivals that I hear about when I talk to other students include Lollapalooza in Chicago, Illinois, and Bonnaroo in Manchester, Tennessee.

A New World

April 18, 2016

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I had no idea who Porter Robinson was when I went to Hard Summer 2015. With other names like ODEZZA, Griz, Big Gigantic, Bro Safari, and Chemical Brothers,  it struck me how many kids were wearing black t-shirts with Windings font and carrying “we <3 Porter” signs. Just before his show, I found myself with a group of Robinson fanatics who warned me I was about to have an experience of a lifetime. I smiled, gave a big-festival-hug, and turned toward the stage aglow with the art deco neon of Robinson’s debut album, Worlds.

A Healthy Playlist: “Fruit Salad”

April 15, 2016
courtesy of Ellen Scott of metro.co.uk / Getty
Listening to this playlist is the equivalent of beaming over a big ol’ fruit salad. (Photo courtesy of Ellen Scott of metro.co.uk / Getty)

For some people, salad–especially fruit salad–is really fun to eat. Just search “person eating salad” on Google and you’ll see that 9 out of 10 results feature inexplicably jovial individuals brandishing a bowl of salad in one hand and admiring a tomato or a tuft of lettuce speared on a fork held in the other.

However, as exhilarating as it may be to eat salad, it’s even more fun to listen to it.

Okeechobee 2016

April 3, 2016

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By Sammy Spencer and Bo Kennedy

This year’s Okeechobee Music Festival, held on Lake Okeechobee in Southern Florida, exceeded all of my expectations for a first year music festival. I arrived late on Friday night due to exams, and set up camp that night already feeling a strong positive energy throughout the site. The next day was a whirlwind of amazing experiences, enhanced by the unbelievable art and music that Okeechobee had to offer.

Lake Street Dive Takes On The World

March 31, 2016

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Lake Street has deservedly skyrocketed in worldwide fame ever since their live, stripped-down cover of the Jackson Five’s “I Want You Back” filmed on a Boston street corner went viral. Mixing old-school pop with jazz, blues, and soul influences, the group caters to the indie pop-rock loving fan who loves a taste of nostalgia in their ears.

Tacocat Returns with Lost Time

March 31, 2016

(Image Credit: BrooklynVegan)

Within a minute of Lost Time’s opener “Dana Katherine Scully,” it’s clear that Seattle-based candy-coated punk/pop/surf feminists Tacocat are doubling down on the most infectious elements of their sound. On their last full-length, 2014’s NVM, Tacocat developed their compelling craft of tackling often-unaddressed and/or feminist topics with sugary pop melodies and distorted surf guitars on cuts like the phenomenally period-positive surf rock party of “Crimson Wave.”

Sadness Sells

March 27, 2016
(source)
(source)

When Sufjan Stevens sings with raw vulnerability about “Death with Dignity,” or Alex G warbles about “Thorns,” or Frankie Cosmos draws you in with “Sad 2,” or King Krule weeps with deep-voiced, buttery droning through “Bleak Bake,” you are being sold an emotion just as much as a song. Naturally, a degree of sadness can be a fuel for inspiration, pushing artists into more creative realms, donating their hurting to public consumption—offering a source of relatability for the general populace, giving us solace in melancholy solidarity. Sad songs, then, are incredibly important: sobbing in the depths of the saddest song you can find on your Spotify playlist is often an unmatched catharsis. Sadness sells, and often is mutually beneficial for consumer and producer alike.

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